Michelle Sank on AI, Photography, Truth and Authenticity
Michelle Sank on AI, Photography and the Future of Seeing Michelle Sank was one of the first photographers I thought of when I started putting this series together. Born in South Africa and later settling in Britain, her work has often explored questions of identity, belonging and displacement, examining how people navigate social, cultural and personal change. Over the years, Sank has photographed communities, families and individuals with a quiet sensitivity that allows stories to emerge rather than be imposed upon the viewer. Her projects have taken her from South Africa to the UK and beyond, often focusing on those whose lives lie at the edges of broader political and…
You May Also Like
Mobile Photography & Art – ‘Intimate Interview’ with Joy Barry from Cape Cod, Massachusetts, United States
TrueView Video ‘How Has Covid-19 Affected Your Mobile Art? with Lynette Sheppard from Hawaii, United States
The Recipe I Can’t Live Without with Catherine Caddigan from the United States
Mobile Photography & Art Flickr and Instagram Showcase – 21 March 2021
Marcel Proust describes, In Search of Lost Time, his own experiences of ‘involuntary memories‘, these are profound and unexpected glimpses of the past triggered by mundane and everyday experiences. Escaping time, is in essence the affect of ‘involuntary memories‘, they return us to past events. Photography, is the perfect medium to use as the physical connection to illustrate and explore this. Susan Sontag pronounced that, all photographs are memento mori, to take a photograph is to participate in another persons (or things) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to times relentless melt. (Sontag, 1979: 15). According to Roland Barthes photographs…
