New Apple iPhone X or iPhone 8/Plus – Which Should You Buy As An Mobile Photographer?

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Our readership here at TheAppWhisperer.com are predominately preoccupied with smartphones as photographic devices and rightly so. The artists that we represent are some of the very best mobile photographers in the world. So the question on everyone’s mind, after the Apple keynote yesterday, is should I upgrade and which model should I upgrade to? With more choice than ever, this is by no means an easy question, we consider the key points below:

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Mobile Photography – The Evolution of Zoom Camera Technologies in Mobile Devices – White Paper

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I have been engrossed in this white paper by Corephotonics Limited, the pioneer and worldwide market leader of dual camera technologies for mobile devices. Corephotonics’ primary mission is to perfect the mobile camera photography experience and to provide superior image … Read more

Mobile Photography & Art – My Top Five Apps by Andrew B White From New York City, US

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We are revitalising our Top Five Apps section to our Photo App Lounge column. This a section within TheAppWhisperer where we ask highly accomplished mobile photographers and artists to list their top five apps and to explain why they have … Read more

Not Just Another Photography Competition… with Huawei x Dazed

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Global smartphone manufacturer, Huawei, has joined forces with youth culture magazine, Dazed, to create an initiative that is designed to unlock the potential of future talent and celebrate creative individuals that view the world differently.  ‘Reveal the Real You’; is a community-led photo project that will see three collaborators awarded a £10,000 bursary to donate to the community cause of their choice. The project is the latest partnership from Huawei that aims to inspire people to use their smartphone as a tool of self-expression.  

Evidenced by its partnership with Leica, the camera brand that democratised photography by taking cameras out of the studio and onto the streets, Huawei believes in photography as the medium through which anyone can share their stories and opinions thanks to its smartphones. ‘Reveal the Real You’, harnesses the power of mobile phone photography, making it possible for anyone to shine a spotlight on communities, causes and ideologies that they feel passionately about.

The campaign officially launches at the Peckhamplex cinema on 4th September 2017 with a large-scale street exhibition which will be open for three days featuring images shot by emerging photography talent and Peckham local, Campbell Addy who has used the project as an opportunity to shine a light on social diversity within the local creative community. His ten images, include a portrait of King Owusu who featured in the historic all-black Pirelli 2017 calendar.

Commenting on his work, Campbell said: “I want to shine a light on the artists of South London, breaking down the expected view of artists as the privileged middle class. I am championing the people of Peckham who are ‘doing the most with the least”.

Campbell’s images are shot on the Huawei P10 and serve as a call to action – inspiring other young people to pick up a camera and document the causes and community that have had an impact on their lives. People interested in entering simply need to share a few sentences on their chosen community and 3 – 5 relevant images from their photography portfolio and as Reveal the Real You gathers momentum it will culminate in a shortlist of twenty photographers being given Huawei P10 smartphones to document their stories. A panel of expert, independent judges will then award three winners £10,000 each to donate to the charity of their choice as well as being an exhibition of their winning imagery to raise the profile of their cause further.

Andrew Garrihy; Huawei Europe, CMO said: “The photography capabilities on our phones allow anyone to take thought provoking images. Putting that power in people’s hands, has given everyone a platform to tell their story and help others understand more about their passions and beliefs through images. Reveal the Real You is simply an extension of what people do every day. We want to give inspired, committed people the opportunity to make a difference in their local community; give them a platform to get their voice heard and make things they never thought possible happen.”

Reveal the Real You is one element of a wider partnership Huawei has formed with Dazed, which will see Huawei smartphones act as the lens that shine a light on a variety of causes, creations and conversations that were previously hidden or hard to reach.

To learn more and submit images for this competition, please go here.

 

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LG Announce New Flagship Smartphone with First to Feature Plastic OLED FullVision Display

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According to circulating rumours, LG the Korean smartphone manufacturer, have been selected to supply the iPhone 8 with an OLED screen. What we do know is that LG have invested $7 billion into OLED production facilties. So, it’s not a huge surprise to hear of LG’s brand new flagship smartphone, announced today, will feature the world’s first smartphone device to feature a plastic OLED FullVision display.

