This weeks Saturday Poetry, matched with mobile photography/art is entitled ‘Self-Portrait as Cindy Sherman’s Instagram Account’ by Elizabeth Knapp. She is the author of The Spite House (C&R Press, 2011), winner of the 2010 De Novo Poetry Prize. The recipient of the Robert H. Winner Memorial Award from the Poetry Society of America, the Literal Latté Poetry Award, the Discovered Voices Award from Iron Horse Literary Review, and a Maryland State Arts Council Fellowship, she is currently an associate professor of English at Hood College in Frederick, Maryland, where she lives.
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Self-Portrait as Cindy Sherman’s Instagram Account ©Elizabeth Knapp
And why not Sherman herself, you ask?
Because in this instance, the inclusion
of social media denotes a postmodern
approach to self-portraiture, a Baudrillardian
hall of mirrors in which the self is projected
against a million anonymous eyes, all hungry
for a taste of her. How will she deform
herself next? Will she sport a new prosthetic
chin, her hair stand on end, electrocuted?
A Dr. Frankenstein in the lab with herself.
A million followers, and not one will ever
know her—nipped, tucked, and bruised beyond
all recognition. Das Umheimliche: an unhomely
home. A rubber crotch on a mannequin.
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