Helsinki Biennial
Helsinki Biennial
The Helsinki Biennial is an international art event that showcases outstanding contemporary art in Helsinki’s archipelago. The third biennial takes place from 8 June to 21 September 2025 on Vallisaari Island, in Esplanade Park, and at HAM Helsinki Art Museum.
This summer, the Finnish capital offers the perfect setting to experience the unique blend of contemporary art and nature. Helsinki Biennial 2025 brings together 37 artists and collectives on Vallisaari Island, in Esplanade Park, and at HAM Helsinki Art Museum. The theme of this third edition of the major contemporary art event is Shelter: Below and Beyond, Becoming and Belonging. Helsinki Biennial takes place from 8 June to 21 September 2025.
Helsinki Biennial 2025 showcases artists from around the world. A total of 37 artists and artist collectives are participating, representing 30 different cultures, with a particular emphasis on the Nordic countries, Latin America, and Asia. Of the artists and collectives, 25 have their work exhibited on Vallisaari Island, 5 in Esplanade Park, and 15 at HAM Helsinki Art Museum. There are 57 works and ensembles in total, with about half of them premiering in Helsinki. Helsinki Biennial 2025 includes 13 commissioned works. This edition features, for example, mixed-media installations, works that honour traditional craftsmanship, sound sculptures, and ceramics that offer shelter.
Mayor of Helsinki Daniel Sazonov:
“We are delighted to welcome visitors to the third edition of Helsinki Biennial. Helsinki is a vibrant city of events, and the biennial has found a special place in Helsinki’s events calendar and the hearts of the residents. Creativity, art, the maritime environment, and a close connection to nature play an important role in the everyday well-being of people in Helsinki. This year, this major contemporary art event gains a new dimension as it extends to Esplanade Park. Helsinki aims to be a flourishing cultural city where art offers pleasant surprises and helps us to view familiar places from new perspectives.”
Director of HAM Helsinki Art Museum and Helsinki Biennial, Arja Miller:
“Helsinki Biennial is based on the unique connection between art, nature, and the maritime city – it makes us special in the international biennial scene. The wild nature of Vallisaari Island, the urban rhythm of Esplanade Park, and HAM’s museum spaces create stages where contemporary art can live, breathe, and transform. The Helsinki Biennial is a dialogue between art, the city, its residents, and nature. At the biennial, you can rest, gain insights, learn, and have fun. The artworks are meant to be experienced using all the senses, and, above all, they are there to be enjoyed.”
Helsinki Biennial 2025 explores the significance of shelter
The curators of Helsinki Biennial 2025, Blanca de la Torre and Kati Kivinen, drew inspiration from the protected Vallisaari Island, which has been off-limits for human habitation for decades. Helsinki Biennial 2025 explores the significance of shelter and turns the gaze towards non-human nature. In the works, the focus shifts from humans to animals, water, plants, insects, minerals, and other living beings and their role as contributors to our planet’s wellbeing.
Helsinki Biennial 2025 Curators Blanca de la Torre and Kati Kivinen:
“We are thrilled to kick off Helsinki Biennial 2025. We are deeply grateful to all the hands, minds, and hearts that made the biennial possible – it is the result of a joint effort. Art provides shelter and comfort in many ways, both conceptually and physically. The concept of shelter serves as a reminder of our interdependence and eco-dependence in preserving the future. Shelter is not just a refuge, but a relationship in which boundaries between the living and the non-living blur, encouraging us to explore what coexistence with non-human creatures truly means, in all its nuances.”
Vallisaari Island, a former military site just 15 minutes from Helsinki, sets the tone for this year’s Helsinki Biennial with its protected ecosystem and immersive natural setting. Artworks explore interspecies connections and sensory experiences: Tania Candiani’s Subterra and Band of Weeds’ The Weep of Trees translate hidden life into sound, while Kati Roover’s Songs in the Ocean links whales and humans.
Some works consider non-humans as audiences—Nomeda & Gediminas Urbonas’ sound installation repurposes drainage pipes for interspecies dialogue, and Raimo Saarinen’s Invasive Scent centres on olfaction. The theme of shelter is explored through Sara Bjarland’s bronze sculptures shaped from discarded pool toys and Pia Sirén’s immersive landscape, Under Cover, the first installation visitors encounter. Ernesto Neto’s SaariBird invites empathy through a bird’s perspective, while Ana Teresa Barboza’s Interwoven Stories weaves Amazonian and Nordic plant fibres to reflect on shared ecological histories.
At HAM Helsinki Art Museum, murals by Regina de Miguel and Marjetica Potrč, a video by Jenni Laiti and Carl-Johan Utsi, and embroidery by Edgar Calel reflect Indigenous knowledge. Meanwhile, several works by Maria Thereza Alves, Ingela Ihrman, LOCUS/Thale Blix Fastvold & Tanja Thorjussen, Laura Põld, Tamara Henderson, Aluaiy Kaumakan, and Otobong Nkanga utilise plants as symbols, materials, or subjects, exploring resilience and ecological balance. Highlights include textiles by Carola Grahn and sculptures by Theresa Traore Dahlberg.
