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Indifferent West Elliott Gallery September 27, 2025 | January 17, 2026

Indifferent West

Elliott Gallery
September 27, 2025 | January 17, 2026

Indifferent West is a salient visual investigation into the mythology, commercialisation and environmental disruption of the Western landscape. The exhibition features a selection of Mirer’s meticulously composed, vivid photographs spanning over 30 years, capturing the strange beauty and haunting irony of a landscape defined more by fantasy than fact. Mirer’s forthcoming book of the same title, showcasing 108 photographs, launches in conjunction with the show at Elliott Gallery.

Drawn from decades of road trips across the American Southwest, Mirer’s jarring images aim to both play into and subtly disrupt our collective cultural memory of the mythic American Frontier. A tourist himself, he documents desertscapes and roadside attractions so familiar from countless Hollywood Western movies, while simultaneously exposing their deeper contradictions: romanticised ruins, hyperreal facades, and ironic representations of water politics occupying the space. In Indifferent West, cowboy legends clash with Native histories, kitsch collides with the climate crisis, and remnants of settler colonial fantasies are rebranded for tourist consumption.

Included in the exhibition are bold and brightly coloured photographs that present stark juxtapositions laced with a dark sense of humor to highlight the absurdity of American myth-making alongside the ever-so-pressing issues of water politics and environmental devastation. Shot in square format, and so rejecting traditional landscape conventions, these breath-taking images at first glance reveal the sweeping beauty of vast landscapes. However, on closer inspection they uncover tattered tourist sites, rusting billboards, flooded parking lots, and abandoned swimming pools dotting the historical American Frontier.

Indifferent West is a reflection on the American psyche and its uneasy relationship with history, land, and identity. The title itself points to a more profound “indifference”: not only of the land to its own history, but of a society complicit in sustaining romanticised myths while overlooking the economic, human, and environmental exploitation beneath them. Through his allusive photographs, Mirer confronts a nation entangled in its own mythology and urges viewers to reckon with their complicity in the ongoing disruption of the landscape.

Daniel Mirer is a Brooklyn-born, California-based Artist-Photographer and educator who holds a Master of Fine Arts in Photography from the California Institute of the Arts. Mirer has participated in numerous international artist residencies, lectures, and exhibitions, and his work is held in prominent collections, including the Special Collections of the Library of the University of Leiden, Netherlands; Southeast Museum of Photography, Florida; Dallas Contemporary Art Museum, Texas and the Philadelphia Museum of Art, Pennsylvania.

Elliott Gallery
Amsterdam | Netherlands
September 27, 2025 | January 17, 2026

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)