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Hollywood Photobooth launches on The App Store In Association With the V&A Museum

Hollywood Photobooth is a brand new app for your iOS devices that has been created to accompany the opening of the Hollywood Costume Exhibition at the Victoria and Albert Museum in London. The app enables users to virtually wear any one of 16 original costumes from iconic Hollywood movies including the Blues Brothers cool ensemble with glasses, Russell Crowe’s armour from ‘Gladiator’, Marlene Dietrich’s tuxedo from ‘Morocco’ and many more.

Users can take a picture of themselves with the front-facing camera or immortalize their friends as movie stars. Pictures are then saved on the device photo library and can be shared on Facebook and twitter from with the app.

This app retails for $0.99/£0.69 and you can download it here.

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This light hearted and playful app features 16 specially-photographed costumes ranging from Charlie Chaplin’s Tramp suit, to Viola de Lesseps stunning dress, headdress and jewellery in Shakespeare in Love worn by Gywneth Paltrow. Users can also adorn their costume with essential accessories: from the Blues Brothers’ cool ensemble with the all-important sunglasses and hat to the combat armour of Gladiator’s Maximus worn by Russell Crowe. Right up-to-the-minute, the app also includes costumes from the latest movie releases such as the dress worn by Keira Knightley in Anna Karenina.

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Hollywood Photobooth supports Hollywood Costume, the V&A’s major autumn exhibition, which gathers together over one hundred costumes designed for unforgettable cinema characters over a century of film-making. For the first time, Hollywood Costume, sponsored by Harry Winston, unites classics from the Golden Age including Dorothy’s blue and white gingham pinafore dress designed by Adrian for The Wizard of Oz (1939), Scarlett O’Hara’s green ‘curtain’ dress designed by Walter Plunkett for Gone with the Wind (1939) and the ‘little black dress’ designed by Hubert De Givenchy for Holly Golightly in Breakfast at Tiffany’s (1961), with the latest Hollywood releases including Consolata Boyle’s costumes for Meryl Streep in The Iron Lady (2011) and Mark Bridge’s costume for Bérénice Bejo in The Artist (2011).

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)