Lynette Sheppard Archives - TheAppWhisperer

Mobile Art and Photography That Has Influenced Me with Fleur Schim from California, United States

14/12/201814/12/2018 by Fleur Schim

We are delighted to bring you the twenty fifth in our brand new Mobile Art and Photography that has Influenced Me series of interviews at TheAppWhisperer. Within this series, we contact well established and highly regarded mobile photographers and artists and ask them a sequence of questions. Each one relates to mobile art and photography that has inveigled and continues to impact them, by other mobile artists throughout the world. Our twenty fifth interview is with Fleur Schim from Leucadia, California, United States, enjoy!

In this interview, Schim cites work by: Laurie Amerson, Jack Schim, Cliff Oliver, Anca Balaj, Jane Schultz, Lynette Sheppard, Lorenka Campos, Iris Maybloom, Sara Seldowitz, Frederic Deschenes, Oola Cristina, Robin Robertis and Catherine Caddigan.

To read others in this series please go here.

(foreword by Joanne Carter)

Mobile Photography & Art – Happy Thanksgiving Post…

22/11/2018 by Joanne Carter

Happy Thanksgiving! We’re reviving and in some cases refreshing our mobile photography and art thanksgiving post of last year because it’s as relevant today as it was then. Although we do not officially observe Thanksgiving here in the UK, for me personally, it gives me another excuse to send love and gratitude to our beautiful … Read moreMobile Photography & Art – Happy Thanksgiving Post…

‘Wide Awoke’- Are Female Artists Worth Collecting? with Joyce Harkin from Scotland, UK

28/09/201828/09/2018 by Joanne Carter

This time in our latest ‘Wide Awoke’ article, with Joyce Harkin, we speak behind the video, have a listen…

Several weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago,where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female.Catherine Caddigan another accomplised aritst also contributed with a great ‘Talking Points’ entitled ‘What do we reveal to the camera’. We followed that up with a fabuolus insightful video fromSusan Detroy,with her perspective vis-Ã-vis the women’s movement, using her own self portraiture work and ethos. Successively we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian and followingwork from Deborah McMillion, Lynette Sheppard, Rita Colantonio and Fleur Schim.

For our ‘Wide Awoke’ section initially, we selected a challenging discussion at the Tate Museum, London. Recently, an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the sixth in this series by none other than female artist, Joyce Harkin, from Scotland.

We really hope you enjoy this new section and of course, please feel free to leave comments below, this is a section about Womens issues but we invite all men to view and participate in commenting too.

‘Wide Awoke’- Are Female Artists Worth Collecting? with Fleur Schim from Florida, United States

18/09/201818/09/2018 by Fleur Schim

Several weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. Catherine Caddigan another accomplised aritst also contributed with a great ‘Talking Points’ entitled ‘What do we reveal to the camera’. We followed that up with a fabuolus insightful video from Susan Detroy, with her perspective vis-Ã-vis the women’s movement, using her own self portraiture work and ethos. Successively we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian and following work from Deborah McMillion, Lynette Sheppard and Rita Colantonio.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the fifth in this series by none other than female artist, Fleur Schim from the United States.

New Projects – Our New Form of Artistic Installation aka ‘The Quilt’ Is Ready!

13/09/201811/09/2018 by Joanne Carter

We’re delighted to inform our readers that the quilt that so many of you contributed to, has now been completed. For those of you not aware of this project, it involved mobile artists contributing one image and each one was then carefully included within a large quilt to be displayed at the next gallery show or even Mobile Arts Festival. There has been a few obstacles along the way and we have overcome each one. This quilt was sewed together and finalised by none other than mobile artist, Lorenka Campos’ mother in law. We all owe her much gratitude. The quilt is now with Lorenka Campos, so if you would like to display it at your next event, please contact her for details.

I have also been reminded and I shouldn’t have needed to be however, “Linda Toki did the whole layout of the quilt and had it printed. She also spent days working on the catalog so I really think she deserves a shout out as the quilt would never have happened without her”. We all need to give huge thanks to Linda M. Toki – join me!!

