News,  Tickle Your Fancy

Tickle Your Fancy – #31 – Dedicated To All Women

Welcome back to our thirty first post in our new section ‘Tickle Your Fancy. Tickle Your Fancy’ includes a round-up of five links to articles from around the internet that have specifically interested us during the course of the week. Ones that we feel are relevant to your interest in photography and art.

Just to explain the title for this section Tickle Your Fancyis an English idiom and essentially means that something appeals to you and perhaps stimulates your imagination in an enthusiastic way, we felt it would make a great title for this new section of the site.

We hope you enjoy this weeks’ selections, we have dedicated this week to all women – it has been such a poignant week for female photographers and artists that we felt compelled to do this, please enjoy this read.

 

 

The work of killed AP photographer Anja Niedringhaus – in pictures

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We posted news of this tragedy yesterday, Pulitzer prize-winning photographer Anja Niedringhaus has been shot dead in Afghanistan’s violent east while covering preparations for the presidential election. The Guardian have put together a retrospective of her work, from the war zones of Iraq and Afghanistan to the London 2012 Olympics.

Take a look here

And Women Shall Lead…

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“The first time I visited Afghanistan in May 2000, I was 26 years old, and the country was under Taliban rule. I went there to document Afghan women and landline victims. At the time, the Taliban had banned photography of any living being, so I snuck around with my cameras in a bag, visited people in their homes in Kabul and the provinces, and claimed I was photographing destroyed buildings left by over two decades of war in the country. There were almost no foreigners in Afghanistan then; electricity was rare, television was banned, and my only contact with the outside world was through BBC dispatches on a short-wave radio and through UN officials based in Kabul”.

Absolutely stunning account with images by Lynsey Addario for TIME Lightbox – don’t miss this.

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Natalie Naccache is a Lebanese- British photojournalist based in Beirut, Lebanon.  She is represented by Getty Global assignments and formerly Reportage by Getty Images Emerging Talent group.  Having grown up to Lebanese parents in London, her work challenges preconceived ideas of the Middle East in modern day society.

Incredible images from Natalie’s ‘Walking in Circles’ series – ‘With frequent car bombs taking place in Lebanon, an unstable government, and a dwindling economy many young people are desperate to leave Lebanon. The ones who remain adjust their daily routine and remain indoors during the day from fear of being at the wrong place at the wrong time when an explosion takes place. The following photographs are an attempt to explain how fragile Beirut feels’.

Take a look here

Deutsche Börse Photography Prize: Lorna Simpson

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Elusive yet captivating, the Brooklyn-born artist’s mixed-media work has put her in the running for the Deutsche Börse Photography Prize”.

Stunning images and revealing article.

Read more here

In Carrie Mae Weems’s photographs, revelation and resistance

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Late last month, the National Gallery of Art announced the acquisition of its first work by artist Carrie Mae Weems, a photograph of three African American girls lying on the grass with flowers in their hair. One of them gives the camera a slightly suspicious, perhaps even defiant glance, as if to defy a centuries-long history of being objectified by art and photography.

The National Gallery isn’t exactly renowned in the art world for its collection of work by women, or by African-Americans, so it was a pleasant surprise to learn that the MacArthur-genius grant laureate Weems finally had a place in the country’s putative national collection. And yet, the Gallery seemed intent on downplaying the photograph’s provocation”.

Carrie Mae Weems: Three Decades of Photography and Video Solomon R. Guggenheim Museum in New York through May 14. For more information, visit www.guggenheim.org

 

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

One Comment

  • Laurence Zankowski

    Joanne,

    I am so angry, upset, heartbroken over her death. The fanaticism against women… We are in the 21st century…

    LLZ.