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Gray’s Anatomy – Are you ready for advanced? By Richard Gray

It’s Friday again, another whirlwind week has passed us by but at least we have Richard Gray’s fabulous column Gray’s Anatomy to gently and humorously prepare us for the weekend. This week Richard Gray offers up some excellent tips to help you with your iPhone photography. Don’t miss this…(foreword by Joanne Carter).

 

 

“Last week I launched an advanced iPhoneography class, which, I’m very pleased to say, sold out in one day! But I’ve added some new dates so if you’re in the London area and are interested, please head over here and check it out. If you’re not sure whether you’re up to doing an advanced course, below are ten tips that I taught on my introductory course. If you know them all already, you’re probably OK to join the advanced course ; )

1) Follow the light. This works for all cameras but is particularly important for the iPhone camera. Especially when taking people, if you have some good light, use it.
2) Meter on (tap and hold on) the part of the image you’re most interested in. If there’s no particular point of interest in the image, meter on the brightest part (thereby making your screen go darker). This is because in post production, you can make dark things light, but you can’t make light things dark.
3) Use the HDR option on the iPhone for high-contrast images. If you have two things in an image and one is bright and one dark, use either the HDR option in the camera, or an HDR app. They will help to even out the contrast.
4) Hold the camera still. Especially if you’re doing street portraiture photography. Don’t be shy, just go up to the person and take the shot with a steady hand. The iPhone camera doesn’t like shake: if you try and take it while moving, chances are it won’t be good. If lighting is bad, try and prop up your camera on something to keep it still.
5) Keep charged. There’s nothing more annoying than spotting Prince Charles in drag shopping in Sainsbury’s but missing the picture because your battery is flat. Carry around a portable charger.
6) Use the different shutter options. The shutter button on the view finder fires when you release your finger, not when you touch it. If Cartier-Bresson had used an iPhone, he would have known this while waiting for his decisive moment. Also, use the volume+ button sometimes to fire the shutter. It can allow you to get better angles.
7) Understand your iPhone photo filing system (using the Photos app). Sort your photos into albums and make sure you back-up your best photos to your PC (or use Flickr, which stores in full resolution). Put your best images in an album so that you can impress the head of Getty if you find yourself in a lift with him (=the photographic equivalent of the elevator pitch).
8) Turn your camera sideways. DSLR cameras have landscape (sideways) as default, the iPhone camera has portrait. Remember you can turn it sideways if the shot looks better that way and you can use Squaready to beat Instagram’s squares.
9) Use your feet rather than the zoom. When you see a photo-worthy thing, it’s unlikely the exact spot where you are standing is the best angle. If need be, climb over garden fences until the elements in the frame are where you like them. The zoom on the iPhone camera loses you pixels.
10) Explore the world of editing apps. Taking a photo with an iPhone is just the start. There are a million and one amazing things you can do with your photo after you’ve taken it. Sign up to my course to find out some of them.”

 

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© Richard Gray – ‘Advancing’

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

5 Comments

  • Lesley E

    I’ve had my iPhone for 2 1/2 years and didn’t know about the volume+ shutter. You have made my day! Wish I were close enough to take your advanced class. Thanks!

  • JennLynn

    Thanks so much for the wonderful collection of tips and hope to see even more in the future. They would be very much appreciated. Would love to take your class also, but unfortunately Quebec is a little too far away!