Aperture For Mac – Updated
Aperture combines the control and speed pros want for demanding photo tasks with the easy learning curve iPhoto users need to step up to an advanced photo tool. It has been fully optimized for the Retina display on the new MacBook Pro, letting you browse and edit high-resolution images with remarkable clarity and resolution. And with a new unified photo library, you can now move seamlessly from iPhoto to Aperture — and back — without having to import, export, or reprocess your photos.
Check out What’s New in this comprehensive update below. This is a free update, if you have previously downloaded this app. If not, you can download it here. It retails for $79.99/£54.99/download
What’s New?
• Supports compatibility with OS X Mountain Lion
• Addresses issues that could affect performance when entering and exiting Full Screen mode
• Auto White Balance can now correct color using Skin Tone mode, even when Faces is disabled
• Projects and albums in the Library Inspector can now be sorted by date in addition to name and kind
• Includes performance and stability improvements
Included in Aperture 3.3
• New unified photo library for both iPhoto (v 9.3 or later) and Aperture; no import/export required; Faces, Places, slideshows, albums and web sharing work across both applications
• Support for AVCHD video has been added
• Aperture now lets you use camera-generated previews for faster browsing of RAW files immediately after import
• Highlights & Shadows tool has been updated to deliver higher-quality results and work with extended range data
• A new Auto Enhance button has been added to the Adjustments panel
• White Balance tool now includes Skin Tone and Natural Gray modes to simplify color balance
• Auto button has been added to the White Balance tool for one-click color balancing
• Set Desktop command has been added to Share menu so you can set a desktop background from within Aperture
• A new Manual option allows you to drag and drop projects to customize sort order in the Projects view • New preference allows you to set the background brightness of the full screen browser
• Facebook, Flickr, and MobileMe albums are now displayed as thumbnails in the main window when accounts are selected in the source list
• Minor terminology changes, including “Original” instead of “Master” and “Info” instead of “Metadata”
• Source list includes a new “Recent” section, showing Last Import and recently-viewed projects
• Raw Fine Tuning is no longer displayed in the Adjustments panel by default
• Faces can now be named by dragging them from the Unnamed Faces browser to existing snapshots on the corkboard
• The Faces corkboard now includes a menu that allows you to set the order of face snapshots
• Newly designed monochrome source list and toolbar icons
• Addresses numerous issues related to overall performance and stability The update is recommended for all users of Aperture 3.
Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
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