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    Michelle Sank on AI, Photography, Truth and Authenticity

    2026-06-08 / Comments Off on Michelle Sank on AI, Photography, Truth and Authenticity

    Michelle Sank on AI, Photography and the Future of Seeing Michelle Sank was one of the first photographers I thought of when I started putting this series together. Born in South Africa and later settling in Britain, her work has often explored questions of identity, belonging and displacement, examining how people navigate social, cultural and personal change. Over the years, Sank has photographed communities, families and individuals with a quiet sensitivity that allows stories to emerge rather than be imposed upon the viewer. Her projects have taken her from South Africa to the UK and beyond, often focusing on those whose lives lie at the edges of broader political and…

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    Joanne Carter

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    “The Integrity of the Fine Artist Must Be Preserved” — Rita Colantonio on AI and Photography

    2026-05-26 / Comments Off on “The Integrity of the Fine Artist Must Be Preserved” — Rita Colantonio on AI and Photography

    Over the past few years, much of my writing and photographic research has increasingly centred on questions of memory, grief, spectatorship, and photographic truth. I have become deeply interested in how photographs shape emotional understanding, how images linger in the mind, influence perception, and quietly alter how we remember experiences long after the moment itself has passed. Photography has never simply been about documentation; it is tied to absence, intimacy, trauma and belief. We do not merely look at photographs; we inhabit them emotionally. At the same time, through my work at TheAppWhisperer, I have spent almost two decades observing and documenting the evolution of mobile photography and digital art from…

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    Joanne Carter

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