Glowing Glowing Gone: Adobe spotlights nature’s ‘most beautiful death’

In a pioneering collaboration, Adobe Stock and Adobe Colour are teaming up with Pantone and award winning non-profit organisation, The Ocean Agency (TOA) to raise awareness about the devastating effects of the climate crisis on oceans, especially coral reefs, as part of their Glowing Glowing Gone campaign. TOA recently won an Emmy for their Netflix documentary “Chasing Coral” and have received significant acclaim for taking Google Street View underwater. 

  • Utilising Adobe Colour’s powerful colour engine, Adobe have selected three new colours to represent the climate crisis: Glowing Yellow, Glowing Blue, and Glowing Purple.
  • Adobe have extracted the specific fluorescing LAB values from The Ocean Agency’s images on Adobe Stock and converted them to RGB. In collaboration with Pantone, Adobe turned these digital values into Pantone Colour Standards, and selected the custom palette that would ultimately become the colours of climate change.
  • Following in the footsteps of Living Coral (2019 Pantone Colour of the Year), Glowing Yellow, Glowing Blue, and Glowing Purple beckon citizens of the world to recognise Earth’s major ecosystems in peril.

Chasing Coral Video

In 2016, The Ocean Agency photographed one of the most spectacular and rarest sights in nature while filming the Emmy Award-winning documentary Chasing Coral. A coral reef in New Caledonia was “glowing” in incredibly vivid colors. Corals produce brightly colored chemicals as a kind of sunscreen against fatally high water temperatures and sun exposure. This glowing phenomenon, called coral fluorescence, is a final line of defense before the coral dies and bleaches to white. It’s been described as a most beautiful death.”

“Only a handful of people have ever witnessed the highly visual spectacle of corals ‘glowing’ in vibrant colors in a desperate bid to survive underwater heat waves,” says Richard Vevers, founder of The Ocean Agency. “Yet this phenomenon is arguably the ultimate indicator of one of our greatest environmental challenges — ocean warming and the loss of coral reefs.”

To bring awareness of the dire circumstances of coral to surface level, we collaborated with the Pantone Color Institute and The Ocean Agency to capture the exact hues of coral fluorescence: PANTONE Glowing Yellow, PANTONE Glowing Blue, and PANTONE Glowing Purple.


With Adobe Color’s powerful color engine, we extracted the specific fluorescing LAB values from The Ocean Agency’s images on Adobe Stock and converted them to RGB. In collaboration with Pantone, we turned these digital values into Pantone Color Standards and selected the custom palette that would ultimately become the colors of climate change. Following in the footsteps of Living Coral, Glowing Yellow, Glowing Blue, and Glowing Purple beckon citizens of the world to recognize Earth’s major ecosystems in peril.

The Pantone Color Institute is the world’s foremost consultant for color trends, helping creatives understand the specific meanings of colors each season. This is the second year Adobe Stock has partnered with Pantone, curating visuals around seasonal colors to help creatives quickly find visuals in tones that are trending each season. We’ve curated a collection inspired by the Glowing Glowing Gone palette, and all of the proceeds from the sales of The Ocean Agency’s Adobe Stock portfolio go to supporting the foundation’s mission to protect our oceans.

Adobe Stock

As we explored in our Visual Trend Brand Stand, consumers are increasingly demanding that brands communicate their role in social and environmental issues. Brand loyalty now depends on this stance with visuals at the forefront of effective messaging. Our creative collaboration challenges brands and industries to adopt and use these colors, as well as Adobe Stock images provided by The Ocean Agency, to share the ocean’s warning and raise awareness around the need to take action above sea level. have published an interesting article about how sunscreen chemicals are damaging coral reefs, you can read that in full here.

At Adobe MAX last year, Adobe’s CEO Shantanu Narayen celebrated that we’re living in the “golden age of creativity,” in a moment when the “power of creativity and the ability for it to have impact has never been more relevant.” The Glowing Glowing Gone campaign will start with a challenge to mobilize the creative community to use the new range of glowing colors and create attention-grabbing art and designs that raise awareness of glowing corals and the warning they represent. The art and designs will be promoted to inspire global support for action and will be showcased at key environment decision-making events. More details of the challenge, launching June 3, can be found at

Adobe Stock

Please Read…

A few weeks ago we removed all traces of our dilly dally with advertising. The adverts were intrusive and spoilt your enjoyment of, you told us. We were happy to do this but of course the revenue did help to support our not for profit site. Therefore, please consider offering a contribution or supporting us with a regular monthly donation of your choosing, so that we can continue to bring you this high quality level of specialist journalism, day in and day out. Please reward our passion, as we reward yours…we would not ask if it was not important.


Joanne Carter, creator of the world’s most popular mobile photography and art website—— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: [email protected]