Expertise in OLED has long been a core competency of LG, and the technology has always been seen as a potential value-add for smartphones,” said Juno Cho, president of LG Electronics Mobile Communications Company. “With competition in the global smartphone space fiercer now than ever, we felt that this was the right time to reintroduce OLED displays in our mobile products.

With consumers seeking bigger displays but eschewing larger phones that are uncomfortable to hold in one hand, LG’s FullVision display is a key contributor in the trend toward minimised bezels in smartphones. OLED was simply the next evolution for FullVision displays, delivering incredible quality, vividness and clarity to smartphone visuals. At six inches, the OLED FullVision display will be LG’s largest in four years while the actual body will be smaller than last year’s LG V20. As the upper and lower bezels have been reduced by 20 and 50 percent when compared to the V20, the LG logo has been moved from the bottom of the display to the back of the phone to maximize viewable screen space.

The FullVision display’s immersive and expansive visual experience is enhanced on the 4.15 million pixels of the QHD+ (1440 x 2880) OLED screen. Superb image quality is achieved via emissive OLED technology which reproduces perfect black and colours with greater accuracy across a wider color spectrum. By implementing optimal image algorithms gleaned from years of OLED research and development, visuals on this OLED display deliver 148 percent of the sRGB1 color space for digital images and 109 percent of the DCI-P32 color space for digital cinema. Another intrinsic advantage of OLED technology is operational response time, which is tens of times faster than LCD. This accelerated response time effectively eliminates afterimages, an important consideration for action movies and VR. And with support for HDR10, watching compatible movies and videos on this display offers a whole new eye-opening experience.

And because the screen in the upcoming smartphone will be based on plastic OLED technology – also known as P-OLED – the edges can be curved to allow for a more ergonomic design and a better feel in the hand. P-OLED is created by placing pixels on a plastic substrate which is much stronger than a glass base. What’s more, the display is protected by Corning Gorilla Glass 5 that incorporates shatter-resistant technology. Most importantly, using advanced encapsulation and pixel-scanning technology, the burn-in problem that has affected OLED technology in the past has been all but eliminated in the P-OLED technology in LG’s upcoming device. Encapsulation significantly reduces oxidation of the pixels and LG’s pixel-scanning technology allows for less energy to be applied to each pixel, also saving battery power.

 

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RED Hydrogen One Brand New Smartphone – In Greater Depth…

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You may have heard that RED, the ultra high end camera manufacturer has stepped into Smartphone territory and announced a premium smartphone called Hydrogen One, with ‘holographic display’.  Designed to work on the Android platform with a 5.7 inch display apparently will ‘seamlessly switch between traditional 2D content and holographic multi-view 3D content, as well as interactive games’.

Preorders are already filling up for the $1,195 aluminium version and the $1,595 titanium model on RED’s website, with shipping expected to be early 2018.

It’s interesting… I am a huge fan of RED gear and having visited Google’s HQ in London a few times, I know they’re packed into their YouTube studios.

We were interested in this review by Marques Brownlee, take a look below…

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Mobile Photography Tutorials – Lightroom Mobile Lesson 01 of 10 – Complete Free Course

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We are delighted to publish the full series of tutorials (1-10) by Matt Kloskowski that will get you up and running with Lightroom Mobile in no time at all.

