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Mobile Photography & Art Flickr and Instagram Showcase 3 May 2020
I would ponder many of us are presently negotiating the past and reimagining the future in this current knotty dissonance. I continue spending my time performing love by work. It’s a time of radical reinterpretation, one where each deeply personal meditation enables me to explore how time changes our relationship to place, other people and to ourselves. My visceral journey continues with an observation of an ekphrastic body of work and experience, built over the past thirty years, where anything other than art that is intellectually and aesthetically exciting, is abhorred. We rail against the impotence of travel but I can personally dispel the pernicious myth that time travel is…
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Mobile Photography & Art Showcase – 8 March 2020
Clive James the prolific Austrialian author, poet and broadcaster died late last year. I’ve always been a fan of his work, he made his name as a television critic, essayist and wit but he started as a poet and just over five years ago he was diagnosed with leukaemia, emphysema and kidney failure – he described it as ‘the lot’ and he ended as a poet. There’s a particular story I remember reading about James, it goes like this… One time he was going through a creative dry spell. He had written a play for the London stage and it bombed spectacularly. Not only did it ruin his family financially…
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Mobile Photography & Art – Flickr/Instagram Group Showcase – 17 November 2019
I was delighted this week to learn that 45 year old Ivorian artist, Joana Choumali has become the first African photographer to scoop the Prix Pictet prize, winning with a series of embroidered photographs responding to the trauma of terrorist attacks in Ivory Coast in 2016. The series is entitled ‘Ca va aller‘ – meaning – ‘it will be ok‘, a reference to stoical reaction to adversity that she said permeated Ivorian culture. Her images were printed onto canvas and then later embroidered with stitches directly onto the surface. Combining photographic imagery with fabric and therefore, creating ‘conceptual portraits‘. She created this work ‘as a need to process the pain‘.…