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Mobile Photography & Art Showcase – 6 June 2021
“Mercy is radical kindness. Mercy means offering or being offered aid in desperate straits. Mercy is not deserved. It involves forgiving the debt, absolving the unabsolvable. Mercy brings us to the miracle of apology, given and accepted, to unashamed humility when we have erred or forgotten”. As said by Ann Lamott in her book, ‘Hallelujah Anyway’. I read it sometime ago but I keep a few of my favourite books close by to pick up for inspiration now and again. Fortunately because of the world I live in, I constantly view the most incredible mobile imagery by some of the most wonderful artists, living today. So many of these artists…
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Mobile Photography & Art Flickr and Instagram Showcase – 21 February 2021
With incredulous timing, Robin Dunbar’s latest book ‘Friends: Understanding the Power of our Most Important Relationships‘ has been published, when so many of us are experiencing acute loneliness. In the United Kingdom, we are still under the strictest lockdown rules and many of us are shielding too, signifying we cannot leave our properties, at all. We are craving human contact with our friends and families and we worry if they or ourselves will end up being just another sad statistic on the news. Dunbar’s book helps us to understand how physical friendships, whether romantic or platonic activate our endorphin system, nourishing our bodies and our brains. Without its release, we…
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Mobile Photography & Art Instagram Showcase – 27 September 2020
Double Life a book-length photographic project by Kelli Connell has kept me entranced this week. At first, the viewer will imagine that the images are of shared moments in the life of two women, who possibly appear to be a couple. Then as each page is turned, we begin to realise that it’s not two women, it’s one, the same woman and the mystery begins. The images are documentary style and not dissimilar to the autobiographical work of Nan Goldin, albeit without the edgy undertones. Connell describes this project as “intimate moments experienced personally, witnessed in public, or watched on television“. This body of work is regarded as self-portraiture but…