Mobile Photography & Art – Flickr/Instagram Group Showcase – 17 November 2019

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I was delighted this week to learn that 45 year old Ivorian artist, Joana Choumali has become the first African photographer to scoop the Prix Pictet prize, winning with a series of embroidered photographs responding to the trauma of terrorist attacks in Ivory Coast in 2016. The series is entitled ‘Ca va aller‘ – meaning – ‘it will be ok‘, a reference to stoical reaction to adversity that she said permeated Ivorian culture. Her images were printed onto canvas and then later embroidered with stitches directly onto the surface. Combining photographic imagery with fabric and therefore, creating ‘conceptual portraits‘. She created this work ‘as a need to process the pain‘. She said ‘each stitch was a way to recover, to lay down the emotions, the loneliness and mixed feelings I felt‘. Her work is stunning but what particularly interested me was the way it helped her to process her inner pain. I believe pain is the root to many artists’ work, whether that be pictorial, sculpture or the written word and I refuse to believe anyone who tells me, and they frequently do, that it has no place – it has every place. I am luckily enough to be invited to many exhibitions and shows around the world and earlier this year, I attended the opening of Tracey Emin’s brutal portraits of female pain exhibition ‘a fortnight of tears‘. I spoke with her and discussed her work. Her background repeats in much of her art and as she gets older, also the sleeplessness, exhaustion, whirling anxieties and the fear of running out of time contribute. The power of female art has become vital for women and not ‘just‘ artists but for all women. French writer and poet Andre Breton once described Frida Kahlo’s art as a ‘ribbon around a bomb‘, I say, standby for the blast…

I hope you all love this weeks mobile photography and art showcase as much as I do. Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #theappwhisperer.

Chhororo, klimtt – Cecilia Sao Thiago, Jun Yamaguchi, Sebastian Burczyk, Clint Cline, woltarise, borisbschulz2009, Catha Li, Catherine Caddigan, Deborah McMillion, Lorenka Campos, Sherrianne100, Hanni K, Southfield Photos, Laila, Rita Colantonio, I-C-Things – David Starling, Gianluca Ricoveri, Judy Wahlberg, Susan Rennie, p.a.hamel, Jane Schultz, Marguerite Khoury, Vadim Demjianov, psychephoto – Robin Cohen, kathyc2136, Eliza Badoiu, Anca Balaj, J A Graham, @filizakart – Filiz Ak, @schwitter.li, @pause.and.breathe – Susan Latty, mitrydate, Rosalie Heller, Diane Neubauer, Judy Wahlberg.

Music this week ‘You mean the world to me’ – Freya Ridings

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 17 November 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 29 September 2019

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Susan lived “in constant terror that [her mother] would withdraw suddenly and arbitrarily.” […] In the house she grew up in, love was not given unconditionally. Instead, it was extended temporarily, only to be dropped at will: a winnerless game whose rules the girl learned far too well. I am currently reviewing new literature by Benjamin Moser, a heavy tome of a book, entitled “Sontag: Her Life and Work”, sent to me by Allen Lane the publishers and a subsidiary of Penguin Books. I’ve not finished this book, not by a long way (yet). This week has been a tough one personally, not least with the resurgence of early years’ abuse, which actually coincided while I was reading the beginning chapters of this book and I’ve been staggered at some of the similarities with my own early life, as it pushed me back. I experienced much the same but was also berated for it and when it returned again this week, out of the blue, I struggled to climb out of the misery I felt. Fortunately or unfortunately I had other more pressing distressing problems to cope with and these took priority and I think that helped, funny how things work out. Of course, I will publish the full review of this book, in due course, but it will require two or three reads first. What I would say is Sontag was a controversial figure, but I have always truly admired her work. Unlike Sontag, I do know exactly what my feelings are and in respect of mobile photography and art, my perspective is demonstrated brilliantly in this weeks showcase. Enjoy!

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #theappwhisperer.

