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    • mobile photography
      News,  SHOWCASE

      Mobile Photography & Art Flickr and Instagram Showcase – 20 December 2020

      2020-12-20 / Comments Off on Mobile Photography & Art Flickr and Instagram Showcase – 20 December 2020

      This weeks mobile photography and art showcase is a narrative on life and for many of us, life right now does not offer the freedom it once did… Freedom seems like a luxury, one we all took for granted.  What connects people in this showcase and our community of artists is the ability to express ourselves in the ways we most discern, through our art and we keep at it. The sheer ingenuity that you will view today is elegant and strong, engaging and questioning each piece created by independent minds producing compelling artistry. Enjoy. Thank you to all the talented artists for submitting your works to our showcase this week. If…

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      Joanne Carter

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      News,  SHOWCASE

      Mobile Photography & Art Flickr/Instagram Showcase – 14 June 2020

      2020-06-14 / Comments Off on Mobile Photography & Art Flickr/Instagram Showcase – 14 June 2020

      “In these last decades ‘concerned’ photography has done at least as much to deaden conscience as to arouse it”, Sontag, S. On Photography (1979). Sontag argued that beleaguering the public with sensationalist photographs of war and poverty was a definitive way to numb the public’s response. Sontag believed that the more distressing images people viewed, the more immune they became to their impact; viewers became reduced to inaction, either through guilt or a dismissive lethargy towards making a difference. Sontag reversed this view in Regarding the Pain of Others (2004), but ‘compassion fatigue’ is still used as an argument against war imagery today. I have been thinking about this a…

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      News,  SHOWCASE

      Mobile Photography and Art Flickr/Instagram Showcase – 24 May 2020

      2020-05-24 / Comments Off on Mobile Photography and Art Flickr/Instagram Showcase – 24 May 2020

      “When in love, the sight of the beloved has a completeness which no words and no embrace can match : a completeness which only the act of making love can temporarily accomodate”, John Berger, Ways of Seeing, 1972. The way in which we see things is affected by what we already know or what we believe we know. By making a distinction between imagery and text as information systems, we know that seeing comes before words but when you read a sentence, you read it from beginning to end, in a linear way; you don’t repeatedly return to different words within the sentence and reread them. When you look at…

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