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INTERVIEWS,  Mobile Artists on Their Artistry,  News

Mobile Artists on Their Artistry – Interview with Gerry Coe from Belfast, Northern Ireland

We are delighted to publish the fourteenth of our new styled interview entitled ‘Mobile Artists on Their Artistry’. Within this interview, we ask highly successful mobile artists twenty questions about their backgrounds, their work, social media, how Covid-19 has influenced their creative life and so much more…

Today, we are proud to feature award winning artist Gerry Coe. Coe has been rewarded for his skills to mobile photography and has twice received the Peter Grugeon Fellowship of the Year Award at the British Institute of Professional Photography (BIPP) awards. This is one of the most highly recognised of its kind.

To read our other interviews in this series with Jane Schultz, Susan Latty, Cindy Karp, Sukru Mehmet Omur, Deborah Kleven Morbeto, Patty Larson, Adrian McGarry, Catherine Caddigan, Rita Colantonio, Sarah Bichachi, Marco Prado, Mehmet Duyulmuş and Peter Wilkin please go here.

How would you introduce yourself to someone who doesn’t know your work?

Hi, I’m a professional photographer,  I now only use my iPhone to take pictures.

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‘Dhow on the Nile’ ©Gerry Coe

What name do you use within social media and was this a conscious decision?

Coe-iPhoneArt, I suppose because it describes what I do. see question 8. Also my portrait business was Coe-Photographer

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‘One woman and her dog’ ©Gerry Coe

What kind of family did you grow up in?

Single child with a lot of friends and best parents around

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‘Guggenheim Abstract’ ©Gerry Coe

Did your childhood influence your ideas about creativity?

Not that I can think of, I always liked to paint and draw but was never very good at it.

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‘Petals’ ©Gerry Coe

Did your parents support your creativity?

When I was in secondary school at the age of 12 I became interested in photography and just before my 16th Birthday I got my first job working as an assistant photographer, when I phoned my Dad to say I got offered the job should I take it, he asked what I wanted to do and they supported me every step of the way. I have never stopped working as a photographer.

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‘Sheep’ ©Gerry Coe

When was the first time you knew you wanted to be an artist?

I have never called myself an artist, I am a photographer.

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‘The Red Umbrella’ ©Gerry Coe

What is creativity to you?

Turning out an occasional nice image.

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‘Achill Island, Ireland’ ©Gerry Coe

What did you do before (if appropriate) becoming an artist?

Was always a photographer in one form or another.

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‘Tulip’ ©Gerry Coe

Where are you most creative?

Probably sitting watching TV and pushing lots of buttons on my phone on different apps to see what happens.

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‘The Dark Hedges’ ©Gerry Coe

What inspires you?

Everything.

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‘Windsurfers, Costa de La Luz, Spain’ ©Gerry Coe

Who inspires you?

People I meet either physically or online.

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‘Wet Day, Belfast’ ©Gerry Coe

Does your engagement on social media help you to plan your future projects?

Not really.

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‘Marrekesh’ ©Gerry Coe

What does your average day look like?

Varies as I’m now retired from my portrait business so its a case of, breakfast, checking emails (not so many nowadays) meeting friends, visiting daughter and grandkids…OH and taking the occasional photograph.

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‘Berlin’ ©Gerry Coe

Is it your intention to ask questions or make the viewer question what they see?

Neither, I just take pictures and if other people find something in them or just like the look of an image then that is fine by me.

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‘Bangor Marina’ ©Gerry Coe

Is there humour in your work?

Occasionally but not a deliberate attempt on my part.

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©Gerry Coe

How important is failure in your work process? Do you incorporate it into your creative process?

Lots of failures or better said “It has not reached the required standard yet” I work through lots of images before I’m reasonably happy and sometimes I need to go back a step or two or scrap it and start again. It’s all a learning curve.

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‘Boa Island, Lower Lough Erne’ ©Gerry Coe

How do you deal with criticism?

Can’t please all of the people all of the time, so shrug and move on.

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‘Unusual light last night at Ballyholme’ ©Gerry Coe

Has the Covid-19 pandemic influenced your creative life?

Initially it just gave me more time to experiment with new apps etc and where I live it is 100 yards/meters from the sea and  I could go out for a walk without really meeting people so I can’t say it has made a big difference to me.

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‘Old Armagh Post Office’ ©Gerry Coe

Who dead or alive would you like to have dinner with?

My Mum and Dad.

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‘Old Egypt’ ©Gerry Coe

What is the best piece of advice that you’ve heard and still repeat to others?

Can’t think of anything in Particular.

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‘Achill Island Co Mayo’ ©Gerry Coe
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‘Abandoned’ ©Gerry Coe

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)