@pause.and.breathe – Susan Latty, @ringuin – Dieter Gaebel, @elizabadoiu – Eliza Badoiu, @patragraphy, schwitter.li – Liliana Schwitter, @christinemignon – Christine Mignon, @mitrydate – , @clixit2020 – Clint Cline, @loveanalogcollage1 – Jen, jilllian2 – Jill Lian, Deborah McMillion, Cintia Malhotra, Sergiy Beliayev, Lorenka Campos, Hanni K, Sheldon Serkin, Jun Yamaguchi, Russ Merz, Robin Robertis, Rita Colantonio, Jeremy Cassell, Sherrianne100, Karen Axelrad, Lindy Ginn, Laila, Ginaluca Ricoveri, Judy Wahlberg, p.a.hamel, Susan Rennie, Rob Pearson-Wright, Clint Cline, Linda Hollier, @imaco57 – Isabel Afonso, Sandra Martins – Violet, Clarisse Debout, @berleyart – Kim Clayton, Sukru Mehmet Omur, ja_graham – Jennifer Graham, clau_clara, @harkinjoyce – Joyce Harkin, @rkreationsmi, Ilise Harris, hedgehogstudio – Julie Denning, @wallopart.

Music this week is by Laura Doggett entitled ‘Old Faces’

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 29 September 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 11 August 2019

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This weeks climactic mobile photography and art showcase is an irresistible blend of portraiture, street, still life, landscape and more, guaranteeing a sugar rush of delirious enjoyment.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #theappwhisperer.

sunflowerof21_365 – Elaine Taylor, Lydia Cassatt, Eliza Badoiu, @elisrealize – Elis, @bonobostonecreations – Bonobo Stone, @after.1st.illumination – Jane Schultz, Anca Balaj, @vadqcooper – Vicki Cooper, @marymodale – Dale Botha, @elengemlux – Eleni Gemeni, Oola Cristina, Clint Cline, Barbara Braman, Juta Jazz, Jennifer Bracewell, Rita Colantonio, Benedetta Falugi, Saif Hassan, Vadim Demjianov, Jun Yamaguchi, Ioannis Sidiropoulos, soul_engine, Peter Wilkin, Susan Maxwell Schmidt, ArrRT eDUarD, aka Tman, David DeNagel, Lorenka Campos, Allyson Marie, Sherrianne100, jilllian2 – Jill Lian, Tomaso Belloni, G. Billon, Gianluca Ricoveri, Migle Sirvydyte, Susan Rennie, Laila, p.a. hamel, Andy Alexandre, I Rome, Deborah McMillion.

Music this week ‘At Last’ Etta James

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 11 August 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 28 April 2019

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“If you’re paying attention and making your own life as beautiful and rich and fun as it can be, you might just attract someone who’s doing the same thing, you can give up on tracking someone down with your butterfly net.” Words by Anne Lamott, who married this week at Deer Park Villa, in Fairfax, California. She met her husband through a dating site, called OurTime, a matchmaking site for the over 50’s. She had been single for a long period and felt absolutely no wanton feelings to change that. When asked, by the New York Times writer, Lois Smith Brady, 26th April 2019, why she stayed single so long, she replied that she was shy and introverted and hated leaving the house, particularly for parties.“If I go to a party, I become a Roz Chast character with my arms hanging at my sides and I feel like I’m developing a tic,”. Lamott has has published 18 memoirs and novels, many about being a recovering alcoholic, single mother, perpetual worrier and late-in-life churchgoer. I’ve read many of her books, you knew that was coming, right? I read incessantly, there’s only one thing that frustrates me about reading and that is that I can’t write and view images at the same time. I’m good at multi-tasking but not at that. Perhaps, it’s a learning difficulty, yesterday morning I spent many hours supporting one of my children as they undertook an updated private disability assessment with an acclaimed consultant, to enable them to successfully progress onto the next stage of their life. Feeling emotionally, mentally and physically drained post test, we both later collapsed at home, for a while. Disability diagnoses, if necessary, are crucially important when navigating this world. So many obstacles appear very quickly insurmountable without the correct support and often are but with it, you can fly.

What I love about Lamott, is she is a fighter, as I am, as my family are, we are a strong and very healthy, positive, loving unit, that’s not to say, life is easy because it is not but we try to focus on the things that really matter, whilst simultaneously fighting to keep the wolves from the door. Smith Brady, closed her article in the New York Times describing Lamott  as ,’A natural cheerleader, especially for underdogs’. Lamott later posted on her Facebook page, “never give up, no matter how things look or how long they take. Don’t quit before the miracle.” And so, I say to all of you incredibly talented mobile photographers and artists out there, I can reveal, very candidly that there is a miracle opening here and I am going to ensure you’re all cordially invited to be part of it, it is coming and I am very excited. Stand by me, there is ecstasy in paying attention. 