The Helsinki Biennial 2025 is designed for a broad audience, and its accessibility has been enhanced with a new venue located in the centre of Helsinki. During the event, visitors can experience outstanding contemporary art for free in Esplanade Park. At the park, featured works include Geraldine Javier’s Earth, Water, Air, Fire, Void, Katie Holten’s Learning to Be Better Lovers, insect hotels by Kalle Hamm and Dzamil Kamanger, Giuseppe Penone’s 12-meter Luce e Ombra, and Gediminas Urbonas’ Unmelting Black (Snowman 1:1)—a granite snowman that never melts.
Made with a big heart for a broad audience
The Helsinki Biennial spans three locations and offers three days of free admission. At the HAM Helsinki Art Museum, works designed explicitly for museum spaces are on display. While standard admission applies, entry is free on 12 June (Helsinki Day), 27 June, 25 July, 9 August (Tove Jansson and Finnish Art Day), and 29 August.
The Vallisaari Island exhibition is free, though standard ferry rides cost €10.90 round-trip. City of Helsinki offers free on 27 June, 25 July, and 29 August. Additionally, the City of Helsinki provides free visits for pupils in grades 1–9 during August and September 2025.
Helsinki Deputy Mayor for Culture and Leisure Paavo Arhinmäki:
“Helsinki Biennial’s central aim is to make high-quality international and Finnish contemporary art accessible to all Helsinki residents. That is why ensuring broad access to Vallisaari Island is so important. We have succeeded in nearly halving the price of the ferry ticket compared to the 2023 biennial. Additionally, the City of Helsinki is offering three days of complimentary ferry service to Vallisaari. Special attention is also given to schoolchildren: we are offering up to 10,000 free ferry rides to and from Vallisaari to comprehensive school pupils. This initiative allows schools to explore both art and the maritime environment in a cross-curricular way.”
The artists and collectives of Helsinki Biennial 2025
Maria Thereza Alves (BR/DE)
Band of Weeds (FI)
Ana Teresa Barboza (PE)
Sissel M Bergh (Sápmi/NO)
Sara Bjarland (FI/NL)
Saskia Calderón (EC)
Edgar Calel (GT)
Tania Candiani (MX)
Regina de Miguel (ES/DE)
Olafur Eliasson (DK/IS)
Carola Grahn (Saepmie/SE)
Tue Greenfort (DK)
Kalle Hamm (FI) & Dzamil Kamanger (IR/FI)
Tamara Henderson (CA/AU)
Gunzi Holmström (FI)
Katie Holten (IE/US)
Ingela Ihrman (SE)
Geraldine Javier (PH)
Aluaiy Kaumakan (TW)
Kristiina Koskentola (FI/NL)
Yayoi Kusama (JP)
Jenni Laiti (FI/SE) & Carl-Johan Utsi (SE)
LOCUS / Thale Blix Fastvold & Tanja Thorjussen (NO)
nabbteeri (FI)
Ernesto Neto (BR)
Otobong Nkanga (NG/BE)
Giuseppe Penone (IT)
Laura Põld (EE/AT)
Marjetica Potrč (SI)
Kati Roover (EE/FI)
Hans Rosenström (FI)
Paul Rosero Contreras (EC)
Raimo Saarinen (FI), Pia Sirén (FI)
Theresa Traore Dahlberg (SE/BF)
Nomeda & Gediminas Urbonas (LT/US)
Juan Zamora (ES)
The artists and collectives of Helsinki Biennial 2025
Maria Thereza Alves (BR/DE)
Band of Weeds (FI)
Ana Teresa Barboza (PE)
Sissel M Bergh (Sápmi/NO)
Sara Bjarland (FI/NL)
Saskia Calderón (EC)
Edgar Calel (GT)
Tania Candiani (MX)
Regina de Miguel (ES/DE)
Olafur Eliasson (DK/IS)
Carola Grahn (Saepmie/SE)
Tue Greenfort (DK)
Kalle Hamm (FI) & Dzamil Kamanger (IR/FI)
Tamara Henderson (CA/AU)
Gunzi Holmström (FI)
Katie Holten (IE/US)
Ingela Ihrman (SE)
Geraldine Javier (PH)
Aluaiy Kaumakan (TW)
Kristiina Koskentola (FI/NL)
Yayoi Kusama (JP)
Jenni Laiti (FI/SE) & Carl-Johan Utsi (SE)
LOCUS / Thale Blix Fastvold & Tanja Thorjussen (NO)
nabbteeri (FI)
Ernesto Neto (BR)
Otobong Nkanga (NG/BE)
Giuseppe Penone (IT)
Laura Põld (EE/AT)
Marjetica Potrč (SI)
Kati Roover (EE/FI)
Hans Rosenström (FI)
Paul Rosero Contreras (EC)
Raimo Saarinen (FI), Pia Sirén (FI)
Theresa Traore Dahlberg (SE/BF)
Nomeda & Gediminas Urbonas (LT/US)
Juan Zamora (ES)
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Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
