A Picture's Worth...,  News

A Picture’s Worth With Davide Capponi

A Picture’s Worth… is where we ask mobile photographers that have taken or made, as the case may be, powerful mobile art to explain the processes they took. This includes their initial thoughts as to what they wanted to create, why they wanted to create it, how they created it, including all apps used and what they wanted to convey. We also ask these incredible artists to explain their emotions and how the image projects those feelings.

We have published a few A Picture’s Worth articles recently, if you have missed those – please go here.

In this A Picture’s Worth today, Davide Capponi talks us through his incredible ‘My welcome prison’ image shown below.

(If you would like to contribute to this section or if you have seen an image that you would like to learn more about, just email Joanne@theappwhisperer.com and we will get it all set up).

Over to you Davide…(foreword by Joanne Carter).


The Birth Of A Concept



‘Urban exploration has always been an important source for my photography. For those of you that never heard of Urbex, it is a passion that moves some of us to visit abandoned buildings, shooting photos and leaving things exactly the way they are, our motto is “Take only pictures, leave only footprints…” .

Some time ago I visited an abandoned sanitarium in northern Italy; this type of abandoned structures is usually left on its own and even though they are not meant to be accessible, a way in is not hard to find.

On this specific location, though, the situation was unusual: the abandoned mental hospital was part of a working sanitary district and it was possible to visit by appointment accompanied by an employee of the district.

Our “guide” had worked for over 40 years in this low but extensive structure and had been an accountant of the sanitarium, so he had a wealth of information and anecdotes to share, but the downside of this guided tour was that only a small part of the mental hospital could be visited and most of the rooms had been emptied of all furniture.

Then came the unexpected: someone of the group pointed to an old wooden door; our guide replied that the door had been blocked since decades, but when he tried the handle to show us, the door unexpectedly broke open.

We found ourselves in a walled garden that had been left on its own for decades and that was connected to many courtyards from which we had access to rooms that were long abandoned, such as the one that you see in the photo.

When I saw this room though the broken window, my imagination connected with the tales we heard from our guide about the life of the mentally ill patients in that place, and strangely this bleak, decayed place gave me a feeling of intimacy, of a place that had become “home” for some.


The Process


Here’s the original unedited shot so that you can share better my experience:

Starting from the initial shot (captured with ProCamera), the first pass was a preliminary tuning of contrast, brightness and saturation, executed with Filterstorm; I usually tend to saturate less but in this case I wanted to bring out all the details of the image.




I wanted to give a subtly painterly feel to this shot, and decided to use Repix to this end; I selected the “Hatching” brush that I found most appropriate for this image and applied a regular diagonal brushing to the whole image.




This was just an intermediate step for me: I like to apply effects from any app with a light hand, so I always blend the “effected” image (with Image Blender) with the original in order to achieve the following result.



Having achieved this not too obvious painterly feel, the next objective was to bring to the foreground the main subject of the photo: the bed.

This was done adding brightness, contrast and saturation to the bed and doing the opposite to the rest of the image; I did this in a three step approach.

First step: tone down a first layer.



Second step: tone up a second layer.




Third step: merge the two layers masking the bed.



At this point I had a clearly identified subject in the image. But somehow I felt this was not enough to represent my idea of this room as a refuge for his occupant; I decided to add an aura to the room to achieve my goal, and after some tests, I chose Deco Sketch to draw it, as you see it in the final image.



The idea of this image was to convey to the viewer the same feeling I had experienced, of a safe place in a sad and bleak environment. Only you can judge if I was successful or not, but I hope anyway that you like this image and the story behind it’.

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Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: joanne@theappwhisperer.com