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Paul Yan, Hanna Martins, Anastasia Potekhina, Jun Yamaguchi, Cathrine Halsor, borisbschulz2009, Debara Splendorio, Tricia Dewey, Sherrianne100, Laila, qingxian guo, Eduardo Llerandi, Michael Brunsfeld, Fiona Keyes, Scott Simpson, Kat McClelland, Erika Brothers, F4810P, Susan Detroy, Enio Godoy, Rita Colantonio, Lorenka Campos, Emma Dauvin, Lawrence Lazare, Peter Wilkin, Nick Kenrick, Kathy Clay, Milly M, Tomaso Belloni, Arko Rayhan, Anthony Madigan, jillian2 – Jill Lian, Gianluca Ricoveri, Tuba, Kate Zari Roberts, p.a.hamel, lifequest22, Ioannis Sidirpoulos.

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 28 April 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 21 April 2019

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Earlier this year, I attended the press view of ‘A Fortnight Of Tears’ by and with Tracey Emin, at The White Cube Gallery, London. What has interested me, particularly, since the exhibition are the wide ranging and diverse reviews and critiques of this show. Having spent time speaking with Emin, as well as sharing the exhibition and space with her, I felt closer to this artwork and to her psyche than I ever have before. Many of the reviews were critical, she is an artist who has always attracted harsh critics. Her most infamous work “My Bed” (1988), is in many ways, metaphorically, part of this exhibition. It’s re-inacted as fifty huge iPhone selfie images displayed on the gallery walls, taken as she awakes in bed, displaying plastic surgery scars, moods and various nightgown changes. In an interview, she describes to Griselda Murray Brown, Financial Times, how this exhibition relates, “the Bed for me, is the closest thing that I have to [these] works because I stained that bed, I cried in that bed, I shit in that bed, I fucked in that bed, probably vomited in that bed. Everything that that bed is, is in [these] paintings”. Her theme of art has been the same for sometime, over 30 years, and consists mainly of abuse, abortion, love, loss, death, so not for the fainthearted but to define this recurring theme in one word, I would choose ‘life’. She has relentlessly been criticised for yelling about rape, this was before the #MeToo era and her response to that was Of course I’m screaming about rape. Why shouldn’t I be?” frankly, I couldn’t agree more, don’t you? I kept trying to say [this] to people years ago”, Emin continued. “Suddenly I’m allowed to express myself and to have the language and the voice that I’ve had for years and years. Now we’re in a time where we can put things right, and this is what my work is about”. Critics continue to urge her to ‘move on’ but much of the true grit of life, is incessant.

Another recurring critical aspect of Emin’s art and again it’s one that is repeated throughout the art world, is ‘is it art?’. I wonder why we are still asking this question.

In 1988, Richard Woodward wrote a feature article in the New York Times discussing recent photographic work, entitled “It’s Art, But Is It Photography?’. He went on to say “It isn’t clear anymore how photography should be valued or looked at, where within our museums it should be exhibited-even what is or is not a photograph”. In the late 1800’s debates literally raged about the status of photography, ‘is it art or not?’ critics hollered. Amusingly, (or not, depending on your sense of humour), in the 1920’s even Edward Weston accused pictorial photographers of making ‘pseudo paintings, instead of photographs’. Of course the debate has shifted full circle. Since the 1960’s , the question of whether photography is art became irrelevant with the acceptance of photography into museum collections. But the question once again shifted in the late 1980s to ‘Is it photography?’. It could be said that the prestigious Museum of Modern Art (MOMA) in New York was not accepting of the depiction, not of art but of photography and in turm, what could be concluded, as photography. Prior to the 1990s MOMA had not given an exhibition to David Hockney, Robert Mapplethorpe, Cindy Sherman among others. It seems the theory being the work of these artists might have been art, but not photography.

This is an extract of a larger piece of writing that I am working on and it is relevant today in our era of mobile photography and art. We have made huge strides to encompass what we know is the most formidable and time changling art today but we still have further to travel. This weeks mobile photography and showcase, highlights once again the pioneering artists pushing the boundaries, challenging the status quo. Colour and wild creativity flourish, each visionary coherently embracing dreaming, while awake. Enjoy!

