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British Journal of Photography – International Photography Award 2018 Shortlist Revealed

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I am so proud to share this news today, now in its 14th year, British Journal of Photography’s International Photography Award recognises the best of contemporary photographic talent. The award has been instrumental in launching the careers of some of the most influential and respected photographers today, giving them the opportunity to be recognised and celebrated by the international photographic community.

The shortlist consists of Sara Galbiati, Paulina Otyle Surys (special congratulations to you Paulina – I have previously interviewed her for Vogue and also shared coffee and viewed her portfolio in a beautiful little coffee shop in London town and she gifted me a beautiful photograph, thank you!), Poulomi Basu, Harit Srikhao, Alys Tomlinson.

 

Sara Galbiati, Peter Eriksen & Tobias Markussen – Denmark

Independent Copenhagen-based photographers Sara Galbiati, Peter Eriksen and Tobias Markussen have been shortlisted for their series The Merge, an in-depth investigation of artificial intelligence and robotics that aims to explore and visually interpret the possibility that we are living inside a simulation. The artists came together as a collective in 2015, to document issues founded on theories and first-person accounts, rather than fact. Their first solo exhibition Phenomena was exhibited in 2016 at Rencontres d’Arles and coincided with the publication of an accompanying book. The trio have been previously nominated for Prix de la Photo Figaro, and have work in the Musée Réattu.

Paulina Otylie Surys – Poland

Polish-born and London-based photographer Paulina Otylie Surys has been shortlisted for her Dreamatorium series, which delves into the phantoms of her early childhood, growing up during the Polish People’s Republic. Using Communist motifs like ornate Soviet rugs and family portraits set against backgrounds of red meat, Dreamatorium combines nostalgia with fear. Surys is a multi-disciplinary artist who merges the boundaries of photography, painting and mixed-media installation. Her projects are often autobiographical in nature, maintaining a focus on womanhood, memories and the development of society.

Poulomi Basu – India

Poulomi Basu’s Centralia is a complex portrayal of the protracted fight for land and resources in Central India over a course of 50 years. The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources. Basu has become known for documenting women’s experiences in isolated communities and conflict zones. In 2017, her series A Ritual of Exile was shortlisted for the Tim Hetherington Trust Visionary Award, and earned her the Magnum Emergency Fund grant in 2016.

Harit Srikhao – Thailand

Harit Srikhao’s shortlisted Mt. Meru series reflects on the political crisis that gripped Thailand from 2007 to 2014, prompting an awakening that called into question long-accepted social norms. The series draws on idolatry and Hindu cosmology; “The function of image in Mt. Meru is to distort remembrance, control dreams and motivate an ultimate desire,” says Srikhao. The series has been featured by Foam Magazine in their annual Talent issue, as well as in an exhibition at the Foam Fotografiemuseum in Amsterdam. Harit also received the second prize for the Gomma Grant in 2016, for his series Whitewash, and was shortlisted in 2017 for the BJP Breakthrough Award.

Alys Tomlinson – UK

London-based photographer Alys Tomlinson has been shortlisted for her Ex-Voto series, which developed from an interest in markers left behind at pilgrimage sites. Placed anonymously and often hidden from view, ‘Ex-Votos’ are offerings left by pilgrims as signs of gratitude and devotion, that create a tangible narrative between faith, person and landscape. The images were taken at pilgrimage sites in France, Ireland and Poland, encompassing formal portraiture, large format landscape photography, and small, detailed still lives. Tomlinson is an editorial and fine art photographer, works from her Ex-Voto series have previously been shortlisted for the 2017 Taylor Wessing Portrait Prize, and have won the Hotshoe Award/Renaissance Photography Prize, among others.

Prizes

  • Receive exclusive coverage in British Journal of Photography, both online and in print
  • VIP access to this year’s Photo London & Peckham 24
  • Travel and accommodation provided for those living outside London
  • A professional review & reprint of the winning photographers’ portfolios
  • The 2018 grand prize winner will be announced on 27 March 2018, and will win a solo exhibition at TJ Boulting, one of London’s leading galleries, in July 2018
  • The winner will also receive a £5000 production grant from Metro Imaging, to help create the solo show.

Judges

The IPA 2018 judging panel was composed of:

  • Fariba Farshad, Founding Director at Photo London
  • Simon Bainbridge, Editorial Director at BJP
  • Mark Sealy MBE, Director of Autograph
  • Alona Pardo, Curator at the Barbican
  • Fiona Rogers, Business Development Manager at Magnum Photos
  • Hannah Watson, Director at TJ Boulting

By Joanne Carter

Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said.
Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London.
Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art.
Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK.
She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: joanne@theappwhisperer.com

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