Mobile Photography – Instagram TAKEOVER with @cawestruck – Carol Wiebe – Days 10 and 13 – the story so far…

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We are so excited with our latest Instagram TAKEOVER this time with @cawestruck – Carol Wiebe. She is a highly respected and talented artist and has been granted full access to our Instagram account and she has done such a magnificent job. We are very proud of her! Please take a look at her Instagram feed to see what an incredible artist she is.

On Day 10 @cawestruck highlighted the work of talented mobile photographer and artist @tikoi –  and she writes, it grows out of my head” by @tikoi. This blended image, unlike many that feature a portrait, emphasises the tree rather than the face. We really have no idea what the face looks like. I find this somewhat refreshing, and @Tikoi, who concentrates on self portraits with double exposure, employs this technique quite a bit. It is as if he is saying his face is not the most important thing in the image; the tree is every bit as important. Looking through the rest of his gallery, I get glimpses of him now and then, but he is very playful and inventive with how he combines the face and figure with the objects and natural surroundings he also shoots. There is much variety: some of the images make you laugh, as when parts of himself are missing, and others are hauntingly beautiful, but all share a common attention to detail and artistry that makes his gallery a pleasure to explore”.

Later on Day 10 @cawestruck highlighted the work of multi talented mobile photographer @kate.zar.roberts – Kate Zari Roberts and she writes It is my pleasure to highlight “Reflections on a Dream” by @kate.z.roberts. This image has a poetic quality that I find very appealing: the dark patterns flowing out from the dress, the female figure’s intense gaze as she observes this energy move outwards from her, or maybe towards her. Her gaze denotes awareness, making me wonder if she is still in the midst of a lucid dream, where her dress has come alive and is her vehicle for exploration as she moves with and within it. Kate, herself, moves effortlessly from landscapes to people to objects to surreal images. Her subject matter is wide ranging, but her eye is always sharp to notice and capture an image that speaks, expressing a story she wants to tell, an object she wants to emphasise a visual poem she wishes to “recite.”

On Day 11 @cawestruck highlighted the work of talented mobile photographer and artist @fleurschim – Fleur Schim and she writes “It is my pleasure to highlight “Lintel View” by @fleurschim, taken at The Israel Museum, in Jerusalem. I love how the details of the garden have been beautifully matched to the color and texture of the carved lintel, which fleurschim has used so effectively to frame it. I imagine her about to step from the lintel into the garden, crossing what looks ancient to re-enter the landscape of modern day life. Those lines, forming a cross, further emphasise that divide she is navigating. It makes me curious about what kinds of crossroads her mind may be negotiating at the same time. Be sure to visit @fleurschim’s gallery to see other places she has captured”.

Later on Day 11@cawestruck highlighted the work of talented mobile photographer and artist @phyllisshenny – Phyllis Sherowitz Shenny and she writes Abandonment always evokes sadness, and the thought of what might have once been a vibrant community church is no exception. Stained glass windows are boarded up, and the details of the building are skewed, adding to the look of neglect, especially when one notes the steeple and the cross at precarious angles. One could be tempted to make a religious statement, but the pulpit is likely damaged or missing in this deserted church as well, so there is no borrowing it. Phyllis has stated what is essential with an effective image that is equivalent to a 1,000 word sermon (or ten thousand if you go by an old Chinese proverb). Any further prayers now need to be said for the church rather than in it”.

A little later on Day 11 @cawestruck highlighted the work of talented mobile photographer and artist @iphotami – Karen Axelrad and she writes “Karen Axelrad has over 1200 posts in her stunning Instagram gallery, where she has proven her digital prowess over and over. In this image, the face and bodies are sliced and diced into pieces that one cannot help comparing to how one feels having to deal with modern life. There is so much information, so many pulls here and there, that one sometimes has the sensation of being virtually dissected and fragmented. Refraction bends and changes the direction of those fragments, perhaps by virtue of the latest newscast or Instagram post!  I also appreciate that, at first glance, this image could be viewed as an abstract, making it a piece of art that satisfies on many levels”.