Download Lightroom Mobile Here

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New York City Smartphone Photo Workshop with National Geographic Expeditions

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I’ve mentioned these workshops before and they continue to excite me. If you’re in New York City on the following dates, do book this workshop! Taught by Ed Kashi an award-winning photojournalist and filmmaker who has produced seventeen stories for National Geographic magazine. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate relationship to his subjects are signatures of his work. One of his innovative approaches to photography and filmmaking is his acclaimed Iraqi Kurdistan flipbook that uses still images in a moving-image format. As a member of the prestigious VII Photo Agency, Ed has been recognized for his complex imagery and its compelling rendering of the human condition. His images have been published and exhibited worldwide, and his editorial assignments and personal projects have generated seven books. Ed is a pioneer in multimedia, having worked in video and film for more than a decade. He has also been on the forefront of using mobile photography and the Instagram platform as a photojournalist on assignments and for personal projects. In 2011, he produced a multimedia piece on the effects of Agent Orange in Vietnam that won the UNICEF Photo of the Year and a World Press award. Ed’s work has earned numerous other honors, including from Pictures of the Year International (recently named Multimedia Photographer of the Year for 2014), Communication Arts, and American Photo Magazine. Ed is also an accomplished educator who instructs and mentors students of photography, participates in forums, and lectures on photojournalism, documentary photography, and multimedia storytelling. I’m assuring you, you will not be dissapointed!

Dates:

Jun 03 – 04, 2017 – book here

Oct 07 – 08, 2017 – book here

I have listed the itinerary below but bear in mind, it flexes, for all the right reasons!

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Sony’s stunning new Xperia™ XZ Premium with the world’s first Super slow motion video in a smartphone

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 This morning in Barcelona at the Mobile World Congress, 27th February 2017 – Sony Mobile Communications (“Sony Mobile”) today announced its most ground-breaking smartphone to date, Xperia XZ Premium, with a camera so advanced it captures motion that the human eye can’t see, a beautiful 4K HDR display, super-fast download speeds, a stunning loop design and even more intelligent features.

Encapsulating decades of Sony innovation, Xperia XZ Premium incorporates imaging know-how embedded on Sony ‘α’ and Cyber-shotTM cameras to create the new Motion EyeTM camera system, for capturing life in ways no other smartphone can. The first smartphone to feature a memory stacked ExmorTMRS sensor with technologies usually only found on premium compact cameras, it provides 5 x faster image scanning and data transfer. This means you can create sensational videos from your everyday moments by recording in 960 frames per second, providing Super slow motion video playback that is four times slower than other smartphonesiv giving you more detail than has ever been possible in the palm of your hand. Plus Predictive Capture stays one step ahead and automatically starts buffering images when it detects motion even before you press the button, so you can find a moment your eye may just have missed from a selection of up to four shots taken a second before you clicked. On top of this, the new 19MP high resolution sensor has 19% larger pixels to capture more light and provides exceptional detail and sharp images even in low-light and backlit conditions. Additional improvements have been made inside Motion EyeTM to the BionzTM for mobile processing engine meaning it detects moving objects more precisely to enable Predictive Capture.Clarity, detail and texture are also improved to give exceptional image quality thanks to the redesigned G lens with high optical clarity.

For the first time ever in a smartphone, Xperia XZ Premium features a 4K HDR (High Dynamic Range, 2160 x 3840) 5.5 display. A truly unique Sony experience, it uses Sonys BRAVIA TV technology to give you an immersive 4K HDR viewing experience in the palm of your hand, removing the constraints of your sofa. Astonishing brightness, colour, clarity and contrast are realised to create levels of realism you almost feel part of the scene. The sharp, vivid quality of the display is enriched by Sonys native technologies TRILUMINOSTM Display for mobile, X-Reality for mobile and Dynamic Contrast Enhancer.

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Grand Flickr Group Showcase of 2016 – TheAppWhisperer – Mobile Photography and Art

