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Mobile Photography/Art – Saturday Poetry – ‘I Believe’ by Brucellish K Sangma’

I am introducing a new section, simply titled, Saturday Poetry. Each Saturday I will publish a poem and I will also try to link a mobile photography image, that has been uploaded to our Instagram hashtag #theappwhisperer during the week.

Today, I am publishing ‘I Believe’ by Brucellish K Sangma. I Believe is a poem by a Garo poet, Brucellish K Sangma. It is a translation from the original Garo poem, Anga Bebera’a into English by the same poet. She is one of the eminent poets among the Garo women poets. She often translates her own poems from one language to another.

THEMES:

Capabilities of Human Beings:

The poem I Believe depicts the theme of the uncountable capabilities of man and his dreams and achievements. The poet believes a human being can rise to great heights, endure a number of hurdles and reach their goal. In the first stanza, the poet says that a human being can throw a pebble upwards, pierce through the heaven and watch the angels play. This actually means that humans can achieve the most difficult and sometimes even the unachievable goals. At a spiritual level, it means raising our conscience to a higher point and becoming one with God.

In fact, the poet wants to say that human beings can conquer all parts of the universe if they believe in themselves, use their capabilities and work diligently. She means to say that humans can conquer all the three realms of the earth- the atmosphere, the lithosphere and the hydrosphere. The poet also believes that humans can make this world heaven-like and themselves like angels.

Feminist Reading:

The poem I Believe has been written by one of the eminent Garo poets and activists, Brucellish K Sangma. The poem voices the concern about dreams and aspirations of a woman in a male-dominated society. A number of restrictions are imposed on women in a patriarchal society. Such a society is male-centred and they subordinate women in all domains in their life: familial, religious, political and economical. The woman of today wants to free herself from such a society and achieve her dreams. She wants to reach the sky, dive into deep oceans, and conquer all the three realms of the earth. The poet believes today’s women like the poet can achieve her goals.

STYLE:

Simplicity rules the poems of Brucellish K Sangma. It is a translation from the original Garo poem, Anga Bebera’a into English by the same poet. The poem consists of six stanzas and the poet has taken ample care to use appropriate English words to convey her theme and message. The poem is composed in free verse i.e. it has no rhyme scheme and no regular pattern of rhythm. It should be noted that each stanza is a single sentence.

ANAPHORA:

Anaphora is a figure of speech in which there is deliberate repetition of a word or phrase at the beginning of verses, paragraphs, clauses or sentences. Anaphora is frequently used in Bible and in poetry strongly influenced by Bible. In this poem I Believe, ‘I believe’ has been used repeatedly in the beginning of each stanza (except stanza 6) to convey the feelings, dreams and aspirations of the poet.

HAIKU:

A Haiku is a traditional poetic form , which originated in Japan. It is three-line poem with a total of 17 syllables. This poem I Believe consists of six stanzas, each comprising of three lines. The different stanzas are put together through the central theme which runs throughout the poem. It is for this reason that the poem resembles the Japanese Haiku.

CUMULATIVE LISTING:

I Believe has used the technique of Cumulative Listing. It is technique which involves a kind of accumulation of broadly similar ideas. The device is used to emphasize the main idea of a poem.

Each stanza begins with the phrase ‘I believe’ and enlists a number of things that the speaker is capable of doing. Thus, the ideas, if put together can be seen forming a list or catalogue.

SYMBOLISM:

Symbolism refers to the use of symbols to represent ideas and qualities. The entire poem, I Believe, though written in simple and lucid words, has symbolic meaning.

Some of the symbolism are listed below:

“I believe I can soar heights

Touch the silky clouds

And feel the stars” (Stanza 2): Here, heights symbolize ‘sky’ meaning space without limit. ‘stars’ symbolize the list of achievers.

“I believe I can dive

Right into the depths

And swim with the sharks” (Stanza 3): Here, ‘depths’ symbolize the ‘ocean of life’ and ‘sharks’ symbolize the hurdles and difficulties faced in life. The poet believes she can cross all hurdles that come on her way and achieve success.

“I believe I can claw into the earth’s belly

Pick up the priceless gems

And adorn myself with them” (Stanza 4): ‘claw into the earth’s belly’ symbolize putting in labour and hard work to achieve something. ‘Priceless gems’ symbolize the resources available on earth- metals, minerals and precious stones. ‘Adorn’ means to enrich oneself with this resources.

 

(This wonderful analysis was provided by Beamingnotes.com – really fabulous website).

I have matched @angie.lambert – Angie Lambert’s imageConsiderations with this poem. You can follow her on Instagram here

To view the others we have published in this section, go here.

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

One Comment

  • Angie Lambert

    This is so touching to find this morning, Joanne. Poetry is a form of art that I honor and enjoy. Mobile storytelling is an artful expression of visual emotion. I’m so appreciative to not only share in this forum, but also to enjoy the creations from other artists. Thank you for all you do for all of us, Joanne. Happy Saturday poetry! xo