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Mobile Photography/Art – Saturday Poetry – ‘Twinkle Twinkle Little Bat’ by Lewis Carroll

I am introducing a new section, simply titled, Saturday Poetry. Each Saturday I will publish a poem and I will also try to link a mobile photography image, that has been uploaded to our Instagram hashtag #theappwhisperer during the week.

Today, I am publishing ‘Twinkle Twinkle Little Bat’ by Lewis Carroll. It is a poem recited by the Mad Hatter in chapter seven of Lewis Carroll’s Alice’s Adventures in Wonderland (1865). It is a parody of “Twinkle Twinkle Little Star”.

The poem seems to question the activities of a bat which appears to be a mysterious and even a mystical creature whose daily on goings are a mystery to the speaker. Though the bat does not appear to have any structural affinity with a tea tray it has been compared to one.

The poem seems to question the activities of a bat which appears to be a mysterious and even a mystical creature whose daily on goings are a mystery to the speaker. Though the bat does not appear to have any structural affinity with a tea tray it has been compared to one.

The theme of the poem is simply a musing on the activity and ontology of a bat but we could also suggest that this appears to be a nonsense poem and the theme is only the manifestation of this nonsense.

Apparently the tone of the poem is that of surprise or amusement at the antics of the bat but being informed of the real purport of the book of Caroll we could not simply stop at the conclusion that the poem is a piece of nonsense. The style is simple enough to be of enjoyment to little children who were the primary target audience of the book. But as is suggested earlier the simplicity could be very deceptive and may be pregnant with many hidden agendas. The fact that it is a parody of a popular rhyme – Twinkle, Twinkle little Star makes it both blameless and guilty of subversion of the popular standards of the time. In fact the book is a parody of the manners and times of Victorian England. It is curious that the word ‘Twinkle’ is not an onomatopoeic word as it appears to be since the word does not represent the sound of the object. The sound of the star is actually not heard by human ears (it is registered by highly sophisticated radio machinery if the star happens to be a pulsar!). The word is actually a visual onomatopoeia (if there could be an expression like that!) where the blinking of the stars has been popularly rendered as ‘twinkle’.

Caroll has been criticising the absurdity of the linguistic over-decorativeness in both literature and everyday use and just by using a word in as absurd a use as it was always used he might be satirizing the entire traditionness of the linguistic practices of English as a language. This feature of the poem is more remarkable when we bring into attention the fact that the poem is basically a parody. A parody is a work which generally makes fun of some other work of authority and reputation by disgruntling and twisting its features by the means of exaggeration or minimalization. Here Caroll takes on a popular icon of a nursery rhyme to twist its absurdity out into the open. The parody is reinforced by the absurdity of the structural comparison of the bat and the tray. It appears that it was done primarily to make the rhyme but the absurdity and ‘no-rhyme-no-reason’ actually heightens the element of parody. Bats are actually shy creatures and mysterious. The speaker is clueless about the bat and not so much as the child in the original rhyme. After all the rhyme is recited by the Mad Hatter who is, well, mad! Thus the character is in rhyme with what he says and therefore the rhyme is after all not so nonsensical.

(This wonderful analysis was provided by Beamingnotes.com – really fabulous website).

I have matched @lettsflair image ‘Moonlit Skieswith this poem. You can follow her on Instagram here

To view the others we have published in this section, go here.

Twinkle Twinkle Little Bat

“Twinkle, Twinkle, Little Bat,

How I wonder what you’re at:

Up above the world you fly

Like a tea tray in the sky,

Up above the world you fly

Like at tea tray in the sky.

Twinkle, Twinkle, Little Bat,

How I wonder what you’re at:

Up above the world you fly

Like a tea tray in the sky”.

‘Moonlit Skies’

Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: [email protected]