Mobile Photography & Art Saturday Poetry – ‘Instrument’ by Dao Strom with Sarah Bichachi

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This weeks Saturday Poetry, matched with mobile photography/art is entitled ‘Instrument’. “I wrote this poem at the end of 2016. In the wake of the election, the phrase ‘burning-est woken of time’ spoke to a sense of urgency and self-questioning as to what kind of ‘instrument’ I would wish to be, and how. I remember there were a lot of words in the air at the time, rhetoric zinging back and forth on how to fight, resist, right and wrong ways to be, etc.—and maybe in response a part of me was craving a quieter version of myself, to be a conduit and hold channels open without falling prey to (or simply reflecting back) the anxieties around me/us. Playing with ‘-ist’ and ‘-est,’ and the placement of stanzas were further ways for me to contemplate sound and the extremities of language, as well as the slippery ease with which we create hierarchies of meaning by how we configure words” explained Dao Strom.

Dao Strom is the author of several books, including the bilingual poetry/art book, You Will Always Be Someone From Somewhere Else, (AJAR Press, 2018) and a hybrid-form memoir We Were Meant To Be a Gentle People, accompanied by a song-cycle, East/West (Press Otherwise, 2015). She is the editor of diaCRITICS and lives in Portland, Oregon.

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I have matched this image entitled ‘Chocolate Tears’ by Sarah Bichachi – @sarahbichachi with this poem.

You can view and follow her work on Instagram here.

If you would like to be featured in our Saturday Poetry section, please ensure you include the hashtag #theappwhisperer to any images posted to Instagram. This will mean we will be able to consider it.

To view the others we have published in this section, go here.

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Mobile Photography / Art – Saturday Poetry ‘Adore’ by Li-Young Lee with

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This weeks Saturday Poetry, matched with mobile photography/art is entitled ‘Adore’ by Li-Young Lee.  Lee was born in 1957 in Jakarta, Indonesia, to Chinese parents. His father had been a personal physician to Mao Zedong while in China, and relocated the family to Indonesia, where he helped found Gamaliel University. In 1959, the Lee family fled the country to escape anti-Chinese sentiment and after a five-year trek through Hong Kong, Macau, and Japan, they settled in the United States in 1964.

Lee attended the University of Pittsburgh and University of Arizona, and the State University of New York at Brockport. He has taught at several universities, including Northwestern and the University of Iowa.

He is the author of The Undressing (W. W. Norton, 2018); Behind My Eyes (W. W. Norton, 2008); Book of My Nights (BOA Editions, 2001), which won the 2002 William Carlos Williams Award; The City in Which I Love You (BOA Editions, 1990), which was the 1990 Lamont Poetry Selection; and Rose (BOA Editions, 1986), which won the Delmore Schwartz Memorial Poetry Award.

His other work includes Breaking the Alabaster Jar: Conversations with Li-Young Lee (Edited by Earl G. Ingersoll, BOA Editions, 2006), a collection of twelve interviews with Lee at various stages of his artistic development; and The Winged Seed: A Remembrance (Simon and Schuster, 1995), a memoir which received an American Book Award from the Before Columbus Foundation.

With regard to Lee’s work, the poet Gerald Stern has noted that “what characterizes [his] poetry is a certain humility… a willingness to let the sublime enter his field of concentration and take over, a devotion to language, a belief in its holiness.”

He has been the recipient of a Fellowship from the Academy of American Poets, a Lannan Literary Award, a Whiting Writer’s Award, the PEN Oakland/Josephine Miles Award, the I. B. Lavan Award, three Pushcart Prizes, and grants from the Illinois Arts Council, the Commonwealth of Pennsylvania, the Pennsylvania Council on the Arts, and the National Endowment for the Arts, as well as a Guggenheim Foundation fellowship. In 1998, he received the honorary degree of Doctor of Humane Letters from State University of New York at Brockport.

He lives in Chicago, Illinois, with his wife and their two sons.

I have matched mobile art work entitled ‘Climbing up the Walls’ by @before.1st.light – Jane Schultz with this poem. You can view and follow her on Instagram here.

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If you would like to be featured in our Saturday Poetry section, please ensure you include the hashtag #theappwhisperer to any images posted to Instagram. This will mean we will be able to consider it.

To view the others we have published in this section, go here.

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Mobile Photography / Art – Saturday Poetry ‘Each Year’ by Dora Malech with Rita Colantonio

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This weeks Saturday Poetry, matched with mobile photography/art is entitled ‘Each Year’ by Dora Malech.  Malech is the author of Stet (Princeton University Press, 2018), Say So (Cleveland State University Poetry Center, 2011), and Shore Ordered Ocean (Waywiser Press, 2009). She is the recipient of a Writer’s Fellowship at the Civitella Ranieri Center, a Ruth Lilly Poetry Fellowship, and an Amy Clampitt Residency Award. She lives in Baltimore, where she is an assistant professor in The Writing Seminars at Johns Hopkins University.

I have matched mobile art work entitled ‘Keepsake’ by @jules4921 – Rita Colantonio with this poem. You can view and follow her on Instagram here.

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If you would like to be featured in our Saturday Poetry section, please ensure you include the hashtag #theappwhisperer to any images posted to Instagram. This will mean we will be able to consider it.

To view the others we have published in this section, go here.

Read moreMobile Photography / Art – Saturday Poetry ‘Each Year’ by Dora Malech with Rita Colantonio

Mobile Photography / Art – Saturday Poetry – ‘I Cannot Be Quiet an Hour’ by Mary Ruefle with M. Cecilia Sao Thiago

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This weeks Saturday Poetry, matched with mobile photography/art is entitled “I Cannot be Quiet an Hour” by Mary Ruefle. Ruefle was born in Pennsylvania in 1952. Her father was a military officer, and she spent her early life traveling throughout the United States and Europe. She graduated from Bennington College in 1974 with a degree in literature.

Ruefle has published many books of poetry, including My Private Property (Wave Books, 2016); Trances of the Blast (Wave Books, 2013); A Little White Shadow (2006), an art book of “erasures,” a variation on found poetry; The Adamant (1989), winner of the 1988 Iowa Poetry Prize; and Memling’s Veil (University of Alabama Press, 1982).

She is also the author of a book of collected lectures, Madness, Rack, and Honey (Wave Books, 2012); a book of prose, The Most of It (Wave Books, 2008); and a comic book, Go Home and Go To Bed (Pilot Books/Orange Table Comics, 2007).

About Ruefle’s poems, the poet Tony Hoagland has said, “Her work combines the spiritual desperation of Dickinson with the rhetorical virtuosity of Wallace Stevens. The result (for those with ears to hear) is a poetry at once ornate and intense; linguistically marvelous, yes, but also as visceral as anything you are likely to encounter.”

Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.

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I have matched art work entitled ‘It’s Raining Here’ by M. Cecilia Sao Thiago with this poem. You can view and follow her on Instagram here.

If you would like to be featured in our Saturday Poetry section, please ensure you include the hashtag #theappwhisperer to any images posted to Instagram. This will mean we will be able to consider it.

To view the others we have published in this section, go here.

Read moreMobile Photography / Art – Saturday Poetry – ‘I Cannot Be Quiet an Hour’ by Mary Ruefle with M. Cecilia Sao Thiago

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