Music this week – ‘Ghost’ ©Jacob Lee

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Gianluca Ricoveri, Rita Colantonio, Tuba, Kathy Clay, Fleur Schim, Kate Zari Roberts, Jun Yamaguchi, Candice Railton, Erik Beck, Nick Kenrick, Joseph Cyr, Poetic Medium, Erik Viggh, Susan Blase, jon jon, AleDi Gangi, borisbschulz2009, Catherine Caddigan, Mark Swanson, Johann Veers, Deborah McMillion, Ivan_sl, Francesco Sambati, Cristina Rossi, Clint Cline, Sherrianne100, TheiPhoneArtGirl – Meri Walker, Rob Pearson-Wright, Susan Rennie, Amo Passicos, klimtt – M. Cecilia Sao Thiago, 123ems, Lorenka Campos, Karen Axelrad, Ian Clarke, Tricia Dewey, Ioannis Sidiropoulos, Heather McAlister, Jane Schultz – before.1st.light, p.a.hamel.

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 21 April 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 17 February 2019

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When my eldest son was at boarding school, there was the most incredible sensory garden for all the children to enjoy, it was an empowering experience and helped many of the children to blossom. A sensory garden has the ability in many ways to become a sensory room. If you’re not familiar with the umbrella term ‘sensory room’ they are essentially rooms, with special lighting, music and objects, a therapeutic place, one of safety in which to deescalate experiences and promote self care, resilience and recovery.  When we view art, it’s important to use all five senses too, as much as possible, to not just look and move on but to really try to understand the image, to get into the picture, literally.

Mobile art is as much about presence as the senses, about the awareness of what it is to move through it. Whether the artist themselves has fully utilised all of their senses when creating the art, we can heighten our own experience by not only cascading into the picture but by creating circumstances in which that might happen. When we participate in life with all our senses, whether we are in a sensory garden, a sensory room, viewing art, or making love, it is a far more rewarding form of participation and one that you will feel all the better for by throwing yourself into.

In keeping with my New Year Resolutions, this week you’ll find me at the Intercontinental Park Lane Hotel,  as I start preliminary judging the Pink Lady Food Awards.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Many congratulations to the following artists for being featured this week:

Clint Cline, Sergiy Beliayev, Susan Blase, sculptorli, TheiPhoneArtGirl – Meri Walker, Oola Cristina, Paul Yan, Eduardo Llerandi, Laila, Kat McClelland, Susan Maxwell Schmidt, Deborah McMillion, Scott Simpson, Jean Hutter, Lorenka Campos, Shel Serkin, Jose Matos, Catherine Caddigan, Ade Santora, Rita Cal….., Jun Yamaguchi, Anastasia Potekhina, Hanni K, Enio Godoy, Candice Railton, Gianluca Ricoveri, Arko Rayhan, Juta Jazz, Sherrianne100, Rob Pearson-Wright, Kate Zari Roberts, Maarten Oorwijn, Qingxian Guo, before.1st.light – Jane Schultz, Barbara Nebel, jilllian2 – Jill Lian, Karen Axelrad, ArrrRT eDUarD, Debara Splendorio, p.a. hamel, Maurizio Zanetti.

Music this week is ‘Love you Forever’ ©Ryan Huston

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 17 February 2019

Mobile Photography & Art – Flickr/Instagram Group Showcase – 10 February 2019

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“The feelings of desperation and unhappinness are more useful to an artist than the feeling of contentment, because desperation and unhappinness stretch your whole sensibility”. A quote by Francis Bacon but one I’m inclined to disagree with. Rufus Wainwright once admitted that he was terrified to settle down into a happy relationship, because without the emotional drama that came from all those dysfunctional love affairs, he was afraid of losing access to ‘that dark lake of pain’ he felt was critical to his music. I disagree that we should all be addicted to suffering, we need to be able to trust pleasure and utilise it to help create art. Too many artists put their faith in anguish. To have faith in the suffering muse, can cause us to become tormented artists, or to fetishise suffering.  To trust love to create art, is more valuable for our mental health. Love your work, love it like it loves you and let it love you. There’s a trust in that love, the fiercest trust of all and I have in spades for you. Huge congratulations to all the artists featured this week.