Still on Day 11 @cawestruck was drawn to the work of @jules4921 – Rita Colantonio and she writes “I was ready to call it a day, when this image came through on the IG feed. I immediately commented that it was a divine image. There is so much beauty in it: the winged being, the woman lying on the bed in all those sensuous folds, are both physically attractive. But beauty is also expressed in the idea that dreams may be gifts, bequeathed to us, breathed into us, perhaps from a divine source. The clouds bring to mind Wordworth’s “Our birth is but a sleep and a forgetting. Not in entire forgetfulness, and not in utter nakedness, but trailing clouds of glory do we come.” To play fast and loose with Wordsworth, the dreams birthed in us each night are also subject to forgetfulness, but many believe they are a gateway to higher knowledge and self insight. Such dreams could be described as trailing clouds of glory. The indecipherable writing may point to such knowledge as well. I find this image utterly enchanting. Rita, whose work I have described as elegant and suggestive, has outdone herself here. Thank you,  Rita! If I have been overly rapturous in my interpretation, I take full responsibility but offer no apologies”.

Moving on to Day 12 @cawestruck discovered @prairejill‘s – Jill’s work and she writes “The picture plane has been intersected several times, diagonally, by the escalators, creating three separate vignettes, each fascinating in their own way. I could make up scenarios, as I am wont to do, for each of these sections, but I am happy just to study the small figures, stylised by their size reduction, but quite identifiably different. Upper section: Blonde woman coming into close proximity to man in trench coat. Middle section: fancy woman dressed all in white, with fluffy collar, possibly fur (the others are not as clear). Bottom section: Person in black and white jacket, with a “bun,” sitting in background, and woman in turquoise jacket pushing baby carriage. I invite you to corroborate my identifications or correct and create your own. I am enamoured with the shiny sides of the escalators, the changing colours of floors and walls, the blurred movement of the moving stairs.  This image provided me with a lot of fun—I felt as if I was playing with a doll house (or mall) and could reach in to move the miniature characters into different positions on the various levels and make them interact in a variety of ways”.

Later on Day 12 @cawestruck highlighted the work of @klimmtt – Cecilia Sao Thiago, a very talented mobile photographer and artist and she writes “There are those who have called shopping malls the present day churches of North America. Whether or not you agree, it is true that shopping is a ritual that many practice often, and klimmtt has provided us with the bright lights, the open aisles, the bags and the goods that practitioners partake in. Those bright red coats of the two featured shoppers suggest they may attend the same sales together, and their brisk stride means they could be on there way to one. Other shoppers are not as clearly delineated, and may stand for the faceless many who shop along side us, but we are too focused on finding bargains or specific items to really see them. Plus, the bright glitter of goods demands we pay exclusive homage to all it has to offer.  On her website, klimmtt describes how she likes to create illusions with her pictures, that she can then cast into the realms of our imagination. I certainly feel as if she has given my imagination a workout with this image, and I invite you to find further ways for your mind to play in her gallery”.

And then later on Day 12 @cawestruck discovered this stunning image by @elizabadoiu – Eliza Badoiu and she writes “This image embodies mystery and the kind of obfuscation I find fascinating rather than maddening. The woman is veiled. We think we can decipher her face, but are not quite sure. The garment she is wearing, if it can be called a garment, is like a shawl of fringes gone wrong, that appear to have overtaken her, to be moving beyond her, perhaps taking her with them. There is something sinister and shroud-like about that shawl. Our shrouded female might be raising a hand, beckoning for help, but we are unsure about that also. And what of those scrawled letters, Y and X? Is it a coincidence that Y and X are chromosomes that determine our gender? Females are typically XX and males are XY. Yet the letters, which we usually read from left to right, are YX. Could this person be hiding some strange anomaly, a new gender previously unknown, under that voluminous shawl? Perhaps the shawl is just a shawl and there is no “why” to the Y and no wrongdoing despite the X, but I have thoroughly enjoyed trying to unravel the mystery of this evocative image”.