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I had intended to publish our 2016 Grand Flickr Group Showcase of Mobile Photography and Art on Christmas Day this year. I had prepared most of it ahead of time and was relatively well organised to go live on 25 December. However, events took a turn for the worse and as I awoke after a thoroughly turbulent night on the morning of 24 December, I picked up my phone and saw a Facebook message coming through from a friend expressing how sorry she was for the loss of Carolyn Hall Young a few hours before. For a few moments, I thought I was still in the midst of the wretched nightmare I had been having, my husband then walked into the room with fresh coffee and was telling me that just a few moments before he had got up, he had witnessed the most incredible sunrise in our bedroom. We never see the sunrise in our bedroom but this morning, he said, it had set our complete room alight. He placed the coffee down next to me and asked why I was crying, I could hardly get the words out, that Carolyn had died but I did and then the grief took over. I sat up and stared out of our bedroom window, looking at the sky, deep into the sky, I said in my mind to Carolyn, “Was that you, in our bedroom this morning, were you trying to tell me what had happened”? I believe it was, and had she and I not been so connected, perhaps I would not have had that wretched night and not finally fallen asleep, just as she was trying to communicate with me. I am sure this sounds bizarre to you reading this, but to understand more fully, you need to comprehend the nature of our relationship.

It started several years ago and has been completely conducted online, in one form or another. We have spoken on our mobile devices, we have FaceTimed on them too and most of all, we communicated via the Viber app, messaging back and forth. The one part of our relationship we could not bring together was our physical selves but we did not let that inhibit us in any shape or form. Carolyn and I shared a very deep and all encompassing connection. Both of us had experienced deeply serious medical interventions and survived, both of us had been hurt in past relationships and we still dared to love. She would say to me, “you’re very brave to be my friend”, knowing she had a terminal illness. To my mind there was nothing brave about it, she was the most beautiful person I had ever known. Early on in our relationship we made a pact, we would always be completely honest with one another, having both been hurt and fearing loving another person and also being aware of how very easy it is to misinterpret text messages, we said that if we were ever unsure what the other meant, we would ask and say “we don’t understand”. We would not allow ourselves to read between the lines, to possibly not fully grasp the others intention. And it was having that grounding from the very beginning that, I feel, allowed our relationship to develop so powerfully. One time she said to me “you have completely dispelled everything I thought about how English people live”. I laughed and said “I hate to burst your bubble but we don’t all live as if we are in Downton Abbey”, she laughed too.

Many have written that I am a “private” person. Part of the problem when you have a relatively public profile, is that people try to understand you and sometimes jump to the wrong conclusion. It is natural, as humans our survival instinct is based on descerning friend from foe, it’s our very nature. I am no more private than any of you reading this very personal account. What I am perhaps is cautious, fearful of loving and giving love. Carolyn helped to fix this. Having retraced my steps with a therapist a few years ago, I had a legitimate reason for this angst. It appears it stems originally from the complete and permanent rejection from my natural father when I was five years old and consequently being ripped from the family nest of my siblings and therefore all of my extended family, grandparents, aunts and uncles, school friends, school and so forth and being placed in a new family and later, with my mother and a step parent and step siblings and the very violent rows, aggression and stress thereafter. There were some highs but there were also some terrible lows and as a child we are so dependent on adults to make the world a safer place. Carolyn was always a white knight, a shining gift of pure dependable, good love. She gave me back my strength with her love.

When I was 24 years old, I underwent life threatening surgery to my liver. Large and profuse liver tumours had wrecked havoc with my life. Before I had a diagnosis the symptoms were similar to hypoglycaemia and consequently saw me thrown out of more London pubs and clubs than I can count on two hands. As soon as I entered a hot, smoky, crowded environment, I would become very sick and more often than not pass out. Bouncers in those days, perhaps they are still the same, were not sympathetic and had no qualms with throwing a young woman out into the street, if it meant keeping their establishment ‘reputable’. Following surgery, post recovery was extremely difficult and trying and I had to work very hard to learn to walk again an issue that Carolyn endured over three times post-surgery. We often communicated about the will to survive and not just for our own sakes, for others whom we loved and who loved us. Almost two and a half years ago, I was scheduled for a total hysterectomy, Carolyn was there, pre-surgery, helping me to select personal items that I would need post-surgery, she was there on the day, right up to the last moment before I was led to theatre, she I believe was with me throughout surgery and she most definitely was there post-surgery. Sometimes, during a blissful morphine induced sleep, Carolyn would contact my husband Kevin, to ask if I was ok, as she had not heard from me for a while. He would call the hospital and a nurse would tell him I was resting and he would convey the message to Carolyn. To anyone having had a total hysterectomy, you will know that not only are you dealing with the usual post-surgical issues, but it sends your hormones into complete havoc. Menopausal symptoms can hit you out of nowhere as you try to regain some control over your bodily functions. All the time Carolyn would say to me, “take a selfie so I can paint you”. It was honestly the last thing I felt like. I am quite self-conscious with regards selfies anyway but Carolyn had asked me and whatever Carolyn asked of me, she got. Always. So, I obliged from my hospital bed and she painted the most carefully detailed image of me and not only did she gift me the full resolution file to print and to keep but she also sent me a hard copy too. She did this by utilising some wonderful iOS software. She was bed-bound most of the time, with this software she could upload the digital file and the developer send out the printed image directly to the recipient, wherever they are in the world.

