Reviews

Molten Drum Machine – iPad App Review

Molten Drum Machine from developer One Red Dog Media is a versatile and easy to use 8-track sample based synthesis engine and drum machine built exclusively for the Apple iPad. The power and programming flexibility of Molten lies in the familiar grid based layout, flexible time signature and dividable step sequencer, allowing for tuplet-based (irregular) rhythms.

We interviewed the developer of this app, Peter Johnson a while back to get more background on the development of this app – you can read that interview here.

Read the rest of our great review below…

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As you can see from the above image you can have as many as eight instruments running at the same with as little as one beat on one page through sixteen beats over four pages in a pattern. What’s more, Molten even allows individual beats to be subdivided into as many as nine pieces for more complex sounds beyond music in common 4/4 time.

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It comes bundled with a raft of sample percussive sounds and rhythm sequences, or ‘Patterns’ as Molten calls them, that can be played and then edited or altered with the integrated controls. As well as the sample sounds (totaling 42 on our machine) you can load and store your own then process and share them with your friends.

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The controls range from simple shaping effects such envelopes to track effects (Tremelo, EQ, Filter and Bit-crusher) through to higher-end global stereo master effects including reverb, EQ and compressor for real polish.

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So with the simple to use interface,flexible timing options and wealth of effects, Molten is an intuitive and handy beat maker, but what else does it have to offer?

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Well there’s more under the hood, if you care to look. Molten’s support for MIDI and in particular MIDI beat clock means this synthesizer can be synced with a number of hardware devices over WiFi or the USB port (using the iPad’s Camera Connection kit). And Molten users can leverage the iPad’s support for audio clipboard technology to swap beats between other iPad apps, adding value if you think you really need justify the price.

 

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Are there shortcomings for a pro-worthy beat maker? Well, maybe the global master effects aren’t quite as flexible or customizable layout-wise as they could be. And, it’s only human nature to want more patterns and factory samples to choose from, perhaps as a download from the developer’s site rather than bundled. It’s certainly compelling enough for serious users and even if you’ve never been inclined to dabble with a drum machine before Molten’s beat making abilities will have you enthralled for hours and hours. Definitely recommended.

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

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