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Running with the Wolves – Instagram – @auroramusic

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Music and imagery, to me, are so interlinked, despite having moderate to profound deafness, music is an integral part of my life; I just have to adapt a little to how I listen to it but a world without sound, would be a life less lived. This is why you’ll always find our immensely popular Flickr Group Showcases, packed with wonderful music.

I wanted to share with you a wonderful photographer and musician. A few months back, rising pop star Aurora (@auroramusic) woke to find Katy Perry singing her praises. “Finally. New music that makes my [heart] flutter,” the pop singer wrote on Twitter. She proclaimed Aurora to be an angel, and linked to her haunting pop hymn, “Runaway,” which opens the Norwegian singer-songwriter’s debut EP, Running With The Wolves.

“It was all quite strange but very nice,” recalls Aurora (surname Aksnes, but she trades on a mononym) from her home in Bergen. “I woke up one morning and looked at my phone, and there were a lot of new fans and messages and notifications.”

Aurora, whose celestial songs fuse ghostly electronica, folk melodies and gorgeous pop, has been composing songs for half her life. “Runaway” was penned when she was just 11. “I started writing when I was nine, so that was quite a long time ago,” she says, now a veteran at the age of 19.

As with all of her shadowy-pop chorales, “Runaway” is a work of natural wonder: Its language is universal, concerned with the stars, skies, seas, lives and loves that pass in-between. From glorious electro-dirge “Under Stars,” to celestial R&B aria “Running With The Wolves,” to sublime piano lament “Little Boy In The Grass,” her fiercely personal yet resonant songs are defined by the elements.

“I’m very connected to nature,” says Aurora. “I think it’s the most beautiful thing we have on this earth. And if I’m trying to explain a big situation or emotion, sometimes it’s easier to talk about the ocean and the waves, the wind and storms and thunder. Nature is so expressive and powerful.”

Norway’s landscape, mythology and culture also inspire the picturesque backdrop of her music. “I live in between trees and mountains and oceans, and I think that plays a part too,” she says. She cites Norwegian folk art and traditional music as influences. You can sense the same Scandinavian echoes in her monochromatic photographs of trees, moths and artist portraits, along with the images of birds in-flight, in trees and protected by hands. Do they symbolize liberation? Or — in the case of one recent image, depicting a bird’s wings, bloodied and fallen — the loss of it? “Well, I think it’s kind of an escape, to be able to fly, isn’t it?” she says. “It’s a beautiful thing. I think birds are the luckiest animals in the world, because they can fly.”

via Instagram

That sense of longing for escape resonates with titles like “Runaway” and the rapturous, “Running With The Wolves,” and that’s no coincidence. “I think that, as humans, the closest we can come to flying is by running,” Aurora offers. “That’s why I write about running quite a lot, too. It’s a freedom as well, just to run very fast.”

But amid the giddy euphoria that courses through Aurora’s music, there’s a darkness too. It’s in the claustrophobia of exquisite lullaby “In Boxes.” It’s deep within the untold devastation of chamber-pop anthem “Awakening,” with its refrain, “behind the light / behind the light.” Her melodies are bright and beautiful, but often melancholic.

“Yeah, absolutely, I love that contrast,” she nods. “I think it’s just the way I have to make my music. I’m very drawn to write about something sad, to write a sad-sounding song — I guess that’s very Norwegian,” she says. “But I try to hide my stories in happiness. And that takes quite a bit of time.”

Katy Perry was right: Aurora looks (and sounds) very much like a bright star in ascent. “I become very happy every time anyone says something nice about my songs,” she says, laughing. She better get used to it.

By Joanne Carter

Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said.
Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London.
Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art.
Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK.
She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: joanne@theappwhisperer.com

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