I am not standing before you reciting a TED talk on the importance and deepness of an online relationship, although I am fantasying that I am. As our relationship was online and we were restricted by health issues we had to use whatever means we could and we became incredibly creative in this way.  Carolyn would often say, “you never know what you will be grateful for”. In respect to social media, I am eternally grateful to it. We would convey, that if it wasn’t for technology we would not have met, our love of mobile photography and art brought us together and that same technology allowed us to communicate and deepen our relationship. Many of you reading this will think, it’s not possible to know real love with an online relationship, having never met the person physically. I can assure you, that it is. I have met many other friends and artists I have known online, physically in London and it is not very different. It’s like a confirmation of what you already knew. You knew what they looked like, what they sounded like, you’d seen their mannerisms and you knew their humour. Physically meeting them, just ticks another box. More often than not, we only meet people physically, we don’t have that online side and in many ways, it can be more difficult to understand that person. With an online relationship, you have to explain explicitly what you mean, to avoid misinterpretation, with a physical relationship sometimes it is assumed that you will know what the other person is thinking. It is possible to be in the deepest most intimate physical relationship and still not be present. It is possible to make love and not be present but I wouldn’t recommend it, being present whilst making love is definitely much better.

Last year, I was invited to lecture on the topic of course, of mobile photography and art in Seoul, South Korea. It will come as no surprise to you to learn that Carolyn came with me. I think it was the 12.5 hour flight that represented our first long term gap in communicating but as soon as I touched down, there she was again, as I searched for my suitcase. One morning whilst in Seoul I was having breakfast with an artist who was also presenting at the museum of art and he asked me, how could I or why would I represent and promote all of these mobile artists at a show, instead of talking about myself, many of whom I had never physically met. I explained to him that I didn’t necessarily need to meet them all to understand their work and their passion and for me to be in such a privileged position where I could direct my 2.5 hr lecture anyway that I wanted, was a huge honour for me, to show their work and to encourage new artists to do the same, to create with their mobile devices and to fully express themselves.

Carolyn as many of you will know, originally painted with her iPad, that her dear Uncle Dan had gifted her, when she could no longer paint physically, with her beautiful real paints and canvases. The iPad which she rejected at first became a new found form of expression, to embrace her art and she did just that. Painting almost 1600 portraits for friends and family birthdays, many friends from the online community that she had not met. It didn’t matter, she would glean enough from their communications online to understand them, well enough, to present them with the most incredible and personal gift. I know that she would spend hours and hours on these portraits but not only was she spending hours on the painting itself, she was spending hours with that person being present with that person. Noticing every line on their face, every stray hair, and she would add details, that she felt she had understood about them, to the portraits. Many of them humorous as her glorious sense of humour knew no bounds. Some of her most honest work she would tell me, was that of her self portraits. Here she felt she could be completely radical and free to fully express herself. The later ones, from earlier this year, particularly demonstrate her fears, her vulnerabilities and her sheer courage.

