DxO introduces revolutionary DSLR-quality camera that attaches directly to the iPhone®
This is interesting, I’ve known about it for a little while as I’m fortunate to have some ‘connections’ (my husband is one of the technical consultants) for DxO; a world leader in digital imaging technologies. They have introduced the DxO ONE, a revolutionary camera that delivers DSLR image quality in an extremely compact size. At 3.8 oz (108 g) and 2.65” (6.9 cm) tall, the DxO ONE is so small that it easily fits in a pocket, yet it features an ultra-high quality f/1.8, 32mm equivalent aspherical lens with a variable 6-blade iris and a 1-inch 20.2MP CMOS BSI sensor capable of capturing high-resolution images even in very low light.
Made of high-grade aluminum, the DxO ONE is a premium camera that has been engineered with the iPhone and iPad® in mind: it attaches via the Lightning™ connector, turning the beautiful iPhone display into the camera’s viewfinder. The camera swivels ±60°, enabling creative perspectives.
The DxO ONE achieves a DxOMark Sensor Score of 70, and up to 85 when using the SuperRAW™ technology (described below), on par with full frame DSLRs and dramatically higher than any smartphone. DxOMark is the industry-standard protocol for camera and lens image quality assessment, used throughout the camera industry and photography press.
“The image quality of the DxO ONE is stunning,” said Jerome Meniere, CEO and founder of DxO. “It’s possible to shoot crystal-clear images under moonlight, which is incredible for a camera this small. The shallow depth of field and bokeh of the lens at f/1.8 is absolutely perfect for portrait photography.”
A free iOS app enables control of the individual settings on the DxO ONE camera, including aperture (from f/1.8 to f/11), shutter speed (from 15s to 1/8000s), and ISO (from 100 to 51200). In addition to an Auto mode, the DxO ONE app offers various capture modes, including multiple Scene modes, Speed, Aperture Priority, or full Manual mode – and the camera interface automatically adapts to the selected mode for a unique user experience.
The DxO ONE also records outstanding videos at 1080p/30fps or 720p/120fps.
In addition to the built-in microSD™ memory card, photos or video can be automatically stored in the iOS camera roll, where they are immediately displayed on the iPhone’s or iPad’s beautiful high-resolution screen, and can be instantly shared to Facebook®, Instagram®, and Twitter®, leveraging the iPhone’s natural connectivity.
By default, the DxO ONE automatically keeps the valuable high-dynamic RAW ‘digital negative’ files, enabling post-production editing flexibility in RAW conversion programs like DxO OpticsPro and Adobe® Lightroom®.
For the ultimate in noise-free image quality – even in very low light – users can choose to capture images in DxO’s new SuperRAW format. A SuperRAW file is the result of 4 RAW frames captured in quick succession. When the DxO ONE camera is connected to a Mac or PC, the DxO Connect companion software automatically merges the four images together using the very latest in spatial and temporal noise reduction.
“The DxO ONE leverages all of the imaging technologies that we’ve been perfecting for well over a decade,” explained Frederic Guichard, DxO’s Chief Image Scientist. “It brings together mobile imaging miniaturization technologies with a large 1-inch sensor and state-of-the-art software image processing.”
“Being image lovers at DxO, we have built the camera we dreamed of for ourselves and could not find anywhere else: uncompromised image quality always available in our pocket,” concluded Jerome Meniere, CEO and founder of DxO. “We believe that, as the first truly connected camera, the DxO ONE opens a completely new era in digital imaging and we can’t wait to see what incredible images photographers around the world will be able to create with it.”
Pricing & Availability
The DxO ONE is available for pre-order in the UK via www.dxo.com. It is priced at £499 (VAT included), with delivery planned for Q4 2015. For a limited time, the DxO ONE comes with free licenses of two awardwinning RAW image processing software, DxO OpticsPro (ELITE Edition, sold separately for £159), and DxO FilmPack (ELITE Edition, sold separately for £99), which digitally reproduces the look and feel of analog films.
Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
One Comment
Gerry Coe
That looks very interesting, can it shoot on its own without being tethered to the iPhone? And does it have it’s own controls.