Moving on to Day 13 @cawestruck highlighted an image that we had included in this weeks Flickr Group Showcase too, by @sirreal – Chad Rankin and she writes “It is my pleasure to highlight “The Baptism of Creation” by @sirreal ~ Chad. He is a Craft Beer enthusiast as well as a mobile artist, so I imagine @sirreal ~ Chad tipping one back as he contemplates creation. It is interesting what @sirreal ~ Chad has chosen as components for his image: a polyhedron, a disembodied arm and four small busts (reflected onto or duplicated within the polyhedron). All rest on a dry, cracked surface that may be underwater (in which case, why would it be dry?), or the water may be a backdrop to these objects. I see the water as symbolic for baptism, which implies being purified for admission into some kind of belief system. The polyhedron is a solid in three dimensions, and wikiquote tells us that three-dimensional space is a geometric three-parameter model of the physical universe (without considering time) in which all known matter exists. Three could also stand for the Trinity, if Christianity is the belief system referred to here.  The four busts may be alluding to the fact that four stands for a firm foundation. Think of how many parts of creation come in fours: four seasons, four elements, four phases of the moon, etc. Pythagoras and his followers believed four was a perfect number, and that it represented God. God and creation go together like s horse and carriage in many belief systems. Cracked sand denotes a wasteland, perhaps where creation originated after being visited by the polyhedron and the disembodied arm, and before the baptismal waters washed over it. Take all of the above, with a big grain of the cracked sand, or tip back enough Craft Beer to just throw in some intriguing elements and think up a cool title. Both work for me!”

Later on Day 13 @cawestruck highlighted the work of talented mobile artist @jormain and she writes “My first reaction when I see this image is “purity.” The image is clean, basic, stripped down to what is essential. I observe a young woman, maybe just a girl, rapt before a shining window, her shadow falling behind her like a reiteration of her rapture. The purity of her experience streams out of the image as it does through that window. I sense a stillness in her, with that upturned face held by euphoria, elation, perhaps even exaltation. Longing is rising with my goosebumps. I want to see what she sees, feel what she is feeling. I want to know that kind of exaltation”.

And then… @cawestruck discovered another stunning image that we had also included in this weeks flickr group showcase, this time by @louisewhiting and she writes “It is my pleasure to highlight this image by @louisewhiting. Superimposing a face on top of itself is not as easy as it sounds. I am sure many would attest to the fact that it can be tricky to make such a face, or collection of faces, look right, to flow seamlessly, rather than merely appear ridiculous. Louise has achieved a multi-faced look to perfection with her image, and has celebrated the fact by adding nothing else. The fact that the eyes are looking in different directions, one towards us and one away, only adds to the strange attraction this portrait holds. It is impossible, but arresting, and our own eyes cannot look away”.

Thank you so much dear Carol, it is our privilege to see #theappwhisperer through your eyes, it’s so good.

Like all of these artists, please continue to tag your images on Instagram with #theappwhisperer in the hope to being selected and featured!

Read moreMobile Photography – Instagram TAKEOVER with @cawestruck – Carol Wiebe – Days 10 and 13 – the story so far…

Mobile Photography & Art – Happy Thanksgiving Post…

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Happy Thanksgiving! This is our first year of asking mobile photographers and artists to contribute a Thanksgiving image, representing their thoughts, along with a few sentences expressing what mobile photography and art means to them and considering what they’re thankful … Read more

Mobile Photography/Art Pic of the Day (684) via Instagram

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Here’s day six hundred and eighty four of our mobile photography/art Pic of the Day section via Instagram. Each day we will be selecting one image a day for our Pic of the Day section on Instagram with this hashtag #theappwhisperer.

To ensure your image receives our attention, please upload it to Instagram with this hashtag #theappwhisperer

Today, we congratulate @klimtt – Cecilia Sao Thiago with this breathtaking image.

View more of her body of work here.

[Please visit our Artist Directory and find out how we can add you too!]

