News,  Saturday Poetry

Mobile Photography / Art – Saturday Poetry – St Rose of Lima’s Revenge by Geraldine Clarkson

This weeks Saturday Poetry, matched with mobile photography/art is a poem entitled ‘St Rose of Lima’s Revenge’ by Geraldine Clarkson. This poem was commended in the 2015 National Poetry Competition.

Geraldine Clarkson is the winner of the Anne Born Prize 2015. In 2015 she also won the Poetry London Competition, Magma Editors’ Prize and the 2015 Ver Prize. She was included in The Best British Poetry 2014 (Salt) and she was ‘Selected Poet’ in Magma 58. She has two poems in This Line is Not for Turning: An Anthology of Contemporary British Prose Poetry (Cinnamon Press). She was a Writers’ Centre Norwich Escalator winner in 2011 and she was shortlisted in the Arvon International Poetry Competition in 2010. A selection of her poems were included in Primers (Nine Arches Press, in conjunction with the Poetry School) in April 2016, and her first pamphlet is forthcoming in the Laureate’s Choice series (Smith/Doorstop).

Source: Poems.ThePoetrySociety

I have matched @cokejube‘s – Corinna from Germany, image with this poem. You can follow her on Instagram here.

To view the others we have published in this section, go here. To ensure your image receives our attention, please upload it to Instagram with this hashtag – #theappwhisperer

 

Image ©cokejube

St Rose of Lima’s Revenge – Geraldine Clarkson

At a rough-backed hour, wound round with olive

light, the pink-cheeked would-be anchorite

slides past date palms and scarlet

trumpet lilies in the colonial garden, intent

on the far spinney, where wiry trees like acolytes

surround a simple hut her heart always skips to reach.

 

Holy time, before the porcelain-jowled suitors

(damn them!) begin to queue,

their arms and brows pale-as-the-dough

which Madre leaves in the sideways sun

to rise. Their insect-voices urgent and ‘mi-querido’-ing

as they bend low to moan her name.

 

Always always she is called back just when

hermano Sun peeks up to play, called back

along the manicured paths, the geometric beds.

Called back from the bosky place, cloaked in verde

and all alone with the Belovedexpected. Called in

by a maid as ‘Señor So-and-So is waiting (and his

father is so importante, pretty Rosita)’

 

She makes lace, and takes stupendous blooms

to market, to support the house, ‘though many in the city

are much worse-off, Mami’. Some of these she brings

to her room, to rinse and bind till nightfall. Then,

though drooping, keeps vigil, to cultivate that sweet edge

of encounter, and grow—oleander-like—glossy with blessing.

 

This siesta-time, she flits again—lizards skid

on scalding sand—down to the cool grotto, for an hour

in eucalyptus and blueberry, till, again, some

Rafael or Gregorio in the lobby, and oh, the slippery grasping

insistence when you are so spent and your legs and arms so limp

and the cushions in the parlour so soft and grateful.

Ah, but she’ll show them. She plucks two pods as she passes in

 

at the kitchen door, scores their seams, then draws moist flesh

and virgin seeds across her eyelids, and cheeks,

like a society lady’s brightener, and they begin

to smart and swell. ‘Ah, my Rosa at last!’ her mother turns,

then gasps, at Rosa’s eyes dancing and red, the perfect skin

puckering into pustules, fresh chilli juice dripping

at her fingertips. The suitors look, and look away. But then (covertly)

look again.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)