‘Wide Awoke’- Are Female Artists Worth Collecting? with Juta Jazz

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This time in our latest ‘Wide Awoke’ article Juta Jazz depicts her answer to ‘Are female artists worth collecting?’ in this creative video – take a look…

Several weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago,where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female.Catherine Caddigan another accomplised aritst also contributed with a great ‘Talking Points’ entitled ‘What do we reveal to the camera’. We followed that up with a fabuolus insightful video from Susan Detroy,with her perspective vis-ƒ-vis the women’s movement, using her own self portraiture work and ethos. Successively we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian and following work from  Deborah McMillion, Lynette Sheppard,Rita Colantonio Fleur Schim and Joyce Harkin.

For our ‘Wide Awoke’ section initially, we selected a challenging discussion at the Tate Museum, London. Recently, an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the sixth in this series by none other than female artist, Juta Jazz from

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Juta Jazz

‘Wide Awoke’- Are Female Artists Worth Collecting? with Joyce Harkin from Scotland, UK

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This time in our latest ‘Wide Awoke’ article, with Joyce Harkin, we speak behind the video, have a listen…

Several weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago,where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female.Catherine Caddigan another accomplised aritst also contributed with a great ‘Talking Points’ entitled ‘What do we reveal to the camera’. We followed that up with a fabuolus insightful video fromSusan Detroy,with her perspective vis-Ã-vis the women’s movement, using her own self portraiture work and ethos. Successively we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian and followingwork from  Deborah McMillion, Lynette Sheppard, Rita Colantonio and Fleur Schim.

For our ‘Wide Awoke’ section initially, we selected a challenging discussion at the Tate Museum, London. Recently, an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the sixth in this series by none other than female artist, Joyce Harkin, from Scotland.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

©Joyce Harkin

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Joyce Harkin from Scotland, UK

‘Wide Awoke’- Are Female Artists Worth Collecting? with Fleur Schim from Florida, United States

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Several weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. Catherine Caddigan another accomplised aritst also contributed with a great ‘Talking Points’ entitled ‘What do we reveal to the camera’. We followed that up with a fabuolus insightful video from Susan Detroy, with her perspective vis-Ã-vis the women’s movement, using her own self portraiture work and ethos. Successively we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian and following work from  Deborah McMillion, Lynette Sheppard and Rita Colantonio.

For our ‘Wide Awoke’ section initially, we selected a challenging discussion at the Tate Museum, London. Recently, an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the fifth in this series by none other than female artist, Fleur Schim from the United States.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Fleur Schim from Florida, United States

‘Wide Awoke’- Are Female Artists Worth Collecting? with Rita Colantonio from Cape Cod, United States

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Three weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here. Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here).Last week we published our second instalment to this series with Deborah McMillion(see here). Yesterday we published our third instalment to this series with Lynette Sheppard (see here).

For our ‘Wide Awoke’ section initially, we selected a challenging discussion at the Tate Museum, London. Recently, an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the fourth in this series by none other, than highly sought after female artist, Rita Colantonio from Cape Cod, United States.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Rita Colantonio from Cape Cod, United States

‘Wide Awoke’- Are Female Artists Worth Collecting? with Lynette Sheppard from Hawaii, United States

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Three weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here.  Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here). Last week we published our second instalment to this series with Deborah McMillion (see here).

For our Wide Awoke section initially we selected a challenging discussion at the Tate Museum, London. Recently an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the third in this series by none other, than highly sought after female artist, Lynette Sheppard from Hawaii, US.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Lynette Sheppard from Hawaii, United States

‘Wide Awoke’- Are Female Artists Worth Collecting? with Deborah McMillion from the United States

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Two weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here.  Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here). We selected a challenging discussion at the Tate Museum, London. Recently an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the second in this series by none other, than highly sought after female artist, Deborah McMillion.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Deborah McMillion from the United States

‘Wide Awoke’- Are Female Artists Worth Collecting? with Armineh Hovanesian

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Last week, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here.

Today, we are publishing our second feature in our Women section and this time we selected a challenging discussion at the Tate Museum, London. Last week an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section,  we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the first in this series by none other, than highly sought after female artist, Armineh Hovanesian.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

Read more‘Wide Awoke’- Are Female Artists Worth Collecting? with Armineh Hovanesian

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