News,  Spotlight

Mobile Photography – ‘Spotlight’ – New Section – with Susan Rennie – TheAppWhisperer

I am delighted to launch a new section to TheAppWhisperer today, entitled ‘Spotlight’ – I, like many have been inspired by the creative vision of Susan Rennie’s cafe portraiture photographs. Rennie has been building a steady pictorial record of candid images and each time I view one, it stops me and makes me think… I love that! I view a lot of images everyday, it takes a lot to stop me.  In fact, the images that Rennie has captured made me think very deeply one night recently, so much so, that I was inspired to create this new monthly series, Spotlight, where I will feature one mobile photographer or mobile artist and their accompanying work.

In this portrayal series, Rennie’s approach is critical, none of the models are aware that she is taking their photographs, seizing their private moments. She exploits the freedom that the Apple iPhone gives her to capture the dynamic inhabitants of her local coffee shop in California and creates a fascinating visual insight into their lives.

I have asked her for more information, her ‘behind the scenes ethos’ and her bio, so we can all get to learn a little more about her. I have created a video showcase of the cafe portraits for you to enjoy.

Rennie explains thus:  “One of the great challenges of portrait photography is the self-consciousness of the subject, who invariably presents a public persona to the photographer. With some street photography one can grab a fleeting image that momentarily penetrates the outer mask  at least until the person becomes aware of the camera. But how can a photographer make a candid shot, with a different truth, from extended observation?  Sitting in my local Venice cafe I thought how I would like to photograph the expressions, gestures, body language of my various fellow patrons, making a portrait that observed the inner persona  the candid persona that provokes a story for the viewer. The simple answer was that using the iPhone I had in my hand I could become a modern participant-observer. Made possible by the thoroughly modern technology of the iPhone I’ve made my cafe my community/ studio, and the stream of people at the small tables across from me my fellow participants/ sitters. Like the other patrons, I am absorbed in my iPhone: reading news, checking emails, getting the latest on FaceBook  but also taking photographs. As Meri Walker, an inspired mobile photographer, commented about this project: This is an ethnographic portrait of the Abbot’s Habit tribe”.

Rennie’s Bio: “I began taking photographs in the late sixties during my doctoral candidacy at Columbia University. In 1970 my photographs of museum goers were used to illustrate the Museum of Modern Art Annual Report. The next year I studied with Lisette Model, whose street photography had completely seduced me. Photography was much more attractive to me than political philosophy, but life intervened with the advent of the Women’s Movement, taking me in a different direction than art. After a long career as an academic and women’s health activist, I retired and resumed my long dormant true avocation  photography  and launched myself into the digital world. Having lived in Venice, California, since 1976, when I retired three decades later, I decided to take this historic, idiosyncratic, eccentric community as a subject for my photography resulting in three gallery exhibitions focusing on life in Venice. But then, in 2011, my relationship with photography changed radically when I began using my iPhone 4 as a camera. Reading about the Hipstamatic app in the New York Times, I started making photographs that I found much more creatively gratifying.  I was boosted to a second stage of revolution in March 2013 when I discovered photographic social media in Hipstamatic’s Oggl. A year later, in April 2014, I experienced what I see as my great leap forward: the discovery of the App Whisperer, the universe of iPhone apps, and the global community making mobile art  starting my participation in the generation of a new art form”.  

 

Facebook link

Flickr link

Video Showcase

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

8 Comments

  • Carolyn Hall Young

    This is an extrordinary series. In it, I immediately sensed the compassion of the photographer, willing to see the beauty in these strangers. The tone of the lighting, of color, of the thoughtful composition, the graphic harmony of this work made me pause, stop, and think. It is the quietness of vision, in this uncommonly reverent view of of the cafe community, that moves me. Susan Rennie’s images remind me again of the power of patience, and a careful eye. They catch my attention, and sooth my hunger for beauty. There is kindness, here.
    Bravo, Susan Rennie! Bravo, Joanne Carter for presenting this work so beautifully. The showcase was a pure pleasure. Thank you!

  • Connie Gardner Rosenthal

    Bravo Joanne and Susan. an informative and interesting piece. I’m thrilled my friend Susan is being featured as the talented and prolifically talented photographer that she is.

  • Diana Jeon

    Very interesting. I really enjoyed reading this, and learning a little more about Susan. Even though we follow each others imagery and interact from time to time on FB, I didn’t really know much about why she makes what she makes. Thanks for sharing.

  • Meri walker

    I’m so delighted to see a big chunk of this work featured here. I believe that Susan is breaking new ground with the series and I really look forward to seeing the rest of it and her thoughts developed in full and shared in the mobile community. I think she has pried up the edge of what we used to call “Street Photography” and found a whole new possibility in artful reporting of the every day experiences that each of us have and are in “expert” on.

  • Alice Wolfson

    Susan
    It’s so great to see your work. And fabulous to see that you have a second career. I think of you and often still quote you. Can you send me your personal email. Jan, Joanne and I are planning a get together is November in DC. Would love to have you there. Have you had a chance to see She’s Beautiful When She’s Angry?
    Alice

  • Pat brown

    It’s a challenge to respond appropriately to such amazing and beautiful work. Vision, execution, patience, persistence, consistency, variety, all are adjectives that spring to mind. I love these people and find them compassionately presented through the eye of an extraordinary artist. Thank you, Susan! Thank you, Joanne!