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AppArt School – New immersive AR experience brings student creativity to life

AppArt School -New immersive AR experience brings student creativity to life

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Students visiting the Art Gallery of New South Wales in Sydney were among the first to experience the new immersive AR initiative Deep Field.
Inspired by a curiosity for the natural world, Deep Field is a new immersive art experience and app created by celebrated Australian artists and creative technologists Tin Nguyen and Edward Cutting of Tin&Ed, using iPad Pro and Apple Pencil. Initially available at the Art Gallery of New South Wales in Sydney and the Getty Center in Los Angeles, the interactive augmented reality (AR) and sonic experience enables students and families around the world to co-create and connect in real-time through their shared reimagining of the environment.
Harnessing the power and portability of iPad Pro, combined with the precision of Apple Pencil to foster creativity, Deep Field participants are invited to take inspiration from works of art and the environment to draw their own flora and fauna, experimenting with vibrant colours, shapes, and textures. After dreaming up fantastical plant parts, participants sketch their designs with Apple Pencil in the Deep Field iPad app, which are then added to a global database filled with flora drawn by participants across the world in real-time, cocreating a new ecosystem where the invisible worlds of plants are revealed through the magic of AR. Using the LiDAR Scanner on iPad Pro, participants watch their artworks bloom into spectacular 3D plant structures trailing across the floors, walls, and ceilings around them, creating a newly imagined, immersive natural world.

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The guided experience encourages audiences to consider new perspectives and think about the planet differently, from plants that have lived for a thousand years, to new and imagined species. Taking the experience to another level, the app’s UV mode also enables students and families to view their newly created world in a different dimension, as they experience the world as a pollinator.
Multidisciplinary artists Tin&Ed create vibrant, playful, and interactive experiences across the world that explore and push the interconnected boundaries between art, design, technology, and the physical and digital worlds. More than an immersive simulation, Deep Field utilises accessible technology that empowers people to bring creativity to life, while also shining a spotlight on the need to protect the planet.
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Multidisciplinary artists Tin&Ed developed the Deep Field app for iPad Pro to enable participants from across the globe to imagine new worlds together in real-time in augmented reality.

To bring the Deep Field experience to life at this scale, Tin&Ed fused its background in art and design and passion for creative technologies to work skilfully across multiple devices. The power of MacBook Pro, Mac Studio with M1 Ultra, and Studio Display, combined with the 3D platform Unity, enabled the development of complex three-dimensional worlds that were then optimised for real-time. The Deep Field app was designed using Apple’s ARKit framework, allowing for the integration of the depth-sensing features in iPad Pro with the M2 chip, to produce spectacular 3D plant structures in AR. The state-of-the-art LiDAR Scanner in iPad Pro offers cutting-edge depth-sensing capabilities to measure light distance and uses pixel depth information of a scene to deliver faster and more realistic AR experiences.

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Joanne Carter is a British photographer, photography journalist, editor and curator and the founder and editorial director of TheAppWhisperer.com, an independent international photography publication established in 2009.Her journalism, criticism and commentary have appeared in The Times, The Sunday Times, The Guardian, Financial Times, BBC, Vogue Italia, LensCulture, Popular Photography, Android Magazine, NikonPro, DPReview, Which Digital Camera and Which Camera. She has lectured internationally on photography and mobile art, served as a juror for international photography awards, and exhibited her own photographic work across the UK, Europe, South Korea and the United States.Alongside her editorial work, Joanne's photographic and postgraduate research explores death, grief, memory, representation and social inequality through contemporary photography, participatory practice and visual research methods, with the longer-term aim of developing this work through doctoral research.Through TheAppWhisperer, she continues to publish independent photography journalism spanning contemporary photographic practice, mobile imaging, photographic apps, computational photography and emerging imaging technologies.Joanne is available for editorial commissions, photography projects, judging, curatorial work, speaking engagements, consultancy and selected collaborations.