Mobile Photography and Art – A Picture’s Worth with Susan Detroy from Oregon, United States
‘A Picture’s Worth‘… is where we ask mobile photographers that have created powerful mobile photography/art to explain the processes they took. This includes their initial thoughts as to what they wanted to create, why they wanted to create it, how they created it, including all apps used and what they wanted to convey.
We also ask these incredible artists to explain their emotions and how the image projects those feelings. We have published a few A Picture’s Worth articles recently, if you have missed those – please go here.
In this ‘A Picture’s Worth’ today we asked Susan Detroy from Oregon, United States to tell us more about this image, featured. Detroy has detailed her thoughts below, we think you’ll find this invaluable…
“I am pleased to share my process about using apps and creating work with my iPhone and iPad.
I started working with blended and fused apps toward the end of 2016. I am attracted to them because they work in similar ways to my layered pieces to I created before iPhone.
The apps produce familiar feelings as the sensibilities I express with my hard copy work. Blending, combining images and layering are techniques I have been using since the 90’s when I worked with xerography and started doing transfers and lifts with solvents. The apps speak a language I understand.
I picked an image from my current “Self-Portraits of a Woman” series. I was propelled into the series by personal grief, politics and a long photographic history of self-reflection. The “world” seemed to impinge on me and this was how I responded.
For this column, I did my best to remember what I used, as I am impulsive creator, often unaware that it might be important to know how I made what I make. I did my best to keep track.
With “Self-Portraits of a Woman” I am committed to using blending and fusing apps. In the series I confront who I am as I age, the fears and joys of an older female in American culture. I show the inner and outer me and what I care about. The apps support combining photos of myself and the world I inhabit.
I interweave nature, cityscapes or earth elements with my portrait. Sometimes I combine multiple images. When I am watching the choices for blending I move through feelings about how I look, what I feel, and what I want to communicate. I am showing my relationship to my world and how I respond to what surrounds me. I use images to convey my presence, to say here I am, I am who I am and that is how it is. In my process of proclaiming, I revel in moving the images around and going through the choices until I feel a “yes this works for me.”
In “Birthday Portrait” I combined photographs I took on my recent birthday hike. I turned the camera on my surroundings, and myself using Blackie one of my favorite black and white camera apps. Using Blackie I like to blow out the highlights leaving a wispy image or self-portrait.
The blown out highlights remind me of black and white Infrared film I used to shoot. The two photos I arranged were of myself, and another of trees with my friend in the corner. I enjoy the feeling of magnificence, larger than life me, with the trees growing on and in me. I interpret my friend as a part of my existence in nature. Using her image creates a feeling of admiration and honouring for the trees and honouring my life on the day of my birth.
I use my iPad to edit my pieces. I used Painteresque, another favorite app. I like how it brings lots of detail and texture to the image. It seems to enliven the information. Next I chose Mextures for a muted colouring, giving it a fluid color feel. And with all apps I feel like I am playing as I move through the choices of colours and the ways I feel as I see them presented.
In this image, as in much of my multiple image work, I play with and enjoy the back and forth feeling the viewer can experience, seeing more than one image, one coming forward, then the other. There is a way some information is hidden and revealed. This is my contemplative, joyful, and sometimes serious way of communicating.
And always, thanks for TheAppWhisperer and Joanne Carter’s enormous talent and support for the iPhone photography world. If you love this work, please support her and the site”.
Photo ©Susan Detroy
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Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
