Mobile Art and Photography That Has Influenced Me – Interview with M. Cecilia Sao Thiago from Brazil

The dark and intriguing character of the way the vegetation appears so fleeting and unrecognisable to the viewer, fascinated me. My impression of fleeting images is that the fact that they contain so many details leads to greater attention and dedication to the observation of photographs than to the contrary.

The constant use of the self-portrait consists of a repetition that exceeds the patterns of meaning, invoking magnitude through pure repetition. Her iPad paintings invoke a vulnerability, which became even more striking after the dramatically premature outcome. It is clear to me, seeing her work that her photographs portrayed the day to day as that to demonstrate how art is restorative.

My favorite quote by Hall Young: “Watch what makes you shine, what you are drawn to. Pay attention to who makes you shine, and who diminishes you. Pay attention to what you do when nobody’s looking. Pay attention to the choices you make that are different from other people’s choices. I think the saddest thing is when people don’t know what they love. We get so used to living up to other people’s expectations that we stop having any of our own, other than assumptions that are guided by people in our environment.”

Self-portraits, unlike selfies, are not always easy to make. They are not a cry for attention or a showcase of your physical beauty. Self-portraits are a learning curve and experimental field for the photographer who is willing to bare his soul in front of his own lens. And Helen mister when it comes to Auto-portraits.

I regard her self-portraits almost as visual enigmas, for her ability to turn her body into everything she wants. Just as you can place the minutely selected objects in a stipulated position, so as to establish precise meaning for your photograph.

In the photographs of Eliza, plant and body, light and shadow, ground and skin, vestige and presence, abandonment and habitation coexist in a profound and sometimes hesitant way.

I admire her ability to reflect on one’s own body, emphasising the importance of the self for the competence of self-observation.

The representation of self in photography seems to me to relate to the body image and the influence of its image in the way it relates to others and how others relate to the image.

I was so enchanted when I saw this image and thought that it was time to see in the largest museums made photos and edited with iPhone / iPad.

Cindy Patrick was one of the first photographers to publish pictures with the iPad, which revolutionised my vision with her own style. The space represented in her photographs is of great importance for the understanding of her work

Through this representation there is on the one hand a desire to feel free, to obtain one’s own liberation.

I love Bobbi’s present technique of encaustic to the use of colors, materials and symbolic value present in the images. I did not choose a photo with the encaustic technique because I never used it, and I would not know how to talk about it. What I intend to do soon.

I always love the features, the lines always present and very resourceful and personality composition of Bobbi.

The “Axes” are imaginary, horizontal, vertical and oblique lines in relation to which the composition is constructed or the elements that the painting are distributed.

The “pray for boston” image from Juta is with ethereal.

The term “exposure” appears as a synonym for ‘taking a picture’.

Juta’s photographs please me even more when they reveal a taste for the illumination of the object, game of lights, confers to the photos irrationality, either in the body, or in the object and environment.

The photographs receive influences from the artistic works of their parents, on one side the paintings the female model presented in the photographs is like Juta herself, as if she said – Being photographed helps me to be myself.

Of all the gear chosen here, this is the only one that is not made through iPhone / iPad apps.

She starts from the photograph and uses the most varied techniques to reach the final result. Every good work of art is in complete balance. As a means of knowledge, exploring concepts that had not yet been analysed as the wonderful, the dream, the unconscious and why not the madness. This fascinate me.

The objects chosen in the photographic scene of Sarah have a symbolic load, and there is an influence of the Surrealist – Expressionist movements in her work. Through photography was visible the confrontation of the human being against the mismatches provided by modernity. The aim of the movement would be to study the aspects that escaped the logic, the real valuing the subjective aspects, not accessible to the conscience.

Sarah’s artwork was the first to delight me. I can not forget the day I discovered her profile and was immediate fascinated by each image. Two years ago, on a visit to my daughter who was studying theater in England, I set out to visit Sarah. I wanted to meet her personally and buy a work of her, I sent her an email, but unfortunately it did not receive an answer and it didn’t work out. As my daughter decided to live in England, I hope one day I may have a work of her in my hands. Yes, I would give it to myself.

In contrast to reason and instincts, as two opposing ways of guiding the action of the subject.

Influence of the surrealist movement through the importance and interpretation of the dream and the method of free association.

Through the psychic automatism it was possible for the artist to express her art through the emotions and affections that were at the unconscious level, thus consisting of an autonomous psychic activity that does not attend the control of consciousness. I love her work.

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