With many thanks to everyone involved in this project, Lorenka Campos, Kate Zari Roberts, Roger Guetta, Linda Toki, Karen Axelrad, Christine O’ Sobczak, Jane Schultz, Marian Seid Rubin, Gina Costa, Armineh Hovanesian, Susan Rennie, Catherine Schell Caddigan, Elaine Taylor, M. Cecilia Sao Thiago, Lrh Arquitecto, Jill Lian, Fiona Christian, Barbara Nebel, Lisa Mitchell, Meri Walker, Diana Nicholette Jeon, Clint Cline, Cara Gallardo Weil, Alexis Rotella, Carol Wiebe, Juta Jazz, Gianluca Ricoveri, Ile Mont, Dilshad Corleone, Joyce Harkin, Deborah McMillion, Rad Drew, Gillian Brodie, David Scott Leibowtiz, Eliza Badoiu, Clarrise Debout, Andrea Bigiarini, Bobbi McMurry, Sukru Mehmet Omur, Mimi Svanberg, Robin Cohen, Lynette Sheppard, Sean Hayes, Violet Martins, Susan Detroy, Amanda Parker, Liz Dameron, Janine Graf, Allyson Marie, Linda Hollier, Alon Goldsmith, Lee Atwell, Christine Mignon, Jennifer Thomas, Valeria CAmmareri, Karen Divin, Gerry Coe, Debara Splendorio, Vannesa Vox, Vivi Handson Sacerdote, Sara McCracken, Manuela Matos Monteiro, Jerry Jobe, Giulia Baita, Laurie Amerson, David Hayes, Nick Kenrick, Adelino Marques, Sabine Gromek, Bonobo Stone, Dina Alfasi, Kristie Benoit, Robin Robertis, Sylvie Prevot, Andrew B White, Robi Gallardo, Lilian Schwitter, Tuba Korhan, Katie Teixeria, Stef LP, Sheldon Serkin, Rob Pearson-Wright, Brendan O Se, Kaaren Malcom, Jeffrey Simpson, Rosalie Heller, Tim Bingham, Vicki Cooper, Lisa Peters, Susan Murtaugh, Edward Santos, Marguerite Khoury, Frederic Deschenes, Oola Cristina, Himanshu Roy, Christina Chin, Mel Harrison, Janis Brandenburg Lee, Brett Chenoweth, Ocean Morisset, Vadim Demjianov, Cathrine Halsor, Angie Lambert, Stefanie Piccioni, Mark Fearnley, Tricia Dewey, Ioannis Sidiropoulos, Mariano Luchini, Susan Tuttle, Mandolina Moon, Adria Ellis, Jo Sullivan, Paul J Toussaint, Montse Abad, Karen L Messick, Katie Saxby, Cristina Rossi, Edith Meier, MaryJane Sarvis, Davide Capponi, Cecily Batey Caceu, Lindy Ginn, Sammi Gravich, Marco P Prado, Andrea Koerner, Claude Panneton, Leasa Fortune, Mark Schnidman, Nancy McClure, Cliff Oliver, Yoni Mayeri, Illse Harris, Connie Gardner Rosenthal, Tommy Vee, Patricia Leeds, Trish Korous, Mim Keo, Shirley Drevich, Kerryn Benbow, David Ingraham, Lanie Heller, Lynette Jackson, Annie Helmsworth, Rinkey Boleman, Carolyn Hall Young, Cadu Lemos, Elaina Wilcox, Lea Murphy, Robin Sacknoff, Stefania Pecchioli, Erik Lieber, Deborah Johannes, Patricia Januszkiewicz, Heather Mc, Adrienne Parks, Maruizio Zanetti, Mariette Schrijiver, Lene Basma Horsnell, Cargan Brown, Manuela Basaldella, Daria Stermac, Nei Cruz, Rudy Vogel, Isabel Afonso, Carol Robinson, Elodie Hunting, Eleni Gemeni, Reece Curham, Angelique Manchandra Peres, Lori Hillsberg, Giancarlo Beltrame, Basak Aytek, Philip Del Carmen, Chad Rankin, Jeronimo Sanz, Tania Konnerth, Akwa Marina, Jane Gottlieb, Star Rush, Teri Lou Dantzler, Maura Shine, Lou O’Leary, Bleu Chemiko, Daniel Vondav, Bridget Robertson, Kim Martino-Diaz, Cory Carpenter, Julia Badakhshan, Paula Betlem, Grace Brignolle, Jody Frost, Anndrea Lewis, Steve Cooper, Sonya Sanchez Arias, Mary E Peek, Wnick Maygay, Tony Smith, Donna Coburn, Hilary Packard, MaryJane Rosenfeld, Sandra Belyea, Bruce Barrett I cannot possibly include every member of our Quilt Project here, so please continue to tag any that I may have missed…

‘Wide Awoke’- Are Female Artists Worth Collecting? with Rita Colantonio from Cape Cod, United States

05/09/201805/09/2018 by Joanne Carter

Three weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here. Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here).Last week we published our second instalment to this series with Deborah McMillion(see here). Yesterday we published our third instalment to this series with Lynette Sheppard (see here).

