COLUMNS,  News

Gray’s Anatomy – ‘I heard it through the (social media) grapevine’

Don’t miss this Friday’s edition of Richard Gray’s, Gray’s Anatomy Column. This week Richard discusses Marvin Gaye, coke-sniffing, Belgium and Instagram. Where else can you read content like this? (Please don’t send in suggestions, I can imagine!) Over to you Richard…(foreword by Joanne Carter).

 

 

“I recently had the pleasure of being invited to visit Ostende by that city’s tourist board. I know all the jokes about Belgium, but I’m really looking forward to it. I’m a fan of Belgium. If I ever find myself in a Karaoke bar that does Jacques Brel’s Plat Pays, I’m on stage in a shot. Not very likely, I know. Though perhaps more likely in Ostend. I will ask the tourist board if they know of any.

The visit is specifically to promote a new tour commemorating the fact that Marvin Gaye once lived there for a while (nearly a year so far as I can work out). There I’ve said it. This is a sponsored post. I have disclosed a material connection in accordance with US government guidelines on endorsements and Womma best practice recommendations on word of mouth marketing. Basically if someone is induced to tweet, blog or post photos (in exchange for money or trips to Ostend) they should tell their followers. And by writing this piece, I discharge one of the conditions of the trip. And they’ll actually probably get another one out of me after the trip as it sounds like a fascinating story and a lovely place for taking photos.

The typical narrative of the Marvin Gaye sejour in Ostende is one of contrasting a fast-living coke-sniffing superstar with a seemingly sleepy seaside town in one of the world’s most unexotic countries. So although I’m absolutely delighted to be invited, it feels like I’m on the bottom rung of a very tall social media ladder in terms of freebies. My influencer statistics bear this out. I was asked to fill out a form, listing my various social media following numbers and the page views of my website, iphoggy.com. My follower numbers just about get into four digits thanks to Instagram, but I couldn’t quite scrape together five figures of visits to my website. I heard of someone the other day who had 1.5 million followers on Google+. I didn’t even know Google+ was still going. And I have many good friends who were blessed with a place on Instagram’s suggested user list and so have hundreds of thousands of followers. But, as I’m sure my dear readers and Instagram followers are saying at this very moment: never mind the quantity feel the quality. Be reassured Ostend Tourist Board”.

 

media_1363359164296.png

Going to the seaside’ – ©Richard Gray

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)