mobile photography
Hope in Adversity Mobile Interview,  INTERVIEWS,  News

Mobile Photography and Art—‘Hope in Adversity’ Interview with Melissa D Johnston from North Carolina, United States

Today, we are publishing our twenty fourth interview in our new series, Hope in Adversity. One that’s based around art, artists and isolation during the midst of Covid-19. This one is with award winning mobile photographer and artist Melissa Johnston from North Carolina, United States. This is a memorable interview, a fascinating exposure of Johnston’s inner life. Her narrative speaks of the heartbreaks, near misses and finally the triumphs over adversity.

To read others in this series of interviews with Jill Lian, Vicki Cooper, Gerry Coe, Sarah Bichachi, Sukru Mehmet Omur, Phyllis Shenny, Alisa Smith Williams, Joy Barry, Fleur Schim, Fiona Christian, Peter Wilkin, Ile Mont, Lynette Sheppard, M. Cecilia Sao Thiago, Rob Pearson-Wright, Catherine Caddigan, Cintia Malhotra, Linda Toki and Susan Latty, please follow this link

If you are social distancing or social isolating at this time, how are you using any additional time you may have to create mobile digital art or photography?

This question is probably best answered for the past several months rather than for the present as I have so little additional time. I had to move my business (and ended up moving my residence as well) due to the effects of Covid-19 on the place where I rented. While I am still largely social isolating (and distancing), I am still super-busy settling in.

The months before were very different. In mid-March my doctor asked me to quit working except from home because I have an igG (G antibody) immune deficiency. North Carolina, the state I live in, closed down about two weeks later.

Unfortunately by then I had caught what they now think was Covid-19 due to both symptoms and a later antibody test (at the time it was almost impossible to get a Covid test). I don’t want to go into detail about my experience here (feel free to email me with questions) except to say that I was thankful I felt no pressure to work during this time so I could heal.

I was sick for a very long time with no ability to do anything but sleep. Even sitting up in a chair for more than 30 minutes was impossible. I am still suffering many effects from being ill, including problems with my lungs and difficulty breathing.

However, one of the things I could do, once I had enough strength, was mobile art. Mobile art had been a refuge in the past when ill—and I actually first explored it when I had an extended illness (before mobile I used a micro 4/3 camera for photography and photoshop to create digital art).  As before it proved both a wonderful solace and way to heal (creating things and being “in flow” actually helps the immune system!). It also helped deal with my complicated and strong emotions during this time.

I had my own illness to deal with, but for the most part I felt safe in having the support of friends, family, clients, and doctors as well as having the space and time to recover as needed.

But my heart felt heavy with the pain of others—those who were dying, those experiencing the illness alone, those losing their jobs and businesses or fearful of doing so, those forced to work due to financial reasons, those on the front lines by choice but at high risk of becoming ill, those whose communities were more heavily ravaged by the virus due to our nation’s structural inequalities, those with no insurance, those who were grieving. In addition, I was livid with how our government was responding (or in many cases choosing not to respond) to the virus.

‘The weight of Hearts’ ©Melissa Johnston
If so, have you noticed the style of art that you’re creating changing from what you would normally create?

I feel like my style has actually been changing since the first of the year when I began exploring creating less realistic and more fantastic creatures in my art. I actually let their faces (and for the most part the rest of their bodies as well) evolve or reveal themselves in the process and build from what emerges there. I also had added the app MetaBrush to my workflow and it gave me more possibilities compared to what I had used before.

mobile photography
‘We build with what we can’ ©Melissa Johnston
If yes, to the above, can you explain how your art has changed?

What I noticed while in isolation is that I couldn’t ever let a scene or creature stand without an element of hope or a way to moderate what might be a heavier emotion no matter how hard I tried.

The piece was simply not finished until I added it (if it wasn’t there before). I suppose I’d always had an element of this in my work but now I found myself using blatant symbols like hearts to convey both pain but also whimsy and a sort of optimism. This is something I really would have wanted to avoid in the past as being cheesy or kitschy. Now I simply didn’t care. It was right for these pieces.

mobile photography
‘Outside’ ©Melissa Johnston
Have you found additional inspiration to create at this time?

I usually find inspiration in visiting museums and galleries, talking with other artists in person or phone, reading biographies and autobiographies by artists of all types (painters, sculptors, composers, musicians, and more), and watching documentaries and shows like Art21—but during this time my inspiration has mostly been by engaging with the work of other mobile artists.

I’ve actually had the time to participate in communities online more than in the past (when I’m working full-time I have much less time to create art or participate as I would really like to in a community).

mobile photography
‘Hearts on the sleeve’ ©Melissa Johnston
Is creating mobile digital art /photography helping you at this time specially, how and why?

I touched on this earlier, but revisiting this question makes me reflect deeper on how much creating mobile art enables me to channel strong and sometimes conflicting emotions. The process itself usually becomes one of “flow,” which gives a type of distance and space for these emotions to transform into a tool to touch a deeper creative reservoir with its own voice.

mobile photography
‘Wounded Spectre’ ©Melissa Johnston
Do you feel that sharing mobile art/photography at this time is spreading a unity of peace?

I definitely feel that the mobile communities of which I’m part have come closer and gotten to know each other better and supported each other in this difficult time. People are from all over the world and we’ve pulled together and become our own entity standing for the power of creativity in the face of devastation.

Andrea Bigiarini of the New Museum, put together “The Impossible Exhibition-The Covid19 Sessions,” a series of films where mobile artists shared their art and physical circumstances to show their unity even under circumstances of distance and physical isolation. I believe the process of participating in the process both revealed and created a wonderful feeling of “united we stand” for all of us.

mobile photography
‘Longing’ ©Melissa Johnston
Anything else you would personally like to add, please add it here

In regards to the mobile community and my experience with it, I would say that finally having the time to participate on a deeper level in the community itself revealed a much richer and wider community than I knew existed. It’s also one with a well-developed sense of itself as an art form. It’s a movement with a sense of its trajectory into the future. I am so very thankful to be a part of it.

mobile photography
‘She Roams’ ©Melissa Johnston

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Joanne Carter, creator of the world’s most popular mobile photography and art website—— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: [email protected]