It has taken me quite a while to face writing something about dear Carolyn because it has shocked me. I knew exactly how unwell she was. I was with her in many medical appointments, I was there when her carers were helping her, I was there when her dear husband, Warren was aiding her. But I have still been shocked to my core. Earlier on in our relationship she perhaps “softened with love” as her dear friend Aimee Liu expressed it to me, her medical difficulties, she never complained, she was always grateful for not only each new day but each new moment. Everything was delicious to her. The sunlight, the snow, the beautiful hummingbird nesting in her apricot tree outside her bedroom. Later her messages were, as I have looked back, more telling of her difficulties. Remembering our honesty pact, she told me exactly how she felt but because of that, I tried to convince her as she had done with me in the past that these were side effects from the treatment, that they will pass and “you will get better”. Every time she tried or told me “this is too hard”. I would reassure her, with “I know, I am right here, it’s going to pass, breathe”. She would say “I have to keep believing that” and I would agree, eagerly.

One of the many wonderful things we would do, is pretend we were writing a film (movie) script, it helped to add humour to difficult circumstances. So when something unexpected happened, such as the time I was recovering in bed following my hysterectomy and my mother was here, helping with my children and she said, “oh Joanne, do you have any Sherry? That’s what you need to make you feel better”. Bearing in mind my painkillers prohibited alcohol and I wasn’t feeling too much like it anyway, Carolyn would say, “that’s a great line, add it to the script” and we would laugh, once more. Even just a few weeks ago, when I was waiting in A&E (ER), with the most painful bone infection in my head behind my ear and two ‘ladies of the night’ (it was early afternoon, actually), were escorted into the unit with security guards wearing white plastic aprons over their uniforms. I said to Carolyn who was there with me of course, “it’s really not warm enough here to be wearing micro skirts and thigh high stiletto boots, at the moment”. She replied with “Oh my! I always hate it when I don’t know the dress code” – how we laughed! Most recently during Carolyn’s last few months, I was diagnosed with an autoimmune disease, it’s incurable but with the immunosuppressants I am taking, the disease progression will he slowed. It’s nothing, I can function and do more things than I can’t. Carolyn has helped to put my life into perspective, she has helped me to appreciate every tiny thing that’s good and the things that aren’t so good, to accept with grace. Most of all Carolyn has taught me to be so strong, because as dear Aimee expressed, intuitively sensing my frustration as to why this happened, It could not go on unless she truly was immortal. And we all hoped and prayed that she was in body, as she was in spirit. But her tiny body had limits, which her soul does not. She will never leave those of us who love her. She will always be present.” .  Warren says I should talk aloud to her, “she will hear you” he told me. I will do that and the first thing I am going to say is “Carolyn, this was not part of the script!”.

I have dedicated this 2016 Grand Flickr Showcase to Carolyn, it is the very least I could do. There are over 250 images in this showcase, I hope you will all be as engrossed and absorbed in it as I have been, creating it. Please do note that it is not possible for me to include every single artist in this showcase, this is a representative sample of the very best mobile photography and art that has been submitted to our Flickr group over the year.

Many congratulations to the following artists on being featured including:

