THE DAY MAY BREAK-Nick Brandt Hangar September 19, 2025 | December 21, 2025
THE DAY MAY BREAK-Nick Brandt
The Day May Break (2020–2024) is the latest photographic series by British photographer Nick Brandt. Comprising four chapters across four continents—each resulting in a dedicated book—this monumental body of work explores the devastating impact of climate change on both human and non-human lives. Created during a pivotal moment marked by escalating ecological and social crises, the series responds to the urgency of a world in transformation.
Through portraits of people displaced or threatened by climate disasters and rescued animals unable to return to the wild, Nick Brandt continues his deep commitment to ecological and social justice, emphasising the increasingly visible ties that unite them in shared vulnerability.
Nick Brandt creates powerful tableaux that blur the line between allegory and documentary. In the first two chapters, his subjects are enveloped in mist, enhancing a suspended, almost surreal atmosphere, as if the end of one world and the dawn of another meet in the fragile moment of the photograph.
Marked by silence and emotion, her photographs blend beauty and desolation, evoking both tenderness and loss. They transcend geographical and cultural boundaries to remind us that the climate crisis is a universal reality: whether they live in Zimbabwe, Bolivia, the Fiji Islands, or Jordan, the faces in this series all embody the same struggle, the same dignity.
They are all among the many countries that are the least responsible for climate breakdown. Their global carbon emissions are and have been tiny compared to industrial nations. Yet, like so many other poorer countries in the world, they are disproportionately harmed by its effects. The grim irony is that many people in these countries are the most vulnerable to the calamitous consequences of the industrial world’s ways.
As we move through these images, we are invited to slow down, to feel, to reflect. This is not simply about witnessing a tragedy unfolding, but about questioning the role we choose to play: will we be passive observers of collapse, or active participants in renewal?
Nick Brandt
Nick Brandt was born and raised in London, where he studied painting and film at Saint Martin’s School of Art. In 1995, while directing Michael Jackson’s epic music video Earth Song in Tanzania, he fell in love with the animals and landscapes of East Africa.
In 2001, Nick Brandt decided to fully dedicate himself to photography, beginning his first series, including a seminal trilogy: On This Earth, A Shadow Falls, and Across The Ravaged Land (2001–2012), all shot in East Africa. He continued with Inherit the Dust (2016), highlighting the contrast between nature and destructive development, and This Empty World (2019), revealing a world where coexistence between humans and nature is increasingly impossible.
In 2010, he co-founded the nonprofit Big Life Foundation, which protects African ecosystems through collaboration with local communities and anti-poaching efforts. Since 2020, he has been working on The Day May Break, a project now comprising four chapters, bringing together people and animals affected by climate change and environmental destruction. All series have been published as photobooks.
Nick Brandt’s works are regularly exhibited worldwide, in galleries and museums, including Fotografiska (Stockholm), Fahey/Klein Gallery (Los Angeles), and Edwynn Houk Gallery (New York). His series The Day May Break was recently shown at Newlands House Gallery (Petworth), Chungmu Art Centre (Seoul), Fahey/Klein Gallery (Los Angeles), and the whole project – Chapters one to four – will be exhibited in 2026 at Polka Galerie (Paris) and Galleria d’Italia (Turin). All four chapters are being presented together for the first time at Hangar, including a preview of the unpublished Chapter 4: The Echo of Our Voices. This chapter is partly funded by the Galleria d’Italia Museum (Turin).
His books such as On This Earth (2005), A Shadow Falls (2009), and Across the Ravaged Land (2013) have become landmarks in the field of environmental photography. The book The Echo of Our Voices, the fourth chapter of The Day May Break, published by Skira Editore in Milan, will be officially launched during the exhibition at Hangar.
Nick Brandt has received numerous awards for his photographic work and ecological commitment, including the Lucie Award for International Photographer of the Year (2009) and the Green Good Design Award (2017).
Please support us
The AppWhisperer has always had a dual mission: to promote the most talented mobile artists of the day and to support ambitious, interested viewers worldwide. As the years pass, TheAppWhisperer has gained readers and viewers and has found new venues for that exchange.
All this work thrives with the support of our community. Your support helps protect our independence, and we can keep delivering open, global promotion of mobile artists. Every contribution, no matter how big or small, is valuable for our future.
Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
