We are so delighted to publish this latest post by Janine Graf to her fabulous Column with us, iSights. This time Janine has created an absolutely incredible and fascinating tutorial, using a great image that she captured on her recent trip to New York at the subway/tube. Don’t miss this, it’s such a good read, with a great process and final result. We also decided to create an accompanying screenshow of the steps. Over to you Janine. (Foreword by Joanne Carter).
Taking a break from air travel, she decided to catch the C train
“Hi everybody! For this month’s column I thought it would be a fun change of pace to do a tutorial for you. Tutorials for me are tricky not because I have trouble putting direction into words (I guess you’ll be the judge of that!), but because I’m insanely unorganized with my photos; in fact, I’m a hot mess. In pretty much all aspects of my life I’m very organized; I can even tell you what day a certain bill should arrive in the mail. However, keeping track of my images, steps I’ve taken, and remembering to take screen captures of said steps I find a real struggle; this should prove interesting.
So I was in New York recently for a few days to visit friends and attend the Mobile Photo Awards’ gallery exhibition. I love New York so much and was enthusiastically planning photo shoots in my head even before leaving Seattle. One composition I had in mind was that of my balloon-traveling rhino inside a subway train, complete with her balloons caught outside the train doors. I so desperately wanted to get that shot but unfortunately was only underground once. Luckily, however, during that one brief time I was able to snap a couple of scenes; no doors though, I missed the doors, and the doors were an integral part of the whole composition . . . harrumph.
Nevertheless, I was able to capture this image with a good shot of a window, and a handsome man to boot.
For this project I used Juxtaposer, BlurFx, ScratchCam, King Camera and Snapseed. I know a lot of you would prefer to use Superimpose for a layering project like this, and although that may be a better app for this sort of job, I am a true blue Juxtaposer fan thru and thru . . . well, that and I’m lazy and don’t want to take the time to learn Superimpose better.
Now here’s a bit of background regarding the production of this image. I found creating this image frustrating. In fact, it made me bonkers. I worked on this off and on for days trying to fine tune it. I REALLY wanted it to work so I plowed through at the risk of my family wearing dirty underwear and mismatched socks to work and school; I’m sure once they start speaking to me again they’ll realize it was for a good cause. So the thing with this image is that it took me a while to figure out what wasn’t working once I got into it. I placed her (the rhino) inside the train just fine, erased around what needed to be erased, but it didn’t look right. I did quickly realize she was too in focus in relation to the moving train, but that was easy to address. Once she was blurred, she still didn’t look right and it was making me quite batty; I couldn’t put my finger on the problem. After staring at it to the point of possible retina damage, I realized she was too clear through the window; blurry, but still clear, as if there were no glass in that window. Eureka, that was it! So without further delay, let’s get this tutorial off and running, shall we?
So this image is comprised of two separate images; the subway image above, and this rhino picture I took over the summer at the San Diego Wild Safari Park. Isn’t she cute? I got to stick my hand inside her mouth, but that’s another story for another time:
Brought both images together in Juxtaposer, making the subway image the base layer. Now, I already have the rhino saved in Juxtaposer as a stamp so I’m going to start from here; no sense in re-creating the wheel after all. Saved stamps save my sanity. I suppose I’m assuming you folks have some experience using Juxtaposer or another type of image layering app; boy, Step One and I’m already making assumptions. This is going to be a bumpy ride people.
Positioned the rhino into place within the train and erased everything around her that didn’t belong. For erasing jobs I highly recommend a Nomad short bristle brush. I do not know how I’d get into those small nooks and crannies without it! Once happy with the erase job, I saved the image to my camera roll and moved on to the BlurFX app.
Uploaded the image into BlurFX and gave it some motion blur. She was the only part of the image that needed some blur, so I cleaned up / erased everything but her and her little window.
Once the motion blur was erased from everything but the rhino and her window, it still didn’t look right. It looked as though her window was kicked out (rough neighborhood?), so while still in BlurFX I went to their filters and selected the second one from the left as it reminded me of glass. Once the glassy filter was applied, I saved the image and went back to Juxtaposer for more layering and clean up.
Starting a new session in Juxtaposer, I loaded the original subway image as the base layer and added as the top image the last image saved from BlurFX, the one with the glassy filter.
Now with two fingers, I tapped the top image to bring it fully aligned with the base image. This feature is so handy I can’t even begin to sing its praises!
Erased everything but the window she’s behind and the little bit of window at the back of the man’s head. (Confession: I had missed that little bit of window at the back of the man’s head and didn’t catch it until further along in another app – ugh. I can’t believe I didn’t notice it straight away. I was going to leave it but it just blared at me all bright and shiny. I had to go back and retrace some steps to fix it. It’s all about the details).
Until finally, once satisfied with the cleanup job, saved the image to my camera roll. Here is what it looked like above. Now after all of this work, I realized I was really unhappy with the colors. They just bothered me. My work was obviously not complete and since I figured the laundry wasn’t going anywhere, I then moved on to ScratchCam. My motto is, “When all else fails, move on to ScratchCam.” My second motto is, “When all else fails, slather it in mayonnaise.”
Uploaded the most recently saved image (the merged Juxtaposer / BlurFX image) into ScratchCam for some speckled texture.
Of course this didn’t solve my color issue, so I then went into ScratchCam’s colors and changed it to a black and white. I really, really like the different monochrome options in ScratchCam. I think they are the best!
I saved the black and white and speckled ScratchCam image to my camera roll and yet STILL wasn’t satisfied with this end result. At this point I’m now completely sick and tired of this image. Truth be told, I had probably 10 or more major fails of this image before being happy enough with what I’m showing you here: i.e. not enough motion blur, saving the image and then noticing two steps later that I missed some parts that should have been erased, or should not have been erased; that kind of nonsense. There was one saved copy I didn’t notice until further down the line that part of the rhino was as clear as crystal; there was no motion blur at all – ACK!!!! I was getting cranky and my eyes were hurting (this is all done on my iPhone btw as I can’t find my iPad; it’s probably buried under a mountain of laundry) and I wondered to myself two things, “Does my family REALLY need to eat dinner tonight?” and “Do we have any more bottled mojitos in the house?” After taking a moment to ponder, I made the decision to forge ahead and put the image into King Camera.
While in King Camera I decided to give the image a thin black frame. I liked the idea of a thin black frame to help hold it all together. There are lots of lines in the image and I thought that black lines around the image would look cool. What I like about King Camera’s frames is the feature to make the frame thicker or thinner with a slide adjuster.
And then I decided to add some vignette. I love King Camera’s vignette feature.
Saved the image to my camera roll and realized it looked too dark. Mercy, when’s it going to end?
Seeing as the image was too dark in my opinion, I put it into Snapseed for some brightening.
In the “Tune Image” feature of Snapseed, I cranked the brightness to +40, saved it to my camera roll and called her done! Hazzah! I’m sure I could tweak and fine tune it more, but quite frankly I never want to look at this image again . . . at least not for a while . . . and not without a mojito or two in my system . . . and some nachos in my belly . . . and some clean socks on my feet . . . don’t even get me started about underwear.
Here’s the final image called, “Underground and Undetected”:
Thank you for reading and sticking through to the end! You are good people . . . mojitos are on me!