Two weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here. Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here). We selected a challenging discussion at the Tate Museum, London. Recently an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.
This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.
We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the second in this series by none other, than highly sought after female artist, Deborah McMillion.
We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.