In keeping with my New Year Resolutions, you’ll find me at the press preview this week of Diane Arbus: In the beginning and Kader Attia: The Museum of Emotion at the Hayward Gallery, SE1. I’ll report back but am expecting it to be nothing short of fabulous. It’s open to the public from 13 February until 6 May.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Many congratulations to the following artists for being featured this week:

“The feelings of desperation and unhappinness are more useful to an artist than the feeling of contentment, because desperation and unhappinness stretch your whole sensibility”. A quote by Francis Bacon but one I’m inclined to disagree with. Rufus Wainwright once admitted that he was terrified to settle down into a happy relationship, because without the emotional drama that came from all those dysfunctional love affairs, he was afraid of losing access to ‘that dark lake of pain’ he felt was critical to his music. I disagree that we should all be addicted to suffering, we need to be able to trust pleasure and utilise it to help create art. Too many artists put their faith in anguish. To have faith in the suffering muse, can cause us to become tormented artists, or to fetishise suffering.  To trust love to create art, is more valuable for our mental health. Love your work, love it like it loves you and let it love you. There’s a trust in that love, the fiercest trust of all and I have in spades for you. Huge congratulations to all the artists featured this week.

In keeping with my New Year Resolutions, you’ll find me at the press preview this week of Diane Arbus: In the beginning and Kader Attia: The Museum of Emotion at the Hayward Gallery, SE1. I’ll report back but am expecting it to be nothing short of fabulous. It’s open to the public from 13 February until 6 May.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Many congratulations to the following artists for being featured this week:

Buzz Kills, Irene Irene Marchuk Oleksiuk​, TheiPhoneArtGirl – Meri Walker​, Robin Robertis​, Tricia Dewey​, Tuba Korhan​ , Clare Pickett, Robi Gallardo​, Ransom Candice​ Railton, Hanni K, ArrrRT eDUarD, Jun Yamaguchi, Eduardo Llerandi​i, Rita Colantonio​ , Tomaso Belloni​, Nashira1901, Cathrine Cathrine Halsør​, Dieuwke Geervliet, Nelson Goncalves, Poetic Medium, Gianluca Ricoveri​, Barbara Braman​, Karen Axelrad​, jilllian2 – Jill Lian​, Amo Passicos, Matthew Teter, Kate Zari Roberts​, Karen Axelrad, Susan Maxwell Schmidt, Laila, Luison – Lrh Arquitecto​, Sherrianne100.

 

Read moreMobile Photography & Art – Flickr/Instagram Group Showcase – 10 February 2019

Mobile Photography & Art – Flickr Group Showcase – 13 January 2019

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Sometimes, when reading a book, visually I am often sped far away to artwork that has touched me . Such is the case with an unpredictable tale of passion and pianos set in 1880’s France and Russia that I am currently reading. Love is Blind is the 15th novel by one of my favourite authors, … Read more Mobile Photography & Art – Flickr Group Showcase – 13 January 2019

Mobile Photography & Art – Flickr Group Showcase – 11 November 2018

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Why Women Have Better Sex Under Socialism‘ what perfect timing, if you pardon the pun. Kristen R Ghodsee has published a thoroughly researched exploration proclaiming that capitalism is bad for women.  She argues, adopting some ideas from socialism  ‘women will have better lives’ and of course, this includes sex. Ghodsee, an acclaimed ethnographer and professor of Russian and East European Studies, spent years researching what happened to women in countries that transitioned from state socialism to capitalism. In this book, she analysed many facets of a woman’s life – work, parenting, sex and relationships, community and authority. One chapter, entitled “Women: Like Men, But Cheaper,” she discusses women in the workplace, deliberating all things from wage gaps to harassment and discrimination. In “What To Expect When You’re Expecting Exploitation,” she addresses motherhood and how “having it all” is impossible under capitalism. With regards ‘better’ sex, naturally it is hard to substantiate, many cultural factors come into play but what’s interesting is her theory that less inequity decommodifies sex, undermining the odious theory of ‘sexual economics’ as she describes, whereby, women raise the ‘price’ of sex by denying it. She explains “in societies with high levels of gender equality, with strong protections for reproductive freedom, and with large social safety nets, women almost never have to worry about the price their sex will fetch on an open market.” As we are increasingly told this is ‘the year of women’ which I find patronising and as we do rise up and speak out against abusive relationships and gain increased support to leave, perhaps this is enabling sexual freedom? In these trying times, she ends the book with “we can share our attentions without quantifying their value, giving and receiving rather than selling and buying.” It struck me, as I read this book, how much the latter sentence I shared co-relates with our mobile photography and art community. How much we give to each other, how much we share, how much we embrace one another and how much we realign our own art society ensuring that each one of us feels equal to the other. This much we do know and it’s clear to see in this weeks Flickr Group Mobile Photography and Art Showcase, enjoy!