Roger Guetta, Sandra Becker, Hanni K, Montse Abad, Jun Yamaguchi, Matt Kayden, woltarise, Connie Gardner Rosenthal, Anthony Foster, Kevin Leong, Lanie Heller, Carolyn Hall Young, Lee Atwell, kCe7, Jormain Cady, Joseph Cyr, Lorenka Campos, mutablend, David Ingraham, Federica Corbelli, Pier Luigi Dodi, Maddy McCoy, Ade Santora, Heather McAlister, Gabriel F.W. Koch, Vanessa Vox, Rebecca Lawrence Weaver, Joseph Cyr, Ginger Lucero, Millo Salgado, Pericles Loucopoulos, Cedric Blanchon, Alex Paton, Luther Roseman Dease, Cathrine Halsor, Giancarlo Beltrame, Damian De Souza, Susan Maxwell Schmidt, David Hayes, Angie Lambert, Cecilia Sao Thiago, Nicolas Xanthos, Riel Noir, Hotel Midnight – Deborah McMillion, Candice Railton, Stephanie Roberts, Alegremartin, Ile Mont,  mkosmowski, Alain Paris, Armineh Hovaneisan, Alan Kastner, Maria Georgiadou, Bonobo Stone, Eric Raddatz, columnsovsleep, Emma Amar, Hussam Eissa, TheiPhoneArtGirl – Meri Walker, Juta Jazz, Manuela Basaldella, Gizem Karayavuz, Myrna, Ralf Mauyog, Bob Eddings, soul_engine, Stefanie L.P., Elyktra, woltarise, Marianne Rieter, Ger van den Elzen, Beezzz_ – Bonny Breddels, Ioannis Sidiropoulos, Jeffrey Simpson, Francesco Sambati, Ricardas Jarmalavicius, Sheldon Serkin, Chouroro, Tessfra, Kathy Clay, Sara Tune, BlemishedEye  David Booker, Roy Savoy, Robin Robertis, Clint Cline, Marcos Nieto, Donna Donato, Rob Pearson-Wright, Aylin Argun, Claude Panneton, Poetic Medium, be.mo.re, Jessica D, Mark Walton, Katie Texieira, Alan Julliard, Bobbi McMurry, Diana Nicholette Jeon, Jo Sullivan, Trish, Peter Gonera, Mimi Svanberg, Richard Smith, Tuba, Bruno Ribeiro, Alegremartin, carlein, Albion Harrison-Naish, Liz Traynor, Paolo Berni, karma o  Christine o’ Sobczak, Gianluca Ricoveri, Jillian2  Jill Lian, Robi Gallardo, John Fullard, Giulia Baita, Marguerite Khoury, Chris Harland, Louse Whiting, Keisuke Takahashi, Izumi Horaguchi, Scott Woodward, Karen Divine, Esteban Lefebvre, Kate Zari Roberts, Ainul Islam, Em Kachouro, Davide Capponi, Jim Perdue, Karen Axelrad, Fran Taylor, Janet Reid, Allyson Marie, Patty Larson, Paul Yan, Catherine Caddigan, Vivi (Veevs), Ingrid_b21, Julia Nathanson, Brendan O Se, Brett Chenoweth, Rainer Hamburg, Natali Prosvetova, Wanphen sangkamee, Mandolina Moon, Alejandro Cendan Rodrig, Gillian Brodie, Nick Kenrick, Antti Tassberg, Rene Valencia, Jorris Martinez, Didier du Castel, Michael Trombley, zeeyan, Susan Rennie, before.1st.light  Jane Schultz, Laura Peischl, Jenneke Tesselaar, borisbschulz2009, Susan Blasé, Gina Costa, Tim Bingham, Lola Mitchell, Amanda Parker, Pat Brown, Steve Vu, Cristina Rossi, Fiona Christian, Kristie Benoit, Susan Maxwell Schmidt, Cristian Margarita, Sara Augenbraun, Vladimir Dimitroff, Patricia Januszkiewicz, rorofot, Maurizio Zanetti, Andy Alexandre, Debout Clarisse, Waldemar Blazej Nowak, Yasuo Furue, Dominique Torrent, Elodie Hunting, Cindy Buske, Isabel Afonso, Trish G, Liliana Schwitter,  Alain Paris, Thomas Toft, Sukru Mehmet Omur, Marco Lamberto, Dani Salvadori, Tomaso Belloni, Violet Martins,  Robin Sacknoff, Luison  Lrh, Cara Gallardo Weil, dinalfs, Joshua Sarinana, Luis Fernandez, Michaela Meerkatz, David DeNagel, Scott Terrill, Lawrence Lazare, Christine Mignon, Gergely Hando, Lindy Ginn, Wayman Stairs, Basak Aytek, Ryan Vaarsi, Tsvetan Ganev, Lou Liuzzi, Elsa Brenner,  p.a.hamel, Chad Rankin Vadim Demjianov.

 

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