Read moreMobile Photography/Art Pic of the Day (684) via Instagram

Mobile Photography – TrueView Interview – ‘Why I create Self Portraiture’ with Cecilia São Thiago from Brazil

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Our TrueView Interview section is an area where we ask one singular question, to mobile photographers and artists and it is captured to video. This time, we asked highly accomplished Mobile Photographer and Artist, Cecilia São Thiago from Brazil to consider and answer ‘why I create self portraiture with my smartphone’. It is an interesting question to ponder, there are over 1.8 billion photos shared around the internet each day, many of these are selfies. The difference, we feel in our questioning is that we are asking artists. Therefore, do artists take self portraits because it gives them the opportunity to view themselves from the outside? That a considerable amount of other thoughts will, we hope, be uncovered in our new series of TrueView Interviews, enjoy!

Many artists are working on their videos right now and each video is as unique and individual as each artist. We are fully conscious and respectful that you are all capturing a part of yourself and sharing it with us and we love it.

Thank you for being a reader and viewer of our wonderful site. If you would like to view our previous TrueView Interviews, please go here.

 

Read moreMobile Photography – TrueView Interview – ‘Why I create Self Portraiture’ with Cecilia São Thiago from Brazil

Mobile Photography & Art Flickr Showcase – 11 June 2017

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“The only people who can still strike us as normal are those we don’t yet know very well. The best cure for love is to get to know them better“, speaks Alain de Botton in his book ‘The Course of … Read more

Grand Flickr Group Showcase of 2016 – TheAppWhisperer – Mobile Photography and Art

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I had intended to publish our 2016 Grand Flickr Group Showcase of Mobile Photography and Art on Christmas Day this year. I had prepared most of it ahead of time and was relatively well organised to go live on 25 December. However, events took a turn for the worse and as I awoke after a thoroughly turbulent night on the morning of 24 December, I picked up my phone and saw a Facebook message coming through from a friend expressing how sorry she was for the loss of Carolyn Hall Young a few hours before. For a few moments, I thought I was still in the midst of the wretched nightmare I had been having, my husband then walked into the room with fresh coffee and was telling me that just a few moments before he had got up, he had witnessed the most incredible sunrise in our bedroom. We never see the sunrise in our bedroom but this morning, he said, it had set our complete room alight. He placed the coffee down next to me and asked why I was crying, I could hardly get the words out, that Carolyn had died but I did and then the grief took over. I sat up and stared out of our bedroom window, looking at the sky, deep into the sky, I said in my mind to Carolyn, “Was that you, in our bedroom this morning, were you trying to tell me what had happened”? I believe it was, and had she and I not been so connected, perhaps I would not have had that wretched night and not finally fallen asleep, just as she was trying to communicate with me. I am sure this sounds bizarre to you reading this, but to understand more fully, you need to comprehend the nature of our relationship.

It started several years ago and has been completely conducted online, in one form or another. We have spoken on our mobile devices, we have FaceTimed on them too and most of all, we communicated via the Viber app, messaging back and forth. The one part of our relationship we could not bring together was our physical selves but we did not let that inhibit us in any shape or form. Carolyn and I shared a very deep and all encompassing connection. Both of us had experienced deeply serious medical interventions and survived, both of us had been hurt in past relationships and we still dared to love. She would say to me, “you’re very brave to be my friend”, knowing she had a terminal illness. To my mind there was nothing brave about it, she was the most beautiful person I had ever known. Early on in our relationship we made a pact, we would always be completely honest with one another, having both been hurt and fearing loving another person and also being aware of how very easy it is to misinterpret text messages, we said that if we were ever unsure what the other meant, we would ask and say “we don’t understand”. We would not allow ourselves to read between the lines, to possibly not fully grasp the others intention. And it was having that grounding from the very beginning that, I feel, allowed our relationship to develop so powerfully. One time she said to me “you have completely dispelled everything I thought about how English people live”. I laughed and said “I hate to burst your bubble but we don’t all live as if we are in Downton Abbey”, she laughed too.

