Stephen Shore
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Book Review – Steel Town by Stephen Shore – MACK Books

Photo Book Review – Steel Town by Stephen Shore – MACK Books

The first time I met Stephen Shore was in 2019 at Photo London, but I have known and been influenced by his work for far longer. At Photo London (during the Press Event) Shore was interviewed, alongside my friend Mary McCartney (daughter of Paul) by William A Ewing.  Shore’s bestseller by MackBooks entitled Steel Town combines a series of images that he took in 1977 when he travelled across New York state, Pennsylvania and eastern Ohio – the latter amid industrial decline and soon to be known as the Rust Belt.

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Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

It was in 1977 when Fortune Magazine commissioned Stephen Shore to produce an extended photographic report in connection with the industrial decline across western New York State Pennsylvania and eastern Ohio, an area that would eventually be known as the Rust Belt. Over a week at the end of October, Shore worked with his 5×4” view camera photographing in the towns and factories and meeting some of the workers and their families. This series was published with the title “Hard Times Come to Steeltown”. Shore was aged 30 at the time and is now the author of over 40 books. He expressed this was “the most extensive commission I had done for a magazine to that date”.

photography
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

MACK Books has produced a book that is wholly in keeping with the sombre mood of the images Shore has created. The steel textured colour cover supplanted with one image sets the tone, matching both the physicality of steel and metaphorically the starkness within.

Stephen Shore
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

Shore’s images capture the deterioration of life, homes on the brink of collapse, fractured cars, workers, union leaders and family members. Most had voted for Jimmy Carter the year before and Shore found many were now disenchanted with their new president.  Mass redundancies, tripling the unemployment within one summer pushed many into poverty. Initially, the people of Steeltown challenged what was happening, confident the Democratic Party had their back, staging demonstrations against factory closures and the like. Unfortunately, the Party had undergone a critical shift in its beliefs, so keen were they to contend with the economy. The newly in power Democrats, leaned more to the right, than the left and consequently Carter began a massive deregulation programme.

Stephen Shore
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

This book contains portraits of newly redundant steelworkers within the fragility of their newly formed environment, derelict factories, and desolate bars, as the buoyant prosperity of the previous two decades, following World War II, began to fade. In sharp contrast to the UK, I might add, following the War our debt sucked the life out of most people. Suicides, drug overdoses and further self-destructive behaviour began to rise in Steeltown. In one impromptu speech, a worker told a Washington Post reporter ‘we’re fed up and we’re scared, why not give Reagan a chance?”. Reagan was voted in Ohio by November and attempted to redirect the anger from Wall Street and more towards crack addicts, feminists, immigrants and any other groups he felt the Democrats supported. Battlegrounds were drawn up between the two parties which only led to an increase of racism and sexism, none of which helped the people of Steeltown.

Stephen Shore
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

Bill Clinton, leading the Democrats, later regained power, he supported the North American Free Trade Agreement and the World Trade Organisation – diverting more jobs to Mexico and China. Steeltown meanwhile festered for the next 20 years. His wife, Hilary won the Mahoning Valley by the smallest of margins, 3% in 2016. In 2020 it had swung Republican.

Stephen Shore
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy the artist and MACK.

Battles over policies but also what was morally right/wrong raged. Trump supporters vs Democrats, two opposing sides, seethed. Many of the disillusioned Steeltown residents, so full of hatred could not see what was happening, as tax cuts to the affluent piled up.

Shore’s Steel Town is a book tracing history, as much as a photographic endeavour, it is not meant to be a political book but as so often in life, our lives are led by it. It is a book about life and death, not just of people but of businesses. It is about ‘Steel’ Town teetering to ‘Steal’ Town, it is a book about change, adversity and hard times, about a life of two parts. And it is one you should buy.

Stephen Shore
Stephen Shore, image from Steel Town (MACK, 2021). Courtesy of the artist and MACK.

Steel Town by Stephen Shore (2021), published by MACK, Printed in Italy

A Look Inside ‘Steel Town’ by Stephen Shore

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)