Michelle Sank on AI, Photography, Truth and Authenticity
Michelle Sank on AI, Photography and the Future of Seeing Michelle Sank was one of the first photographers I thought of when I started putting this series together. Born in South Africa and later settling in Britain, her work has often explored questions of identity, belonging and displacement, examining how people navigate social, cultural and personal change. Over the years, Sank has photographed communities, families and individuals with a quiet sensitivity that allows stories to emerge rather than be imposed upon the viewer. Her projects have taken her from South Africa to the UK and beyond, often focusing on those whose lives lie at the edges of broader political and…
How Professional Photographers Build Online Portfolios in 2026
One of the questions I’m asked most often by photographers is whether they still need a portfolio website. After all, many of us spend a significant amount of time sharing work on Instagram, Facebook and other social media platforms. It’s where conversations happen, where communities form and where new work is often first seen. My answer is always the same: yes. Social media is useful, but it isn’t a portfolio. It never has been. Over the years, through TheAppWhisperer, I’ve looked at thousands of photographers’ websites. I’ve interviewed photographers and mobile artists from around the world, reviewed portfolios, judged competitions and followed the development of artists at every stage of…
Between Photography and AI: A Conversation with Dan Marcolina
Dan Marcolina is a photographer, designer, author and visual storyteller whose work spans more than four decades of technological change in image-making. Beginning with traditional lens-based photography, his creative journey has evolved through digital imaging, Photoshop, mobile photography, augmented reality and, more recently, generative AI. An early advocate of digital creativity, Marcolina co-founded with his wife Denise, one of Philadelphia’s first all-digital design studios and has spent much of his career exploring how emerging technologies can expand visual expression while remaining grounded in photographic observation. He is the author of several books on mobile photography, including iPhone Obsessed, one of the first iPhoneography books published, and has lectured internationally on…
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Halide Mark III and Why Photographers Still Need to Make Decisions
I’ve been writing about mobile photography for almost two decades, and if I’m honest, I thought I’d seen most of it by now. Every year brings another camera app promising to turn the iPhone into something it isn’t. There are always more controls, more presets, more editing tools, and increasingly, more artificial intelligence. And Halide Mark III made me pause for a different reason. It wasn’t the new editing tools or the collection of Looks that caught my attention. It wasn’t even the promise of producing better photographs. What stayed with me after reading about the update was the sense that Lux is trying to have a conversation about photography…
Remembering Kerry Mitchell
I was deeply saddened today to hear of the sudden death of mobile photographer and artist Kerry Mitchell. I interviewed Kerry for TheAppWhisperer several times and, like many people within the mobile photography community, I always remembered the quiet sensitivity of her work. Her images never shouted for attention. They didn’t need to. They carried emotion in a much softer and more lasting way. At a time when so much photography competes to be louder, faster and more immediate, Kerry’s work did the opposite. It slowed you down. There was a calmness to her images, but also something underlying them that felt fragile and deeply human. I think that’s why…
“The Integrity of the Fine Artist Must Be Preserved” — Rita Colantonio on AI and Photography
Over the past few years, much of my writing and photographic research has increasingly centred on questions of memory, grief, spectatorship, and photographic truth. I have become deeply interested in how photographs shape emotional understanding, how images linger in the mind, influence perception, and quietly alter how we remember experiences long after the moment itself has passed. Photography has never simply been about documentation; it is tied to absence, intimacy, trauma and belief. We do not merely look at photographs; we inhabit them emotionally. At the same time, through my work at TheAppWhisperer, I have spent almost two decades observing and documenting the evolution of mobile photography and digital art from…
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How to Stop iPhone Photos Looking Overprocessed
There was a time when smartphone photography still felt slightly unpredictable. Images could fail. Grain appeared in low light. Shadows sometimes disappeared entirely. Motion blur crept into night scenes. But photographs still retained atmosphere. They still felt connected to the moment they described. Now, increasingly, many iPhone photographs look as though they’ve already been edited before the photographer has even seen them. Skin is automatically smoothed. HDR aggressively brightens shadows. Textures are sharpened beyond realism. Night skies become electric blue. Faces are softened. Details are enhanced until images start looking synthetic rather than observed. For casual users, this often appears impressive. But many photographers are beginning to push back against…
Best Leica Style Camera Apps for Mobile Photography in 2026
There’s something enduring about the Leica aesthetic — the slower, more deliberate approach to image-making; the subtle rendering of light; rich monochrome tonality; and the feeling that photography is about observation rather than endless processing. Mobile photography apps have increasingly leaned into this philosophy, with a number of developers creating beautifully restrained camera experiences inspired by classic rangefinder shooting. A few years ago, I visited Leica’s headquarters in Wetzlar and found the entire experience enduringly fascinating. Beyond the cameras and gorgeous lenses themselves, what stayed with me was the sense that Leica treats photography less as technology and more as a way of seeing. Walking through the campus and museum…
Reeflex Ultra Telephoto 300–600mm Review: The Most Ambitious Zoom Lens Yet for iPhone Photography
Designed for photographers and filmmakers wanting to push mobile imaging far beyond the constraints of standard smartphone optics, the Ultra Telephoto 300–600mm opens up a completely different way of seeing with both iPhone Pro and Samsung Ultra devices. This is not simply about adding more zoom. It fundamentally changes how a scene can be framed and interpreted. Distant subjects suddenly become accessible with a level of compression, separation and cinematic perspective rarely associated with smartphone photography. Whether capturing wildlife from a distance, isolating architectural details, photographing sporting events, exploring atmospheric landscapes or experimenting with moon and sun imagery, the Ultra Telephoto 300–600mm extends the creative language of mobile photography into…
Best Camera Apps to Reduce iPhone Processing (2026)
Best Camera Apps to Reduce iPhone Processing (2026) Apple’s computational photography system produces consistently polished images, but it can also introduce heavy sharpening, boosted contrast, and colour shifts that don’t always reflect the original scene. For photographers seeking more natural results, third-party camera apps provide greater control over how images are captured — often reducing or bypassing Apple’s default processing pipeline entirely. Below are the best camera apps for achieving a more natural, less processed look on iPhone. If you want more natural-looking iPhone photos with less aggressive processing, these apps offer the most control — many also support RAW capture for maximum flexibility. Best Camera Apps to Reduce iPhone…
