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Hope in Adversity Mobile Interview,  INTERVIEWS,  News

Mobile Photography and Art Interview – Hope In Adversity Interview with Joy Barry

Today, we are publishing our ninth interview in our new series, Hope in Adversity. One that’s based around art, artists and isolation during the midst of Covid-19. This deeply compassionate interview is with talented mobile artist Joy Barry, it reflects both on how art can represent the body and how it makes itself felt, throughout and within our bodies. Barry’s tender attention to the complexities of human emotion, and the compassion it coaxes from clear-eyed perception enables her to create art whilst fully conversant that love, inevitably holds pain.  Enjoy!

To read others in this series of interviews with Jill Lian, Vicki Cooper, Gerry Coe, Sarah Bichachi, Sukru Mehmet Omur, Phyllis Shenny, Alisa Smith Williams and Susan Latty, please follow this link

If you are social distancing or social isolating at this time, are you using any additional time you may have to create mobile digital art or photography?

For the past several weeks, I have been staying with my sister while she and I care for her son (my nephew) who is terminally ill. He’s receiving intermittent in-home nursing care from a local hospice provider, but his mother and I are his primary caregivers.

During this time, the Coronavirus has been spreading internationally and exponentially and news programs have been non-stop, informative, and somewhat grim. Due to the highly contagious nature of the virus, and in an attempt to protect my immune-compromised nephew and his caregivers, the hospice advised us to restrict visitors to only those most essential to my nephew’s care. [Fortunately, he said his good-byes to relatives, friends, and colleagues; therefore, this restriction was not as much of a hardship for him as it has been for his friends and family.]

For me, this period feels both reverent and surreal. I am so grateful to have the clinical expertise and the support system necessary to be present for my sister and nephew and to provide the love, support, hands-on care, advocacy, and effective symptom palliation everyone deserves at the end of life.

Against this most intimate and sacred of backdrops, the whole Coronavirus pandemic seems surreal — like I am switching my focus from “macro” (my nephew’s unique, individual, and final journey) to “wide” (our global, collective, human journey). Perhaps that is part of the reason I find myself compelled to leave the house for a little while each day — to walk outside; to breathe; to be in nature; to renew my spirit; to refresh my heart and mind; to appreciate my surroundings; to capture images with my iPhone; to preserve this unique milieu. Life feels more precious when my awareness is focused.

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If so, have you noticed the style of art that you’re creating changing from what you would normally create?

My style has definitely changed these past several weeks. I find myself wishing I could capture the beauty of my nephew’s face, expressions, and body but not wanting to be intrusive or exploitative; perhaps wishing to preserve him. I also find myself seeking more spiritually poignant/meaningful images to express the tender beauty of these moments.

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If yes, to the above, can you explain how your art has changed?

My usual/favorite digital art workflows involve vibrant macro flower photography; however, my art feels a bit darker than usual right now. Someone described a recent image I posted on Facebook as “melancholic” and I would have to agree.

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Have you found additional inspiration to create at this time?

I am a member of the Cape Cod Art Center’s Digital Art Group, which is facilitated by a fabulously talented artist, Barbara Braman. During this time of social distancing, Barbara is keeping our group connected, inspired, and productive with digital art challenges such as “round robin” collaborations and solo projects that we post on our group’s Facebook page.

We use a structured feedback format that was provided by another accomplished artist, Meri Walker. After studying an image, the viewer provides feedback using the following three statements: “I see…” (to describe what stands out — for you, the viewer — about the image); “I feel…” (to articulate which feelings rise up while viewing the image); “I wonder…” (to provide constructive feedback and other commentary). As a viewer, I find using this format helps me really study each image and provide meaningful feedback; as an artist, I am humbled by and grateful for the opportunity to consider and grow from alternative views and feedback.

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Is creating mobile digital art/photography, helping you at this time especially, how and why?

This is such a poignant time for me personally, and such a time of uncertainty and distress globally, that creating art is especially important and impactful to me. When shared, art touches us, it moves us, it connects us. Art has: The power to activate; the universality to unite; and the ability to ignite our innermost essence. Art invites inspiration in its truest meaning — by breathing life into us.


Do you feel that sharing mobile art/photography at this time is spreading a unity of peace?

I believe in the importance of sharing art as widely as possible, especially in times like these. I am so thankful that the New York Metropolitan Opera launched a free streaming service so people can access their performances every night; museums are providing free virtual tours; Yo Yo Ma and other musicians are providing free “comfort music” online; and the list goes on and on. People are amazing.

They are cleaver, and funny, and inspirational, and resilient; and willing to help one another in these uncertain times. And it’s a beautiful (and oh-so-important) thing. Digital sharing, specifically, allows for instantaneous, world-wide communication, making the world seem smaller, perhaps even more united. It reminds me that we all live on this incredible planet together, and it makes a vision of unity and peace seem within our reach.

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Anything else you would personally like to add?

I believe the current global pandemic is providing us with an opportunity to redefine “community”. What comprises a community? What does it mean to be part of a community? How can we help one another in turbulent and uncertain times such as these? How do we stay healthy, vibrant, inspired, connected — alive?

In closing, I wish to thank Joanne Carter and TheAppWhisperer for asking me to participate in this “Hope in Adversity” project and to thank you for reading my interview. Also, thank you for creating and sharing your art. Thank you for inspiring me.

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Joanne Carter, creator of the world’s most popular mobile photography and art website—— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: [email protected]