Many have written that I am a “private” person. Part of the problem when you have a relatively public profile, is that people try to understand you and sometimes jump to the wrong conclusion. It is natural, as humans our survival instinct is based on descerning friend from foe, it’s our very nature. I am no more private than any of you reading this very personal account. What I am perhaps is cautious, fearful of loving and giving love. Carolyn helped to fix this. Having retraced my steps with a therapist a few years ago, I had a legitimate reason for this angst. It appears it stems originally from the complete and permanent rejection from my natural father when I was five years old and consequently being ripped from the family nest of my siblings and therefore all of my extended family, grandparents, aunts and uncles, school friends, school and so forth and being placed in a new family and later, with my mother and a step parent and step siblings and the very violent rows, aggression and stress thereafter. There were some highs but there were also some terrible lows and as a child we are so dependent on adults to make the world a safer place. Carolyn was always a white knight, a shining gift of pure dependable, good love. She gave me back my strength with her love.

When I was 24 years old, I underwent life threatening surgery to my liver. Large and profuse liver tumours had wrecked havoc with my life. Before I had a diagnosis the symptoms were similar to hypoglycaemia and consequently saw me thrown out of more London pubs and clubs than I can count on two hands. As soon as I entered a hot, smoky, crowded environment, I would become very sick and more often than not pass out. Bouncers in those days, perhaps they are still the same, were not sympathetic and had no qualms with throwing a young woman out into the street, if it meant keeping their establishment ‘reputable’. Following surgery, post recovery was extremely difficult and trying and I had to work very hard to learn to walk again an issue that Carolyn endured over three times post-surgery. We often communicated about the will to survive and not just for our own sakes, for others whom we loved and who loved us. Almost two and a half years ago, I was scheduled for a total hysterectomy, Carolyn was there, pre-surgery, helping me to select personal items that I would need post-surgery, she was there on the day, right up to the last moment before I was led to theatre, she I believe was with me throughout surgery and she most definitely was there post-surgery. Sometimes, during a blissful morphine induced sleep, Carolyn would contact my husband Kevin, to ask if I was ok, as she had not heard from me for a while. He would call the hospital and a nurse would tell him I was resting and he would convey the message to Carolyn. To anyone having had a total hysterectomy, you will know that not only are you dealing with the usual post-surgical issues, but it sends your hormones into complete havoc. Menopausal symptoms can hit you out of nowhere as you try to regain some control over your bodily functions. All the time Carolyn would say to me, “take a selfie so I can paint you”. It was honestly the last thing I felt like. I am quite self-conscious with regards selfies anyway but Carolyn had asked me and whatever Carolyn asked of me, she got. Always. So, I obliged from my hospital bed and she painted the most carefully detailed image of me and not only did she gift me the full resolution file to print and to keep but she also sent me a hard copy too. She did this by utilising some wonderful iOS software. She was bed-bound most of the time, with this software she could upload the digital file and the developer send out the printed image directly to the recipient, wherever they are in the world.

I am not standing before you reciting a TED talk on the importance and deepness of an online relationship, although I am fantasying that I am. As our relationship was online and we were restricted by health issues we had to use whatever means we could and we became incredibly creative in this way.  Carolyn would often say, “you never know what you will be grateful for”. In respect to social media, I am eternally grateful to it. We would convey, that if it wasn’t for technology we would not have met, our love of mobile photography and art brought us together and that same technology allowed us to communicate and deepen our relationship. Many of you reading this will think, it’s not possible to know real love with an online relationship, having never met the person physically. I can assure you, that it is. I have met many other friends and artists I have known online, physically in London and it is not very different. It’s like a confirmation of what you already knew. You knew what they looked like, what they sounded like, you’d seen their mannerisms and you knew their humour. Physically meeting them, just ticks another box. More often than not, we only meet people physically, we don’t have that online side and in many ways, it can be more difficult to understand that person. With an online relationship, you have to explain explicitly what you mean, to avoid misinterpretation, with a physical relationship sometimes it is assumed that you will know what the other person is thinking. It is possible to be in the deepest most intimate physical relationship and still not be present. It is possible to make love and not be present but I wouldn’t recommend it, being present whilst making love is definitely much better.

