Sean Hayes is something of a cultural artist crossing geographic boundaries, one who transforms cultural landscapes. His art is an experience, his portraiture and street work allows for a direct and intimate interaction with the viewer. The meticulous staging of light within his images fills the air with an awareness of living. Hayes’ landscape photography owes its eloquence to its matter-of-fact nature. Everything is observed, Hayes’ images carry the romantic undertow of both myth and mystery. Hayes achieves an engaging style with his art, he not only manages to cross physical borders between countries but I feel, he has a sense of the emotional boundaries between people, his portraiture demonstrates a level of empathy with the subject that brings us into another’s world, another’s pain, another’s joy.
This is our new interview section for mobile photographers and mobile artists and we hope to be filling it very soon with vast explosions of thought and imagery. These questions are designed to explore the artist behind the work, to get to know them a little more intimately.
We recently published our first ‘Brought to Light’ Interview with Andrea Bigiarini, Founder of the New Era Museum and FIPA Florence International Photography Awards as well as writer, author, Imagineer and digital artist, if you missed that, please go here. We then went on to publish an instinctively gifted artist, Ile Mont, if you missed that please go here. Further we published our interview with Roger Guetta, please see here, Rad Drew, please go here to read that and most recently Gianluca Ricoveri (please go here to read that one).
Describe a moment that changed your life.
Settling into my seat for an Aer Lingus flight to Paris from Dublin. It was a moment that changed the direction of my life completely. I was 23 years of age. Like countless Irish people before and after me, I was emigrating. Emigration is often portrayed as a moment of sadness and loss. I couldn’t have been happier or more excited. Adventure awaited me at Charles De Gaulle airport. 33 years later the adventure continues.
‘Doppelgänger’ – ©Sean Hayes
Describe a childhood photographic/art memory.
My Uncle was a fine artist who painted abstracts in his London-based studio. A brilliant draughtsman, but like many fine artists in the last half of the 20th century, he devoted his life to painting surreal and expressionistic canvases. As an 8 year old boy, all I knew was that he was an ‘Artist’, and he was coming to Dublin for a visit. Having recently developed an interest in art myself, I was keen to show him my fledgling attempts at drawing and colouring. When he arrived, I handed him my colouring book: the type of book containing line art where colour is added using crayons, coloured pencils etc. To my utter astonishment, then disappointment, he proceeded to make large sweeping movements of kaleidoscope colours across the page without respecting the black outlines of the drawings. I was crestfallen. What kind of artist was this guy? He didn’t even respect the ‘rules’ of art! I had a lot to learn.
‘Angel Wings’ – ©Sean Hayes
Describe your mobile studio.
Two phones: iOS iPhone6 and Android LGG4. Countless photo apps. Shoulderpod smartphone grip.
‘Waterloo 3’ – ©Sean Hayes
What do you like to think about whilst creating images?
I try not to. I read somewhere recently that the most challenging journey in life is the journey from your head to your heart. We all live in our heads too much. The best art comes from the heart.
‘Tuareg’ – ©Sean Hayes
Share one mobile photography/art tip.
Create art that surprises you. If you can’t surprise yourself, it’s highly unlikely you will surprise anybody else. And if you are not surprising anybody with your art, then frankly, what’s the point?
‘The Joker’ – ©Sean Hayes
What or who ignited your passion for mobile photography/art?
Two people. Knox Bronson – creator and curator of P1xels – for being the first to publish one of my iPhone photos online. Nathaniel ”Nacho” Cordova, a talented contributor of mobile images to iPhoneart.com. Nacho was the first to compliment me on my work and encourage me to continue making mobile images.
‘Ireland 1’ – ©Sean Hayes
What is the most unusual subject you have photographed/painted?
A montage image of British artist Damien Hirst’s Diamond Skull sculpture superimposed on to the face of Irish playwright Samuel Beckett. I used an early version of the photo app Image Blender. The resultant image even scared me.
‘Ireland 2’ – ©Sean Hayes
What are your favourite mobile photography accessories?
The Shoulderpod smartphone grip.
‘Ireland 3’- ©Sean Hayes
Who would play you in a film of your life?
Beaker of Muppet Show fame.
‘Ireland 4’ – ©Sean Hayes
Do you have a favourite app?
I keep coming back to the Picfx photo app. It allows for quick and easy experimentation with an interesting array of coloured and creative filters.
‘Ireland’- ©Sean Hayes
Describe your dream mobile photography/art assignment.
There are about 20+ iPhoneographers around the world that have been part of the mobile artists community since the early days. People I have never meet but admire immensely. I would love to be able to visit them individually and shoot a series of portraits, or possibly, a photo essay of their lives and loves.
‘Ireland 5’ – ©Sean Hayes
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