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the fourth in this series by none other, than highly sought after female artist, Rita Colantonio from Cape Cod, United States.

‘Wide Awoke’- Are Female Artists Worth Collecting? with Lynette Sheppard from Hawaii, United States

04/09/2018 by Joanne Carter

Three weeks ago, we announced our brand new ‘Women’ section within TheAppWhisperer and we kicked off with our first ‘Talking Points’ with the incredibly talented mobile artist, M. Cecilia Sao Thiago, where she visually channeled the creative argument of ‘what if I wasn’t me?’, envisaging herself as an artist whilst physically being a male, as opposed to female. If you missed that, please go here. Following that we published the first in our Women’s ‘Wide Awoke’ section with Armineh Hovanesian (see here). Last week we published our second instalment to this series with Deborah McMillion (see here).

For our Wide Awoke section initially we selected a challenging discussion at the Tate Museum, London. Recently an article was published in The Guardian, by Helen Gorrill, suggesting that female artists are less likely to succeed now, than they were in the 1990s. Gorrill expressed “Today, when men’s artwork is signed, it goes up in value; conversely when work by women is signed, it goes down in value, and the addition of a woman’s signature can devalue artwork to the extent that female artists are more likely to leave their work unsigned”. And even more scathingly, “The Tate seems to align to these views by only collecting a ‘token’ proportion of work by women, who form the 74% majority of fine art graduates”, Gorrill goes on to say.

This of course, provoked much discussion here at TheAppWhisperer HQ, after all, this is one of the key elements to our new Women section, we want to drag out all these issues and more into the open.

We approached several female mobile artists and asked them this question ‘Are Female Artists Worth Collecting?’ and asked them to create a short video of their answer to our subheading of this section ‘Wide Awoke’. Today, we are incredibly proud to publish the third in this series by none other, than highly sought after female artist, Lynette Sheppard from Hawaii, US.

Visualising Mobile Photography and Art Interview with Joyce Harkin from the United Kingdom

24/07/201824/07/2018 by Joanne Carter

Today, we are publishing our twenty seventh visual interview, this time with Joyce Harkin from the United Kingdom. Harkin’s art is an amalgamation of dichotomies: inside/outside, public/private, high/low – all dynamic. Her images speak eloquently to us about our own life experiences at the same depicting her own. One of Harkin’s most admirable qualities as an artist, is her hunger for inspiration and this is reflected in her varied work. When embarking on a new creation, Harkin reaches the summit, she uniquely manages to not only arrive with an aesthetically pleasing visual image but one which ensures all the elements involved are included as intended.

I am so excited about this new Interview section within TheAppWhisperer. A picture speaks a thousand words, so says the English language idiom and as this is a website by and for visual artists, we felt this section was long overdue. We asked a series of mobile photographers and artists ten questions, in text format and we asked them to respond in their very best way, visually and in their own style of photography/art, the results are unique and incredibly exciting.

To read our previously published interviews, with Deborah McMillion, M. Cecilia Sao Thiago, Christine Sobczak, Liliana Schwitter, Armineh Hovanesian, Lorenka Campos, Donna Donato, Eliza Badoiu, Juta Jazz, Susan Rennie, Kate Zari Roberts, Lynette Sheppard, Debara Splendorio, Irene Oleksiuk, Davide Capponi, Vanessa Vox, Amanda Parker, Clint Cline, Christine Mignon, Bonobo Stone, Jerry Jobe, Joshua Sarinana, Meri Walker, Alexis Rotella, Jenny Pieters and Alon Goldsmith please go here.

Visualising Mobile Photography and Art Interview with Alon Goldsmith from the United States

09/07/201809/07/2018 by Joanne Carter

Today, we are publishing our twenty sixth visual interview, this time with Alon Goldsmith from the United States. Goldsmith has created his own trademark style, as a pioneering mobile colour photographer. Goldsmith’s images are representative of european Harry Gruyaert’s (b.1941), when he courted Kodachrome while simultaneously exploding into the art scene which earned him entry into the … Read moreVisualising Mobile Photography and Art Interview with Alon Goldsmith from the United States

Visualising Mobile Photography and Art Interview with Jenny Pieters from Johannesburg, South Africa

08/07/201806/07/2018 by Joanne Carter

Today, we are publishing our twenty fifth visual interview, this time with Jenny Pieters from South Africa. Pieters art strikes me as bursting with emotional depth and context. There’s a tenderness within her way of seeing, mixed with hope and despair but more so with light. With an evocation of time and place, her images imbue a deep sense interconnecting with us all, deeply. Her work is about honesty and trust with immense integrity and deserving of our unmitigated respect. (foreword by Joanne Carter)