Last year, I was invited to lecture on the topic of course, of mobile photography and art in Seoul, South Korea. It will come as no surprise to you to learn that Carolyn came with me. I think it was the 12.5 hour flight that represented our first long term gap in communicating but as soon as I touched down, there she was again, as I searched for my suitcase. One morning whilst in Seoul I was having breakfast with an artist who was also presenting at the museum of art and he asked me, how could I or why would I represent and promote all of these mobile artists at a show, instead of talking about myself, many of whom I had never physically met. I explained to him that I didn’t necessarily need to meet them all to understand their work and their passion and for me to be in such a privileged position where I could direct my 2.5 hr lecture anyway that I wanted, was a huge honour for me, to show their work and to encourage new artists to do the same, to create with their mobile devices and to fully express themselves.

Carolyn as many of you will know, originally painted with her iPad, that her dear Uncle Dan had gifted her, when she could no longer paint physically, with her beautiful real paints and canvases. The iPad which she rejected at first became a new found form of expression, to embrace her art and she did just that. Painting almost 1600 portraits for friends and family birthdays, many friends from the online community that she had not met. It didn’t matter, she would glean enough from their communications online to understand them, well enough, to present them with the most incredible and personal gift. I know that she would spend hours and hours on these portraits but not only was she spending hours on the painting itself, she was spending hours with that person being present with that person. Noticing every line on their face, every stray hair, and she would add details, that she felt she had understood about them, to the portraits. Many of them humorous as her glorious sense of humour knew no bounds. Some of her most honest work she would tell me, was that of her self portraits. Here she felt she could be completely radical and free to fully express herself. The later ones, from earlier this year, particularly demonstrate her fears, her vulnerabilities and her sheer courage.

It has taken me quite a while to face writing something about dear Carolyn because it has shocked me. I knew exactly how unwell she was. I was with her in many medical appointments, I was there when her carers were helping her, I was there when her dear husband, Warren was aiding her. But I have still been shocked to my core. Earlier on in our relationship she perhaps “softened with love” as her dear friend Aimee Liu expressed it to me, her medical difficulties, she never complained, she was always grateful for not only each new day but each new moment. Everything was delicious to her. The sunlight, the snow, the beautiful hummingbird nesting in her apricot tree outside her bedroom. Later her messages were, as I have looked back, more telling of her difficulties. Remembering our honesty pact, she told me exactly how she felt but because of that, I tried to convince her as she had done with me in the past that these were side effects from the treatment, that they will pass and “you will get better”. Every time she tried or told me “this is too hard”. I would reassure her, with “I know, I am right here, it’s going to pass, breathe”. She would say “I have to keep believing that” and I would agree, eagerly.

One of the many wonderful things we would do, is pretend we were writing a film (movie) script, it helped to add humour to difficult circumstances. So when something unexpected happened, such as the time I was recovering in bed following my hysterectomy and my mother was here, helping with my children and she said, “oh Joanne, do you have any Sherry? That’s what you need to make you feel better”. Bearing in mind my painkillers prohibited alcohol and I wasn’t feeling too much like it anyway, Carolyn would say, “that’s a great line, add it to the script” and we would laugh, once more. Even just a few weeks ago, when I was waiting in A&E (ER), with the most painful bone infection in my head behind my ear and two ‘ladies of the night’ (it was early afternoon, actually), were escorted into the unit with security guards wearing white plastic aprons over their uniforms. I said to Carolyn who was there with me of course, “it’s really not warm enough here to be wearing micro skirts and thigh high stiletto boots, at the moment”. She replied with “Oh my! I always hate it when I don’t know the dress code” – how we laughed! Most recently during Carolyn’s last few months, I was diagnosed with an autoimmune disease, it’s incurable but with the immunosuppressants I am taking, the disease progression will he slowed. It’s nothing, I can function and do more things than I can’t. Carolyn has helped to put my life into perspective, she has helped me to appreciate every tiny thing that’s good and the things that aren’t so good, to accept with grace. Most of all Carolyn has taught me to be so strong, because as dear Aimee expressed, intuitively sensing my frustration as to why this happened, It could not go on unless she truly was immortal. And we all hoped and prayed that she was in body, as she was in spirit. But her tiny body had limits, which her soul does not. She will never leave those of us who love her. She will always be present.” .  Warren says I should talk aloud to her, “she will hear you” he told me. I will do that and the first thing I am going to say is “Carolyn, this was not part of the script!”.

