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News,  What Apps Are We Using This Month?

Which Apps Are We Using This Month? with Oola Cristina

Welcome to TheAppWhisperer’s new section, “which apps are we using this month” series, where we discover which apps you are particularly enjoying. Kicking us off today is non-other than Award Winning Mobile Artist, Oola Cristina.

Tell us a bit about yourself (e.g. age and what you do for a living).

I’m 65 and live on a property with my best friend in a semi-rural part of Oregon, USA. I’m gratefully retired and out of the work world. Living a quieter, slower paced life and being able to more fully explore and expand my creativity, has been life changing and has proven very good for my health and well-being. I’ve had no formal art education, but have always been artsy and have taught myself by experimenting with mediums that have interested me.

In 2012, I discovered iPhone photography and used only the Hipstamatic app. In 2017, I shifted my focus to composited images and collage illustration using an iPad with a variety of apps. It was after getting an iPad with the Apple Pencil that my creative world opened up exponentially. It changed what was possible and allowed me to create art that I didn’t know I could.

 

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“In what do we live?” © Oola Cristina 2022

 

Tell us what apps you have been using this month?

Procreate, Snapseed, Lumafusion, Hipstamatic, Portrait Cam, Stackables, Formulas, Afterlight.

 

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“Dreaming in another Life” ©Oola Cristina 2023

 

Tell us your app recommendations. 

My favorite and most used app combination is Procreate and Snapseed. I’ve been focused on collage illustration in the last six years and have, in the last year, started to add more drawing, painting and mark making to my images. Procreate offers me the tools I need to create a high-resolution, multi-layered, mixed-media collage illustration in one app. I can extract, composite, layer, blend, manipulate, draw, paint, add texture and even animate. I can also make my own brushes, stamps, textures and backgrounds with the app as I need them.

Often, after I complete an artwork, I will take it into Snapseed for tuning and enhancing. The features I use most are Tune Image, Glamour Glow, Retrolux, Vignette, Selection and Brush. There are some nice filters, presets and frames in the app as well. One of the many things I appreciate about Snapseed is that it maintains the size and resolution of the original image. Not all apps do. Snapseed is a workhorse of an app. It does many things well and it’s free!

Sometimes, I’ll use another app or two for additional texture and color enhancement. The ones I use the most are Stackables and Hipstamatic, but every so often, I’ll dip into Mextures, Formulas, DistressedFX+ or Afterlight (older, non-subscription version). Each of them has unique filters that can be layered and blended. I’ll sometimes use one or more of the Brain Fever Media apps for their light effects and graphics as well.

 

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‘Confluence’ ©Oola Cristina 2023

 

Another app I’ve come to use regularly and highly recommend is the video app, Lumafusion. I’ve come to enjoy Procreate’s time-lapse recording feature very much. Time-lapses are both educational and entertaining. I’ve used Lumafusion for awhile to add music to them and for simple fade-ins and fade-outs. Since the beginning of the year, I’ve discovered a love of editing my time-lapses as a part of the collage and story telling process. This also lets me explore another love, which is blending and mixing music and sound. Lumafusion, like Procreate and Snapseed, is a versatile, user friendly and fun app. It also allows for working in layers. I think the current version offers a combined twelve tracks for video and audio. It’s been great for time-lapses, but I’ve also created simple animations with it. At this time, I’m only using a fraction of what the app can do. Like any of these deeper, feature-rich apps, the more you use them, the more you learn and the more they can serve your creativity. My time-lapses and animations can be found on Vimeo, Flickr and Instagram.

Though my focus is collage, I also still enjoy taking and processing photos from time to time — usually macro images. I do more app stacking— using several apps to process an image — when working with photographs.

What about the apps have you particularly enjoyed?

They let me do most of what I want to do creatively with relative ease. I also love that, apart from my macro lenses, I have access to all my art supplies in something the size of a thin book!

Recently, I was inspired by a friend’s Holga photos and wanted to see if I could create a photo that had some of those qualities. For “mother of days”, I used my old iPhone 4s with an Olloclip 10x macro lens to take two photos. One of a 3” tall Quan Yin statue and another of the things on my dining room table, which I then blended in Procreate. Then, processed the blended photo using Hipstamatic, Portrait Cam, Stackables, Formulas and Afterlight, each app making subtle changes, which moved the photo forward. I worked on it as I would a collage in Procreate, layering, masking and blending some of those apped photos to get the result I wanted.

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‘Mother of Days’ ©Oola Cristina 2023

I currently use a 3rd Generation 12.9” iPad Pro as my primary creative tool. For the collage illustrations included here, I used Procreate to extract, mask and draw the individual collage elements, but also used some purchased textures and backgrounds that I then enhanced with various painting and pattern brushes. I also made extensive use of the blend modes and HSB adjustments. I used Snapseed to tune the images, and also used a combination of Stackables filters in “a form of heaven” and “kannon”. I’ve been happy to find more Asian art — specifically Japanese — in the public domain. It has been meaningful and delightful for me to be able to express that part of my cultural identity through my artwork using this source material.

 

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‘A Form of Heaven’ ©Oola Cristina 2023

 

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“Kannon” ©Oola Cristina 2022

 

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“Hiroko” ©Oola Cristina 2023

 

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“Mayumi” ©Oola Cristina 2023

~~~~~~~~~

Thank you so much, Joanne, for including me in this series and for the beautiful and useful resource that is TheAppWhisperer. ❤️

To read other interviews in this series, please go here.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)