My Birth
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Carmen Winant’s My Birth: A Raw and Transformative Portrait of Creation – Book Review

Carmen Winant’s My Birth: A Raw and Transformative Portrait of Creation – Book Review

Carmen Winant’s My Birth is a striking and profoundly introspective photobook that delves into childbirth’s physical, emotional, and societal dimensions. This edition, published by Mack Books in 2024, expands on themes Winant has previously explored, blending personal history with collective experience. The book juxtaposes images of her mother’s births with found photographs of anonymous women during labour, creating a visual tapestry that celebrates birth as both an intimate and communal act.

To purchase this book, please go here.

All images – Courtesy of the artist and MACK.

My Birth

A Visual Journey Through Birth

The book’s structure follows the arc of childbirth, moving from labour to delivery and beyond. The photographs are intentionally raw and genuine, capturing birth’s visceral, chaotic, and often overlooked realities. Images of crowning infants, contorted bodies, and post-delivery moments reveal a process frequently sanitized or hidden in mainstream culture. This unfiltered representation challenges viewers to confront the beauty and discomfort of birth, making visible what is often deemed too private or graphic for public consumption.

My Birth

Themes of Collectivity and Solitude

Winant’s inclusion of anonymous photographs situates individual birth experiences within a broader, shared narrative. The book seeks to answer questions about the cultural and political implications of depicting childbirth, asking: What happens when the profoundly personal becomes part of a collective history? Winant’s photographs blur boundaries, transforming personal memories into a universal exploration of femininity, pain, and creation.

My Birth

Textual Reflection

The accompanying text, presented as a facsimile of Winant’s journal, deepens the work’s reflective quality. It wrestles with the inadequacies of language to describe birth’s intensity, echoing the work of feminist theorists like Hélène Cixous. Winant articulates the complexities of birth—not just as a physical act but as a cultural moment steeped in meaning, ambiguity, and power dynamics.

My Birth

A Political and Cultural Statement

By bringing childbirth into the public eye, My Birth asserts its representation as a political act. Historically, depictions of childbirth in art and media have often been filtered through male perspectives or reduced to simplified narratives. Winant counters this trend by offering an unmediated, female-centred viewpoint that refuses to relinquish the complexities of labour and delivery.

My Birth

Visual and Narrative Power

The sequencing of the images is as significant as the content itself. The repetition and variation of bodies in labour evoke a sense of rhythm and universality, while the stark documentary style amplifies the emotional weight. These choices mirror the physical and emotional intensity of labour, immersing the viewer in an experience that is both alien and deeply familiar.

My Birth

Conclusion

My Birth by Carmen Winant is more than a photobook—it is a meditation on creation, pain, and the human body’s resilience. It challenges societal taboos, celebrates women’s power, and invites reflection on a deeply personal and profoundly universal process. For anyone interested in feminist art, photography, or the human condition, this book offers a transformative lens through which to view one of life’s most elemental acts.

To purchase this book, please go here.

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Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: [email protected]