I have dedicated this 2016 Grand Flickr Showcase to Carolyn, it is the very least I could do. There are over 250 images in this showcase, I hope you will all be as engrossed and absorbed in it as I have been, creating it. Please do note that it is not possible for me to include every single artist in this showcase, this is a representative sample of the very best mobile photography and art that has been submitted to our Flickr group over the year.

Many congratulations to the following artists on being featured including:

Roger Guetta, Sandra Becker, Hanni K, Montse Abad, Jun Yamaguchi, Matt Kayden, woltarise, Connie Gardner Rosenthal, Anthony Foster, Kevin Leong, Lanie Heller, Carolyn Hall Young, Lee Atwell, kCe7, Jormain Cady, Joseph Cyr, Lorenka Campos, mutablend, David Ingraham, Federica Corbelli, Pier Luigi Dodi, Maddy McCoy, Ade Santora, Heather McAlister, Gabriel F.W. Koch, Vanessa Vox, Rebecca Lawrence Weaver, Joseph Cyr, Ginger Lucero, Millo Salgado, Pericles Loucopoulos, Cedric Blanchon, Alex Paton, Luther Roseman Dease, Cathrine Halsor, Giancarlo Beltrame, Damian De Souza, Susan Maxwell Schmidt, David Hayes, Angie Lambert, Cecilia Sao Thiago, Nicolas Xanthos, Riel Noir, Hotel Midnight – Deborah McMillion, Candice Railton, Stephanie Roberts, Alegremartin, Ile Mont,  mkosmowski, Alain Paris, Armineh Hovaneisan, Alan Kastner, Maria Georgiadou, Bonobo Stone, Eric Raddatz, columnsovsleep, Emma Amar, Hussam Eissa, TheiPhoneArtGirl – Meri Walker, Juta Jazz, Manuela Basaldella, Gizem Karayavuz, Myrna, Ralf Mauyog, Bob Eddings, soul_engine, Stefanie L.P., Elyktra, woltarise, Marianne Rieter, Ger van den Elzen, Beezzz_ – Bonny Breddels, Ioannis Sidiropoulos, Jeffrey Simpson, Francesco Sambati, Ricardas Jarmalavicius, Sheldon Serkin, Chouroro, Tessfra, Kathy Clay, Sara Tune, BlemishedEye  David Booker, Roy Savoy, Robin Robertis, Clint Cline, Marcos Nieto, Donna Donato, Rob Pearson-Wright, Aylin Argun, Claude Panneton, Poetic Medium, be.mo.re, Jessica D, Mark Walton, Katie Texieira, Alan Julliard, Bobbi McMurry, Diana Nicholette Jeon, Jo Sullivan, Trish, Peter Gonera, Mimi Svanberg, Richard Smith, Tuba, Bruno Ribeiro, Alegremartin, carlein, Albion Harrison-Naish, Liz Traynor, Paolo Berni, karma o  Christine o’ Sobczak, Gianluca Ricoveri, Jillian2  Jill Lian, Robi Gallardo, John Fullard, Giulia Baita, Marguerite Khoury, Chris Harland, Louse Whiting, Keisuke Takahashi, Izumi Horaguchi, Scott Woodward, Karen Divine, Esteban Lefebvre, Kate Zari Roberts, Ainul Islam, Em Kachouro, Davide Capponi, Jim Perdue, Karen Axelrad, Fran Taylor, Janet Reid, Allyson Marie, Patty Larson, Paul Yan, Catherine Caddigan, Vivi (Veevs), Ingrid_b21, Julia Nathanson, Brendan O Se, Brett Chenoweth, Rainer Hamburg, Natali Prosvetova, Wanphen sangkamee, Mandolina Moon, Alejandro Cendan Rodrig, Gillian Brodie, Nick Kenrick, Antti Tassberg, Rene Valencia, Jorris Martinez, Didier du Castel, Michael Trombley, zeeyan, Susan Rennie, before.1st.light  Jane Schultz, Laura Peischl, Jenneke Tesselaar, borisbschulz2009, Susan Blasé, Gina Costa, Tim Bingham, Lola Mitchell, Amanda Parker, Pat Brown, Steve Vu, Cristina Rossi, Fiona Christian, Kristie Benoit, Susan Maxwell Schmidt, Cristian Margarita, Sara Augenbraun, Vladimir Dimitroff, Patricia Januszkiewicz, rorofot, Maurizio Zanetti, Andy Alexandre, Debout Clarisse, Waldemar Blazej Nowak, Yasuo Furue, Dominique Torrent, Elodie Hunting, Cindy Buske, Isabel Afonso, Trish G, Liliana Schwitter,  Alain Paris, Thomas Toft, Sukru Mehmet Omur, Marco Lamberto, Dani Salvadori, Tomaso Belloni, Violet Martins,  Robin Sacknoff, Luison  Lrh, Cara Gallardo Weil, dinalfs, Joshua Sarinana, Luis Fernandez, Michaela Meerkatz, David DeNagel, Scott Terrill, Lawrence Lazare, Christine Mignon, Gergely Hando, Lindy Ginn, Wayman Stairs, Basak Aytek, Ryan Vaarsi, Tsvetan Ganev, Lou Liuzzi, Elsa Brenner,  p.a.hamel, Chad Rankin Vadim Demjianov.

