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PictureBook – ‘Black Day Dolls’ – By Benamon Tame

We’re delighted to publish Benamon Tame’s sixteenth article to his column PictureBook with us here at theappwhisperer. In PictureBook Benamon concentrates on the the story behind the image. As Benamon himself describes it: ‘As Photographic artists we do not just capture stories but create them, the journey behind and the image we present. PictureBook draws on Images selected from my own story series but will also look at the work of the other story tellers within the community’.

Don’t miss this uber creative article from Benamon, fabulous piece. Over to you Benamon. (foreword by Joanne Carter).

 

The Black Day Dolls

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‘The Black Day Dolls’ – ©Benamon Tame

 

One is for Sorrow who watches over us all

two is for a boy who still walks the Hall

three is for a funeral and to the House we will sleep

Four is the mothers who relentlessly weep

five is no more and lost to the lake

Six is the sacrifice for the family sake

And

Seven; taken by the secret never to be told

The dolls are part of a wider collection which were commissioned by the 25th Lord Thorn to challenge the Family’s historical misfortunes. The Lord was a keen anthropologist and drew on the South American Worry Dolls and the ancient Egyptian Ushabti dolls who acted as servants to the dead. Known as the Black Day Choir, the heads of the choir are said to be carved from the bones of dead saints. The figures are kept in a room known as the Choristry which is accessible though a hidden door in the main library. The exact number of the dolls is unknown as every count has always given a different total, the story is that there are always some elsewhere serving the family.

The traditional nursery Rhyme ‘One for Sorrow’ was adapted into the family mythology and was used in reference to the Black Day Choir and the five dolls loaned to each child on their third birthday.

(Kanly, Elliott. The Thorn Legacy.A History of the Thorn family and Ravenna House)

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‘One is for sorrow’ – ©Benamon Tame

 

The Dolls are an aloof and secretive group who have had little to do with the other toys or wider events, even Loki refrained from trying to bring them under his control and Babel still hopes for answers to the questions he has laid at them.

The Dolls have held their memories from before the awakening and have a telepathic link not only with each other but the rest of the Choir. They wish to go home and be reunited with the others but the link is too weak and a way has yet to be found.

The dolls carry the secret whisperings of the Thorn Family, every guilt and fear, every hope and desire.

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‘The Black Day Dolls. Choristy fragment remix’ – ©Benamon Tame

 

The Black Day Dolls are my 28th portrait for the Lost Toy Room and came out of the background work I did on my previous piece Kelpie. Although set in the toy room the majority of Kelpies story is based on events before, when the room was still part of a wider house and family. For Kelpie I started thinking about events before the Toy Room, building a picture of the family and events, which might impact on the toys or other characters.

I had already created a timeline and history for the Toy Room, the portraits so far being pulled from several periods, and now added even more history. Some of this I will use in the characters descriptions or the excerpts here as well as keeping me consistent in what I create and allowing me a framework to build the connections between characters and stories. The notes also help to generates new stories and characters for me.

Growing up I used to play D&D and Games Workshop and with those came the source books filled with histories and backgrounds that I always enjoyed the most. My interest led me to study History, Religious Studies and Sociology at A- Level and later read Egyptology at University. It that style that I want to present the Lost Toy Room, fragments and hints, stumbled upon bits of story and loose ends that only make sense at the end. Collected notes and musing.

The Black Day Dolls show The Lost Toys never had a chance and are a product of the family they belonged to. The memories of children’s games an echo of the dark machinations of their parents.

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‘The Black Day Dolls. Typewriter Remix’ – ©Benamon Tame

 

The figures started out as one of my vintage dolls with the legs covered up so it more closely resembled a traditional worry doll. using a draw to act as the box for them I took several shots of the dolls in different positions to be blended together to make the set.

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‘Doll 1’ – ©Benamon Tame

The composite image was made up in Juxtaposer. Numbers were added to their chests using Photo Editor FotoLr and then ageing was added using Iris, Snapseed and Pictureshow. After reviewing the image I felt I wanted to bring a darker more Reliquary appearance so replaced their heads with skulls from a shot I took at Bodmin jail!

The wrappings also add to the funeral feel, that they at holding something together.

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‘Doll 2’ – ©Benamon Tame

 

Apps used in creating the images: Juxtaposer, Iris Photo Suite, Blender, Pictureshow, Scratchcam, Labelbox, Phonto, Photo Editor Fotolr and Snapseed.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

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