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Hope in Adversity Mobile Interview,  INTERVIEWS,  News

Mobile Photography and Art Interview – Hope In Adversity Interview with Clint Cline from Florida, United States

Today, we are publishing our sixteenth interview in our new series, Hope in Adversity. One that’s based around art, artists and isolation during the midst of Covid-19. This interview is with award winning mobile artist with Clint Cline from Florida, United States.

Cline employs a technique within his painting that embodies religion, storytelling and abstract art. His paintings are powerful, mysterious amalgams of landscapes and unique craggy forms that elicit abstract shapes, symmetrically balancing powerful colour tones. Grounded by the love and support of his family, his faith and mobile art, Cline delves deeper into some projects that he explains, he has ‘long neglected’. The imagery employed has the simplicity of a Shaker chair but the discipline, calmness and originality that radiates from Cline’s paintings, makes for the envy of many an artist. Enjoy!

To read others in this series of interviews with Jill Lian, Vicki Cooper, Gerry Coe, Sarah Bichachi, Sukru Mehmet Omur, Phyllis Shenny, Alisa Smith Williams, Joy Barry, Ile Mont and, Fleur Schim, Fiona Christian, Peter Wilkin, Ile Mont and Susan Latty, please follow this link

 

If you are social distancing or social isolating at this time, are you using any additional time you may have to create mobile digital art or photography?

Despite the disruption of laboring remotely I’m working at as torrid a pace as normal. While technology for teleworking is nothing short of amazing, I’m finding my time spent on-task to be more than typical mostly due to workstation configuration, and constraints in bandwidth and handling the massive file sizes I work in, especially for video.

I have netted extra time for iphonegraphy from the quarantines but it has come from the major sports leagues being shuttered. Spring for me means National Hockey League playoffs, the beginning of Major League Baseball, and the National Football League draft and minicamps. The overlapping seasons is a sports fan’s luxury.

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‘Diremptio 27’ ©Clint Cline

If so, have you noticed the style of art that you’re creating changing from what you would normally create?

My art style has not changed. The extra time has allowed me to re-visit a couple long-neglected continuing series and to produce fresh works.

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‘Diremptio 32’ ©Clint Cline

If yes, to the above, can you explain how your art has changed?

Specifically, I’ve been able to find the concentrated time necessary to work on my Diremptio series. Each piece is a complex construction of incongruous elements that takes focused efforts for color and layering.

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‘Diremptio 18’ ©Clint Cline

Have you found additional inspiration to create at this time?

I’ve been impressed with the creative response by artists to the almost universal hardship of this pandemic. The impulse to create, both as a stress response for the artist and as a means to help others process our shared circumstance has been inspiring. It has created a new kind of creative kinship that I’ll long treasure.

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‘Reflection | 1’ ©Clint Cline

Is creating mobile digital art/photography, helping you at this time specially, how and why?

I am blessed with several anchors in my life, chief among them is my family and my faith. They are tethers that keep me grounded through most any circumstance. So too is my digital art a guy line to a comforting routine into which I am able to retreat everyday. Among other things, this present pandemic has sharpened my sense of observation and empathy which has influenced a number of pieces I’m working on.

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‘Rememory | Context’ ©Clint Cline

Do you feel that sharing mobile art/photography at this time is spreading a unity of peace?

I believe sharing our art anytime – whether on a gallery wall or online – is an opportunity to engage and share others. Art itself in an inherently social enterprise. I also believe God designed us with a innate need to connect, and now with a world lived behind barriers, our natural instincts circumscribed to isolation, our art – all art – is our connection.

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‘If you (could) only know’ ©Clint Cline

Anything else you would personally like to add…

I’m grateful for platforms like TheAppWhisperer that afford us the opportunity to learn and grow and share as artists. I so appreciate your tireless commitment to this, which especially inspiring in light of your own health challenges! Blessings to you, my friend.

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‘Reclaimed’ ©Clint Cline
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‘Can’t quarantine the soul’ ©Clint Cline

Please read…

TheAppWhisperer has always had a dual mission: to promote the most talented mobile artists of the day and to support ambitious, inquisitive viewers the world over. As the years passTheAppWhisperer has gained readers and viewers and found new venues for that exchange.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

2 Comments

  • Greg Hines

    The abstract characteristic of Clint’s art so often has a peaceful, almost humble, aspect to it. At first the color or pattern will catch the eye but upon further examination there is a complex creation lurking below the surface. These well thought out pieces are obviously created out of love. Clint’s work is like the man himself; humble, thoughtful, deep, and acting on love.