Thank you to all artists for submitting your works. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here.

Many congratulations to the following artists for being featured this week:

Woltarise, Song Hui, Debara’ Splendorio, Luison, Sergiy Beliayev, Scott Simpson, HQME, Francesco Sambati, Robert Eckhardt, Liliana Schwitter, David Hayes, Amy Ecenbarger, Tomaso Belloni, No Photographer, Livingsta, Mimages, Marina Sergeevna, Oola Cristina, Y F, Sherrianne100, Erik Viggh, AlexandraPhotos, Karen Axelrad, pineider, Sheldon Serkin, Poetic Medium, Cecily Mariece Caceu, Dadi Gylfason, Fleur Schim, Fiona Christian, Kathy Clay, Candice Railton, Gianluca Ricoveri, Catherine Caddigan, Lindy Ginn, Vadim Demjianov, Trish G, Susan Rennie, Clint Cline, before.1st.light – Jane Schultz, Corbicus Maximus, Dieuwke Geervliet, R K, Milly M, Hanni K, TheiPhoneArtGirl – Meri Walker, Jun Yamaguchi, Lorenka Campos, Eduardo Llerandi, Chhororo.

Music this week is ‘Ghost’ by Jacob Lee

 

Read moreMobile Photography & Art – Flickr Group Showcase – 11 November 2018

Mobile Photography & Art – Flickr Group Showcase – 16 September 2018

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I love literature almost as much as I love visual art and this week I’ve been indulging in ‘The Letters of Sylvia Plath: Volume II, 1956-1963, edited by Peter K Steinberg and Karen Kukil. The relationship between Ted Huges and Sylvia Plath as we know, was astonishing in its intensity and Plath’s letters, deeply private. The tragedy of their lives is no more acute when you consider what could have been, two immensely gifted poets, who found each other and then literally tore each other apart. Hughes who cheated not only physically but emotionally published poems which Plath discovered, each one a passionate love poem to his lover, ‘describing their orgasms, her ivory body, her smell, her beauty’ and then expressing in a ‘world of beauties he married a hag’. To Plath ‘the knowledge that I am ugly and hateful kills me’. Physically, it’s now known that not only did Plath suffer a miscarriage in February 1961 but her letters reveal the reason, ‘Ted beat me up physically a couple of days before my miscarriage’. How is it that two people, so, on the surface perfectly suited, could penetrate their hatred so intensely within one another? No one is normal but has humanity learned nothing? And thus, I flung myself back into the beautiful world of mobile photography and art, such an evolving and vivid transition. This week I have carefully compiled an extraordinary variety of images as we continue our own revolution in art. When you play this film, you’ll discover a show with a very pure and simple focus: the spectacle being, our radical new way of making art. Enjoy!

Thank you to all artists for submitting your works. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here.

Many congratulations to the following artists for being featured this week:

Don’t forget to check out our online gallery and print sales here.

Music this week is ‘Love is Within Reach’ ©Chris Pierce

Dixon Hamby, Tricia Dewey, Jun Yamaguchi, Amy Ecenbarger, Linda Hollier, Clint Cline, Lorenka Campos, Gianluca Ricoveri, Oola Cristina, TSOriginauzx, P.a. hamel, Kathy Clay, Daniel Piraino, Tomaso Belloni, Fleur Schim, before.1st.light – Jane Schultz, Armineh Hovanesian, borisbschulz2009, Pier Luigi Dodi, Karen Axelrad, Corbicus Maximus, Candice Railton, Valeria Cammareri, Rudy Ja, Albion Harrison-Naish, Lusion, Ger van den Elzen, Marguerite Khoury, Dina Alfasi, Louis Chibbao, Susan Blase, TheiPhoneArtGirl – Meri Walker, Deborah McMillion, Fracesco Sambati, Clint Cline, Susan Rennie, Ioannis Sidiropoulos, Sherrianne100, Mark Walton1, Alan Evans, Mimages,

Read moreMobile Photography & Art – Flickr Group Showcase – 16 September 2018

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