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Apple iPad 2 Launch Today – Live Event – Keep Refreshing This Page To Stay Up To Date

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That’s it folks, hope you enjoyed that coverage. We’ll go over the facts now and bring you indepth details very soon.

"I’d like the teams that worked on this to stand up — give them a round of applause. And as always, I’d like to thank everyone’s families. They support us and let us do what we need to do. They make it possible for us to work our tails off."

"The hardware and software need to intertwine more than they do on a PC. We think we’re on the right path with this."

"This is worth repeating. It’s in Apple’s DNA that technology is not enough. It’s tech married with the liberal arts and the humanities. Nowhere is that more true than in the post-PC products. Our competitors are looking at this like it’s the next PC market. That is not the right approach to this. These are pos-PC devices that need to be easier to use than a PC, more intuitive."

Steve’s back but think its finishing now ..

 

Video time…

"We think 2011 is clearly the year of iPad 2…"

"So iPad 2 — amazing product. Faster, lighter, thinner. Cameras and gyro. iOS 4.3 and FaceTime. iMovie and GaragrBand. 3G on AT&T and Verizon. Same battery life. Same prices. Black and white. Smart Covers."

"So, GarageBand for iPad. This is no toy. You can use this for real work. I cannot tell you how many hours teenagers are going to spend making music with this."

Steve is out. "I’m blown away with this stuff. You know, playing your own instruments. Or using the Smart Instruments. Anyone can make music now."

 

"This can record up to 8 tracks. Let’s put that in perspective — back when the Beatles did Sgt. Peppers, you could only do four tracks, and the machine was the size of a washing machine."

"Once you’ve laid down one recording, that’s the first step to writing a song. That’s where the track view comes in."

"We’ve got great guitar amps and effects… but you know there are a lot of people who don’t play guitar. So we created Smart Instruments. Here you see an acoustic guitar, but one that anyone can play…"

"Another great feature of these drums is that your kids can play them… with headphones on."

If you hit the rim of the snare you get rim sounds, you can move from bell outward on the cymbals and the sounds change accordingly.

 

"Some great sounds here. Let’s bring up the classic rock organ. The look changes to match a real B3 organ." drums being demoed now, fab, can’t wait to try it.

"Some great sounds here. Let’s bring up the classic rock organ. The look changes to match a real B3 organ."

"Now we’re only seeing some of the keys because this is only a window into a much larger piano." You can toggle octaves.

There’s a toggle for the sustain pedal. "Another thing about a piano is that you can play with dynamics… the sound is different when you tap softly or with force. How do we do that? With the accelerometer.

 

"The first thing you see is an instrument browser. They turn the iPad into a musical instrument that you can play where ever you go. Here’s a grand piano… and it’s not just a grand piano. Clavinet, some great synths… let’s stick with piano."

 

"Touch instruments, you can plug in a guitar if you want, but it’s got touch instruments. Guitar amps and effects, 8 track recording and mixing, 250+ loops…"

"Next up… GarageBand for iPad."

"And that is the new version of iMovie on the iPad 2."

New sharing options… YouTube, Facebook, Vimeo and more.

"We’ve also done a lot of work in the audio area."Over 50 sound effects come with iMovie. I hope they have the Wilhelm Scream.

 

"The first one is iMovie for iPad."

"In addition to these two apps being built into iOS 4.3, we have two other new apps. And we like doing apps. It can set the bar. It sets the bar high for developers."

"Next is FaceTime. It’s the best and easiest way to video conference. We’re bringing it to the iPad. You can FaceTime between two iPads, between an iPad and an iPhone, or between an iPad and a Mac."

"Next, the iPad 2 comes with these new cameras. And we’ve built in some new software — starting with Photo Booth. "Here I have an iPad 2 which is mirrored up there. Let me launch Photo Booth. The iPad 2 is so powerful that we’re looking at 9 live video streams at once."

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)