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ProRes ‘Almost’ RAW vs 12-Bit DCG RAW Video Shootout! (iPhone 17 Pro vs Pixel 10 Pro)

Is the iPhone 17 Pro in ProRes RAW or the Google Pixel 10 Pro in 12-bit DCG RAW the ultimate pocket cinema camera for pro video on a smartphone?

In this epic comparison, the ProRes ‘Almost’ RAW from the iPhone 17 Pro is put head-to-head against 12-bit DCG RAW captured with MotionCam Pro on the Pixel 10 Pro, and the results are mind-blowing and not what I initially expected.

In this shootout, the test image quality, dynamic range, highlight recovery, stabilisation, low-light performance, lens quality, RAW workflows, thermal throttling, record limits, accessory ecosystems, repairability, durability, and more are tested — all in real-world filmmaking conditions.

Both phones are pushed to their limits to find out: Which device delivers the most cinematic RAW image? Which offers the best highlight recovery and colour depth? Which phone overheats and drops frames the most? Which records RAW internally AND externally to SSD? Which has the most reliable autofocus? Which handheld is actually usable? Whether you’re a filmmaker shooting documentaries, YouTube content, music videos, or vertical commercial work — THIS is the deep dive you’ve been waiting for.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)