Mobile Photography & Art – Flickr/Instagram Group Showcase – 10 February 2019
“The feelings of desperation and unhappinness are more useful to an artist than the feeling of contentment, because desperation and unhappinness stretch your whole sensibility”. A quote by Francis Bacon but one I’m inclined to disagree with. Rufus Wainwright once admitted that he was terrified to settle down into a happy relationship, because without the emotional drama that came from all those dysfunctional love affairs, he was afraid of losing access to ‘that dark lake of pain’ he felt was critical to his music. I disagree that we should all be addicted to suffering, we need to be able to trust pleasure and utilise it to help create art. Too many artists put their faith in anguish. To have faith in the suffering muse, can cause us to become tormented artists, or to fetishise suffering. To trust love to create art, is more valuable for our mental health. Love your work, love it like it loves you and let it love you. There’s a trust in that love, the fiercest trust of all and I have in spades for you. Huge congratulations to all the artists featured this week.
In keeping with my New Year Resolutions, you’ll find me at the press preview this week of Diane Arbus: In the beginning and Kader Attia: The Museum of Emotion at the Hayward Gallery, SE1. I’ll report back but am expecting it to be nothing short of fabulous. It’s open to the public from 13 February until 6 May.
Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.
Many congratulations to the following artists for being featured this week:
“The feelings of desperation and unhappinness are more useful to an artist than the feeling of contentment, because desperation and unhappinness stretch your whole sensibility”. A quote by Francis Bacon but one I’m inclined to disagree with. Rufus Wainwright once admitted that he was terrified to settle down into a happy relationship, because without the emotional drama that came from all those dysfunctional love affairs, he was afraid of losing access to ‘that dark lake of pain’ he felt was critical to his music. I disagree that we should all be addicted to suffering, we need to be able to trust pleasure and utilise it to help create art. Too many artists put their faith in anguish. To have faith in the suffering muse, can cause us to become tormented artists, or to fetishise suffering. To trust love to create art, is more valuable for our mental health. Love your work, love it like it loves you and let it love you. There’s a trust in that love, the fiercest trust of all and I have in spades for you. Huge congratulations to all the artists featured this week.
In keeping with my New Year Resolutions, you’ll find me at the press preview this week of Diane Arbus: In the beginning and Kader Attia: The Museum of Emotion at the Hayward Gallery, SE1. I’ll report back but am expecting it to be nothing short of fabulous. It’s open to the public from 13 February until 6 May.
Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.
Many congratulations to the following artists for being featured this week:
Buzz Kills, Irene Irene Marchuk Oleksiuk, TheiPhoneArtGirl – Meri Walker, Robin Robertis, Tricia Dewey, Tuba Korhan , Clare Pickett, Robi Gallardo, Ransom Candice Railton, Hanni K, ArrrRT eDUarD, Jun Yamaguchi, Eduardo Llerandii, Rita Colantonio , Tomaso Belloni, Nashira1901, Cathrine Cathrine Halsør, Dieuwke Geervliet, Nelson Goncalves, Poetic Medium, Gianluca Ricoveri, Barbara Braman, Karen Axelrad, jilllian2 – Jill Lian, Amo Passicos, Matthew Teter, Kate Zari Roberts, Karen Axelrad, Susan Maxwell Schmidt, Laila, Luison – Lrh Arquitecto, Sherrianne100.
‘February 9’ ©Amo Passicos
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Joanne Carter
Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)
