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‘Brought To Light’ – Mobile Photography / Art Interview with Ile Mont (Ileana Montano)

We have a new interview section for mobile photographers and mobile artists and hope to be filling it very soon with vast explosions of thought and imagery. These questions are designed to explore the artist behind the work, to get to know them a little more intimately.

We recently published our first ‘Brought to Light’ Interview with Andrea Bigiarini, Founder of the New Era Museum and FIPA Florence International Photography Awards as well as writer, author, Imagineer and digital artist, if you missed that, please go here.

Today we are delighted to publish our second ‘Brought To Light’ Interview, this time with the talented mobile photographer and artist Ile Mont. You may recall viewing her TrueView interviews, if not, please go here.

Ile Mont is an instinctively gifted artist pursuing her own creative journey in a singular and surprising way, you will enjoy this…

Describe a moment that changed your life.

Inevitably, by far, the moment that changed my life forever, as a human being and as a woman was when I became a mother. It was decisive. My whole vision of the world changed to a more responsible and sensitive view. Professionally, though, my life changed when I bought an oil painting and met the artist, a most talented and wonderful Mexican painter, Irma Grizá, who later became my painting teacher and friend. I learned a lot from her and discovered how happy and fulfilled I felt while painting and realised that painting and creating was what I wanted do more than anything.

Image ©Ile Mont

Brought to light

Describe a childhood photographic/art memory.

I was a kid and it was my 6th birthday. My grandmother got me a beautiful paint by the numbers kit complete with easel, canvas, brushes and oil paints. The whole set. Everything was there. She told me she knew I was very creative and there was within me a great painter. I was so young and yet she had seen something already. Not that I consider myself a great painter, but I just can’t stop to be amazed at how perceptive she was not only to mine but to all her grandchildren’s capabilities. Some years later, when I was a young teen ager, my mother bought a 35mm Fujica AX1 camera, which she let me figure it all by myself and which turned out to be a great friend for years.

Describe your mobile studio.

My mobile studio starts with my iPhone. It is equipped with 138 photography related apps, which I had not counted until now! I do not use all of them all the time. I just go experimenting accordingly to what I need or want to achieve. I recently got the new iPad Pro as a gift and I am still deciding which apps to install. I used to have some lenses too, but since every time they upgrade the iPhone they become incompatible, I stopped buying them until they come along with a less ephemeral equipment.

What do you like to think about whilst creating images?

Mainly, while I am creating images I like to concentrate solely in what I am doing at the moment. In its colors and shapes and potential. I am rather more intuitive than rational while working. On the background, however, I am always thriving to be creative and original and looking for references in order to avoid repetition or making something I have already seen before. I always think I want to achieve something so inherently mine.

Image ©Ile Mont

Share one mobile photography/art tip.

The answer to this question would definitely be: Be ready. Do not put away your phone. There are incredible instants that will last only seconds, and if you have to search for your phone on your pocket or your purse and open the camera, the moments will be lost forever. You do not have to be rude to anybody, though. Just be ready.

Image ©Ile Mont

What or who ignited your passion for mobile photography/art?

What ignited my passion for mobile photography and art were several factors. In first place, the arrival of mobile phones with cameras that I could take wherever I went and could use at any given opportunity. I fondly remember my old Nokia N95 with a Carl Zeiss lens. In second place, the flourishing of places like Instagram, EyeEm or Flickr where I could upload and share my images for anyone to see, where I could receive feedback about what I was doing, and most of all, where I could see what others were doing. I’ve seen so many amazing, gorgeous, beautiful and inspiring things. In third place, all the people who has recognised, acknowledged my work so far, and in fourth place and more recently, what has increased that passion, has been you, Joanne, because of your commitment to gather so much talent and build a strong and respectable community of mobile photography and art, giving us all a sense of belonging and direction, which I will never cease to thank and admire.

Image ©Ile Mont

What is the most unusual subject you have photographed/painted?

I must say, surprisingly, that the must unusual subject I have photographed is myself. So much, that it took me a while to accept me as a subject with which I could work. At least for me, the “selfie” concept didn’t previously exist, and the self-awareness it came with it, neither. I used to feel like a stranger to myself and frequently was surprised by some of my gestures, poses, and photographs in general. It was like I learned to see myself in a completely new perspective.

Image ©Ile Mont

What are your favourite mobile photography accessories?

A very good, waterproof case with an excellent grip or strap. This is not a good place to share this, but while trying to shoot extreme pictures, I have dropped twice my iPhone in water. And I can’t begin to tell you what a sad and shameful situation that is.

Image ©Ile Mont

Who would play you in a film of your life?

Wow! I have two answers for this one. The first one: Someone who understood and liked what I do. The second one: If Liv Tyler is available, I think she could make this a very attractive and successful movie.

Do you have a favourite app?

Not really. But if I were forced to remain with just one app for the rest of my life, maybe I would choose iColorama because of its many powerful and diversified capabilities.

Image ©Ile Mont

Describe your dream mobile photography/art assignment.

I have been giving it a lot of thought to this question and it is not easy because I definitely have more than one dream assignment, but it would make me very happy if I were asked to build a complete series of mobile art and photography on the subject of the four seasons in Japan: its landscapes, cities and people.

Thank you very much for this wonderful interview and for all your caring support.

Image ©Ile Mont

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TheAppWhisperer has always had a dual mission: to promote the most talented mobile artists of the day and to support ambitious, inquisitive viewers the world over. As the years passTheAppWhisperer has gained readers and viewers and found new venues for that exchange. All this work thrives with the support of our community.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

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