mobile photography
News,  SHOWCASE

Mobile Photography & Art Instagram Showcase – 23 August 2020

Not all self-portraiture includes the photographer, sometimes it is possible to use other people to stand in. I mentioned Sophie Calle‘s work last week and her series ‘Take Care of Yourself 2007-2009), is an example of this. Some photographers use people in a metaphoric sense, I’m thinking of Maria Kapajevea, in ‘A Portrait of the Artist as a Young Woman, 2012-ongoing’) or some choose not to include anyone in the picture at all (Nigel Shafran, Washing-up 2000). All of these approaches are classified as self-absented portraiture, similar to self-portraiture but none include the photographer in a literal sense. In many ways, physically, I have started to feel that maybe I might be disappearing, fading at least from view. Yesterday afternoon, I left our house, with the brunette for a walk to what we call ‘the secret garden’. It is so small and exclusive, it is by the river and they serve the most delicious selection of homemade cakes and an assortment of beverages. As we were enroute, we met a neighbour and as we passed we acknowledged her but then she stopped us to say, ‘oh Joanne, I haven’t seen you for so long, you’re so thin, you’re skin and bone, are you ok?‘. The brunette nodded with her. I explained that I had been shielding for the best part of four months, so not ventured out much. I said we were just going to eat delicious cake and she replied ‘good, you need to eat ten of them, I’m worried about you‘. As we continued to walk, many thoughts came to mind, terrifying me with the fragility of these moments. When we reached the ‘secret garden’ and selected our cakes, we sat by the river and I started to think more on self-absented portraiture, as I felt myself vanishing from the view of my neighbours, family, world. There are aspects of our lives, things we do, feel and think – that we daren’t confess, even to ourselves, even in the absolute privacy of our private record. What can I know? Nothing for sure. What ought I do? What may I hope for? For the best and thus I decided self-absented portraiture will be the focus of my next photographic series.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #theappwhisperer.

Gianluca Ricoveri, Lorenka Campos, VeraJane Vickers, lila_lile, Deborah McMillion, Karen Axelrad, Meri Walker – TheiPhoneArtGirl, Joseph Cyr, Catherine Caddigan, Deborah Field, Jun Yamaguchi, @rain.is.poetry, @elsienah, Roberta Mitchell, @camorgan.art, Vicki Cooper, Clarrise Debout, @accidental_artist3, pause.and.breathe – Susan Latty, @setanua, @ja_graham – Jennifer Graham, @draman – Roger Guetta, Christine Mignon, @psychephoto – Robin Cohen, Fiona Christian, Eliza Badoiu, @patragraphy, @salwa_afef_photography, Emilio Nadales, @berleyart, @marshadraws – Marsha Estes, @michellebishoff, Cedric Blanchon, M. Cecilia São Thiago, @mitrydate, @after.1st.illumination – Jane Schultz, @jules4921 – Rita Colantonio, @projetomobgrafia, @bakkerlaila, Linda Hollier, Janis Brandenburg Lee.

 

mobile photography
‘Feeling the Blues’ ©berleyart
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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

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