 

Read moreGrand Flickr Group Showcase of 2016 – TheAppWhisperer – Mobile Photography and Art

Mobile Art – APPart – Ninth Flickr Group Showcase – TheAppWhisperer

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I am delighted to publish our very latest APPart Mobile Art Flickr Group Showcase. Curated and critiqued by our wonderful editor Bobbi McMurry. Over to you Bobbi…(foreword by Joanne Carter).

“AppArt is such a unique and special genre within the mobile community and when done well … is something to marvel at. The last few years have seen many improvements in the capabilities of the apps thereby expanding the repertoire of the artists who create this way. It’s my pleasure to present this showcase containing such fine examples of AppArt, thank you all for sharing your explorations!

I’ve highlighted a special piece from this showcase created by Lorenka Campos, I hope you’ll take time to visit her Flickr feed to further explore her fabulous work”.

Congratulations to all of this week’s featured APPartists: Tuba Koran, Patricia Januszkiewicz, Jane Schultz, Kate Zari Roberts, Cat Morris, Dominique Torrent, Marguerite Khoury, Allyson, Lorenka Campos, Juta Jazz, CLAY3 accidenTal artist, Janice Grinsell, Poetic Medium, Mariett Schrijver, Claude Panneton, Sandra Becker, Eliza Badoiu, Montse Abad, Meri Walker, Amanda Parker, Cecilia Sao Thiago, Carolyn Hall Young, Eric Raddatz, lila_lile, Ile Mont, Ginger Lucero, Gizemkarayavuz, Deborah McMillion, Bret Chenoweth, and Sukru Mehmet Omur.

[Please visit our Artist Directory and find out how we can add you too!]

Read moreMobile Art – APPart – Ninth Flickr Group Showcase – TheAppWhisperer

Mobile Photography/Art – Pic of the Day (366) – via Instagram – TheAppWhisperer

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Here’s day three hundred and sixty six of our mobile photography/art Pic of the Day section via Instagram. Each day we will be selecting one image a day for our Pic of the Day section on Instagram with this hashtag – #theappwhisperer. Furthermore, each month we will also offer an overall prize to the image that receives the most love.

To ensure your image receives our attention, please upload it to Instagram with this hashtag – #theappwhisperer

Today, we congratulate @klimtt – Cecilia Sao Thiago with this image.

Please view more of her stunning images here.

Read moreMobile Photography/Art – Pic of the Day (366) – via Instagram – TheAppWhisperer